Tascam DM-3200 owner manual Connections Digital connections, Analog outputs, Digital audio I/O

Page 40

3 – Connections : Digital connections

Analog outputs

The dedicated analog outputs are relatively few since it is expected that most signals will remain in the dig- ital domain after they have entered the DM-3200.

STEREO OUT Balanced XLR connections (1 ground, 2 hot, 3 cold), which output the stereo buss signals, which can be used to feed the analog inputs of a 2-track recorder, or a specialist chain of analog devices used for mastering.

NOTE

There are no dedicated stereo digital outputs. The ste- reo buss may be routed internally to a variety of digital outputs in different formats. See “Output routing” on page 49 for details.

ASSIGNABLE SENDS These are balanced 1/4" TRS jacks at –2 dBu (wired as described above). As the name suggests, they provide analog send outputs which can be assigned from a variety of sources (see “Routing” on page 47).

Monitoring (CR OUTPUTS) A pair of balanced 1/4" jacks provides the feed to the stereo control room monitoring system (amp/speaker or powered monitors) at +4dBu levels. The level is adjusted using the hardware CR control.

Monitoring (STUDIO OUTPUTS) These unbalanced RCA jacks provide a –10 dBV feed to the studio monitoring system. The level is controlled by software.

Digital connections

Digital audio I/O

TDIF I/O There are three 25-pin TDIF-1 connectors each carrying eight channels of input and eight of output. These can be used to connect DTRS record- ers, etc. as well as other devices whose digital I/O conforms to the TDIF-1 standard.

WARNING

Make connections to these terminals only using approved TDIF cables. Use of any other cables will result in signal degradation, and may even damage equip- ment.

ADAT “lightpipe” OUT & IN These TOSLINK optical connectors carry eight output channels and eight input channels of audio respectively.

Connect them to appropriately-equipped equipment using standard optical digital audio cables.

CASCADE This is a special connector, used only to connect another DM-3200 unit to extend the capabil- ities of the DM-3200. This facility is not available in the first release of the software.

WARNING

Only use the special TASCAM cascade cable here. Use of any other type of cable may result in damage to the equipment.

Digital inputs and outputs There are two sets of stereo digital inputs and two sets of stereo digital outputs.

Each set comprises an unbalanced RCA connector (typically for use with S/PDIF equipment), and an XLR connector (typically for use with AES/EBU equipment).

Though connections can be made to both the RCA and XLR connectors together, only one can be used for input at any one time (output from these jacks is made in parallel). Selection is made in software.

We strongly recommend that to maintain signal qual- ity, you only use cables designed for digital equip- ment.

40 TASCAM DM-3200 User’s Manual

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Contents Digital Mixing Console HAZARD, do not Expose this Appliance to Rain or Moisture Important Safety Instructions Contents Routing & assignment ConnectionsChannel modules Specifications EffectsMidi Remote operation17 Channel delay Gate/Expander preset library entriesList of Figures Effects Remote operation Supported transport machine controlIntroduction Computer DAW integrationOther key points Please read this manualIntroduction About the DM-3200 About the DM-3200Channel destinations Mixer channelsIntroduction Unpacking the DM-3200 Unpacking the DM-3200About the manual Introduction About the manualWhat’s in the manual Special notes for touch-sensitive faders Introduction Special notes for touch-sensitive fadersCopyright, etc Introduction The features of the DM-3200 Features of the DM-3200Module & layer control section Modifier sectionLibrary section and CF card slot Machine control sectionSmart keys Basic operational conceptsWhat’s on the screen? Jumping to commonly-used screens Explanation of the top line of screen displaysBasic operational concepts Special controls Special controlsFader layers PODsPOD knobs used in a multi-control Screen GATE/DYN dynamics processor mode Basic operational concepts EncodersEncoders Encoder mappingsReading the encoder indicators Hard left Little less hard Centered Little to Left RightThree indicators Now off Now lit One half-lit No cut or boost Slight boost note Little more boostLowest frequency Middle Little higher Than middleLow shelf High shelf Peak Notch Encoder behaviorFull cut Below nominal Nominal 0dB Above nominal CF cards Basic operational concepts CF cardsFormatting a new card How to shut down the DM-3200 In order to Basic operational concepts Shutting down the DM-3200Shutting down the DM-3200 Important CAUTION!!! Data associated withBasic operational concepts About projects and libraries About projects and librariesCreating a new project Setting the date and timeSystem Managing projects 24 The project managementSaving project data 25 Storing a projectBasic operational concepts Library management Library managementLibrary utilities Target area Target areaSOURCE areaSetup screen Basic operational concepts Naming library entriesNaming library entries Options30 The Setup option screen Basic operational concepts OptionsEncoder Mode Follows Current Screen Current Screen Follows Encoder ModeSEL keys Meter layer Buss AUXSolo Utilities Basic operational concepts UtilitiesUtility copying Switch utility 35 Utility external switch settingsStereo digital I/O Cascade ConnectionsMIDI, control and sync connections Analog connections Connections Analog connectionsMic/line connections Connections Digital connections Digital connectionsAnalog outputs Digital audio I/ODigital I/O setup Digital Setup screenConnections Other connections Slot card configurationOther connections Connections Other connections Connections Clock setting Clock settingFireWire card Normal High-speed InternalCascade Digital in 1/2Yes Routing & assignmentYes Yesb Routing Routing & assignment RoutingInput routing TIP Output routing Insert patching Routing & assignment Channel-to-buss assignment Assignment using the front panelChannel-to-buss assignment Buss assignments with the pan switch Off Non-channel assignments Assignments from Monitoring Routing & assignment MonitoringSelecting the CR source Studio cue source Talkback, etc Oscillator and noise generatorFull-featured modules MetersFirst 24 channel modules Return modulesSoloing Channel modules General principlesGlobal module settings Channel modules Global module settingsChannels Fader control Fader or Master M/F tabsChannel modules Dynamics processors Dynamics processorsShift key Ctrl keyGates input channels Compressor/expandersDecay time Step size Release time Step sizeCompressor/Expander preset library entries Preset dynamics library entriesProgram Name Comment Number Trigger settings Channel modules EQ EQ library 11 EQ library Number Title CommentChannel modules Aux and buss setup Aux and buss setupAux send pan/balance screens linked Channel modules Module setup Module setupMaximum delay ms 44.1 371.5 341.3 88.2 185.7 170.7Phase/trim/delay Stereo linking Mute groups Fader groups Changing surround mode Surround mode is set from the PAN/BAL Surround Mode screenChannel modules Surround operations Surround operationsSurround panning 33 Surround panning pan mode on LFE level Snapshots Channel modules SnapshotsSnapshot library management Storing snapshots Information about a snapshotEffects Setting up the effectsRouting the effects Effects Setting up the effects Tascam effect parametersTC Works effect parameters Effects Effect libraries Preset TC Reverb effectsEffect libraries Number Name LCD indication 024 025026 027Number Name LCD indication 063 064065 066Preset Tascam effects Preset Title LCD indication Comments Guitar CompressorDistortion Tascam effectsPreset Title LCD indication Comments PhaserCompressor ExciterMulti-tap Preset Title LCD indication Comments Delay StereoChorus Pitch changer 100101 106Midi port switching and filtering MidiMidi Program Change messages and the DM-3200 Midi Implementation ChartsProgram Change messages and the DM-3200 Remote operation Selecting devices for transport controlRemote operation Selecting devices for transport control Deleting devices from the listAuto-detection of devices Selecting the control type for the devicesTransport mapping memories Viewing the transport mappings To use a transport mappingEditing a mapping Remote operation Machine control setup Machine control setupRecord Command Type Locate PrerollRemote operation Location memories Location memoriesManual location Viewing a list of location memoriesRepeat play Auto punch operations ALL Input and Auto MONSpecifications Analog audio I/OAssignable Returns BAL 1 through Assignable Sends 1 throughDigital audio I/O Specifications Digital audio I/OMiscellaneous I/O connections Specifications Equalization Physical characteristicsEqualization System performanceSpecifications Dimensional drawing Dimensional drawingMessages and troubleshooting Popup messagesSpecifications Messages and troubleshooting Shown when performing bulk setup of the channel delay time Shown when performing bulk setup of the channel LFE levelShown when undoing or redoing library operations Shown when all grouping layers are to be clearedClock source has been selected, but no signal is present Library preset entry has been recalled compressor/expanderResults of performing a word sync check Valid clock source has been selectedConfirmation when copying automation configuration Confirmation when performing a parameter copy operationConfirmation that the digital trim values are to be updated Groups of 8 busses, or groups of 8 channelsLibrary preset entry has been recalled effect Shown when undoing or redoing effect library operationsInformation about a library preset entry EQ Information about a library preset entry gateConfirmation when changing between Input and Return sources Confirmation that the delay values are to be updatedInformation about a library entry gate Group does not exist to be used as a grouping layerProject to another Project bankConfirmation about the deletion of an automation file Confirmation before deleting dataConfirmation when re-assigning a grouping layer master Confirmation when re-assigning a fader group masterConfirmation when changing a setting Should this changed data be loaded?Digital audio data error from AES card non-audio data Digital audio data error from AES card loss of word syncInformation on a preset snapshot Snapshot preset has been recalledDM-3200 can be rebooted Stored a snapshotChanged Current project cannot be renamedSpecifications Block diagram Block diagramSpecifications Level diagram Level diagramPage Page DM-3200
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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