Yamaha DGX-500, DGX-300 manual Ëôëòóí ̇·Ó, 100

Page 100

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ä‡Ê‰˚È ÔÂÛÒÒËÓÌÌ˚È ÚÂϷθÁÛÂÚ Ó‰ÌÛ ÌÓÚÛ.

MIDI-‰‡ÌÌ˚Â Ó ÌÓÚÂ Ë Â ÌÓÏ ÌÓÏÂÚ˚, Û͇Á‡ÌÌ˚ı ̇ Í·‚ˇÚÛ‰‡Ú‡ C1)

ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÌÓÏÂÚÂ C0.

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C#0

D0

D#0

E0

F0

F#0

G0

G#0

A0

A#0

B0

C1

C#1

D1

D#1

E1

F1

F#1

G1

G#1

A1

A#1

B1

C2

C#2

D2

D#2

E2

F2

F#2

G2

G#2

A2

A#2

B2

C3

C#3

D3

D#3

E3

F3

F#3

G3

G#3

A3

A#3

B3

C4

C#4

D4

D#4

E4

F4

F#4

G4

G#4

A4

A#4

B4

C5

C#5

D5

D#5

E5

F5

F#5

G5

G#5

A5

A#5

B5

C6

C#6

D6

D#6

E6

F6

F#6

G6

100

 

 

 

çÓÏÂ

 

 

 

 

123

124

125

126

127

128

 

 

 

MSB/LSB/PC

 

 

127/000/000

127/000/001

127/000/008

127/000/16

127/000/24

127/000/25

Keyboard

 

 

MIDI

 

Key

Alternate

Standard Kit 1

Standard Kit 2

Room Kit

Rock Kit

Electronic Kit

Analog Kit

Note#

Note

 

Note#

 

Note

Off

assign

 

 

 

 

 

 

25

C#

0

13

 

C#

-1

 

3

Surdo Mute

 

 

 

 

 

26

D

0

14

 

D

-1

 

3

Surdo Open

 

 

 

 

 

27

D# 0

15

D# -1

 

 

Hi Q

 

 

 

 

 

28

E

0

16

 

E

-1

 

 

Whip Slap

 

 

 

 

 

29

F

0

17

 

F

-1

 

4

Scratch Push

 

 

 

 

 

30

F#

0

18

 

F#

-1

 

4

Scratch Pull

 

 

 

 

 

31

G

0

19

 

G

-1

 

 

Finger Snap

 

 

 

 

 

32

G#

0

20

 

G#

-1

 

 

Click Noise

 

 

 

 

 

33

A

0

21

 

A

-1

 

 

Metronome Click

 

 

 

 

 

34

A#

0

22

 

A#

-1

 

 

Metronome Bell

 

 

 

 

 

35

B

0

23

 

B

-1

 

 

Seq Click L

 

 

 

 

 

36

C

1

24

 

C

0

 

 

Seq Click H

 

 

 

 

 

37

C#

1

25

 

C#

0

 

 

Brush Tap

 

 

 

 

 

38

D

1

26

 

D

0

O

 

Brush Swirl

 

 

 

 

 

39

D#

1

27

 

D#

0

 

 

Brush Slap

 

 

 

 

 

40

E

1

28

 

E

0

O

 

Brush Tap Swirl

 

 

 

Reverse Cymbal

Reverse Cymbal

41

F

1

29

 

F

0

O

 

Snare Roll

 

 

 

 

 

42

F#

1

30

 

F#

0

 

 

Castanet

 

 

 

Hi Q 2

Hi Q 2

43

G

1

31

 

G

0

 

 

Snare H Soft

Snare H Soft 2

 

SD Rock H

Snare L

SD Rock H

44

G#

1

32

 

G#

0

 

 

Sticks

 

 

 

 

 

45

A

1

33

 

A

0

 

 

Bass Drum Soft

 

 

 

Bass Drum H

Bass Drum H

46

A#

1

34

 

A#

0

 

 

Open Rim Shot

Open Rim Shot 2

 

 

 

 

47

B

1

35

 

B

0

 

 

Bass Drum Hard

 

 

Bass Drum H

BD Rock

BD Analog L

48

C

2

36

 

C

1

 

 

Bass Drum

Bass Drum 2

 

BD Rock

BD Gate

BD Analog H

49

C#

2

37

 

C#

1

 

 

Side Stick

 

 

 

 

Analog Side Stick

50

D

2

38

 

D

1

 

 

Snare M

Snare M 2

SD Room L

SD Rock L

SD Rock L

Analog Snare 1

51

D#

2

39

 

D#

1

 

 

Hand Clap

 

 

 

 

 

52

E

2

40

 

E

1

 

 

Snare H Hard

Snare H Hard 2

SD Room H

SD Rock Rim

SD Rock H

Analog Snare 2

53

F

2

41

 

F

1

 

 

Floor Tom L

 

Room Tom 1

Rock Tom 1

E Tom 1

Analog Tom 1

54

F#

2

42

 

F#

1

 

1

Hi-Hat Closed

 

 

 

 

Analog HH Closed 1

55

G

2

43

 

G

1

 

 

Floor Tom H

 

Room Tom 2

Rock Tom 2

E Tom 2

Analog Tom 2

56

G#

2

44

 

G#

1

 

1

Hi-Hat Pedal

 

 

 

 

Analog HH Closed 2

57

A

2

45

 

A

1

 

 

Low Tom

 

Room Tom 3

Rock Tom 3

E Tom 3

Analog Tom 3

58

A#

2

46

 

A#

1

 

1

Hi-Hat Open

 

 

 

 

Analog HH Open

59

B

2

47

 

B

1

 

 

Mid Tom L

 

Room Tom 4

Rock Tom 4

E Tom 4

Analog Tom 4

60

C

3

48

 

C

2

 

 

Mid Tom H

 

Room Tom 5

Rock Tom 5

E Tom 5

Analog Tom 5

61

C#

3

49

 

C#

2

 

 

Crash Cymbal 1

 

 

 

 

Analog Cymbal

62

D

3

50

 

D

2

 

 

High Tom

 

Room Tom 6

Rock Tom 6

E Tom 6

Analog Tom 6

63

D#

3

51

 

D#

2

 

 

Ride Cymbal 1

 

 

 

 

 

64

E

3

52

 

E

2

 

 

Chinese Cymbal

 

 

 

 

 

65

F

3

53

 

F

2

 

 

Ride Cymbal Cup

 

 

 

 

 

66

F#

3

54

 

F#

2

 

 

Tambourine

 

 

 

 

 

67

G

3

55

 

G

2

 

 

Splash Cymbal

 

 

 

 

 

68

G#

3

56

 

G#

2

 

 

Cowbell

 

 

 

 

Analog Cowbell

69

A

3

57

 

A

2

 

 

Crash Cymbal 2

 

 

 

 

 

70

A#

3

58

 

A#

2

 

 

Vibraslap

 

 

 

 

 

71

B

3

59

 

B

2

 

 

Ride Cymbal 2

 

 

 

 

 

72

C

4

60

 

C

3

 

 

Bongo H

 

 

 

 

 

73

C#

4

61

 

C#

3

 

 

Bongo L

 

 

 

 

 

74

D

4

62

 

D

3

 

 

Conga H Mute

 

 

 

 

Analog Conga H

75

D#

4

63

 

D#

3

 

 

Conga H Open

 

 

 

 

Analog Conga M

76

E

4

64

 

E

3

 

 

Conga L

 

 

 

 

Analog Conga L

77

F

4

65

 

F

3

 

 

Timbale H

 

 

 

 

 

78

F#

4

66

 

F#

3

 

 

Timbale L

 

 

 

 

 

79

G

4

67

 

G

3

 

 

Agogo H

 

 

 

 

 

80

G#

4

68

 

G#

3

 

 

Agogo L

 

 

 

 

 

81

A

4

69

 

A

3

 

 

Cabasa

 

 

 

 

 

82

A#

4

70

 

A#

3

 

 

Maracas

 

 

 

 

Analog Maracas

83

B

4

71

 

B

3

O

 

Samba Whistle H

 

 

 

 

 

84

C

5

72

 

C

4

O

 

Samba Whistle L

 

 

 

 

 

85

C#

5

73

 

C#

4

 

 

Guiro Short

 

 

 

 

 

86

D

5

74

 

D

4

O

 

Guiro Long

 

 

 

 

 

87

D#

5

75

 

D#

4

 

 

Claves

 

 

 

 

Analog Claves

88

E

5

76

 

E

4

 

 

Wood Block H

 

 

 

 

 

89

F

5

77

 

F

4

 

 

Wood Block L

 

 

 

 

 

90

F#

5

78

 

F#

4

 

 

Cuica Mute

 

 

 

Scratch Push

Scratch Push

91

G

5

79

 

G

4

 

 

Cuica Open

 

 

 

Scratch Pull

Scratch Pull

92

G#

5

80

 

G#

4

 

2

Triangle Mute

 

 

 

 

 

93

A

5

81

 

A

4

 

2

Triangle Open

 

 

 

 

 

94

A#

5

82

 

A#

4

 

 

Shaker

 

 

 

 

 

95

B

5

83

 

B

4

 

 

Jingle Bell

 

 

 

 

 

96

C

6

84

 

C

5

 

 

Bell Tree

 

 

 

 

 

97

C#

6

85

 

C#

5

 

 

 

 

 

 

 

 

98

D

6

86

 

D

5

 

 

 

 

 

 

 

 

99

D#

6

87

 

D#

5

 

 

 

 

 

 

 

 

100

E

6

88

 

E

5

 

 

 

 

 

 

 

 

101

F

6

89

 

F

5

 

 

 

 

 

 

 

 

102

F#

6

90

 

F#

5

 

 

 

 

 

 

 

 

103

G

6

91

 

G

5

 

 

 

 

 

 

 

 

Image 100
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Special Message Section Model Serial No Purchase DateFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ‡ Ú‡ÍÊ Á‡ Ôóúâ ÍÓ‚‡ÚÍË ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚË ÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚÑËÒÍÓ‚Ó‰ ............................. ÒÚ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚„·‚ÎÂÌË 100102 104 108 109‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ‡ÒÚ ‡Ì˲‰‡ÔÚ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè‡Û¯ÌËÍË ÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚÂ001Live!Gnd ‡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome002GrandPno ‡ÊÏËÚ Íìóôíû Voice˚·Â ËÔËÒÓÍ ÚÂÏ·004B Bailey 005IrishEye101Filename ËÔËÒÓÍ ÔâòâìÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â ÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP001AlvFevr 002Croco RK+ è ˚„ÓÓȇÊÏËÚ Íìóôíû Dictionary DictÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ ˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl R1Timing‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ R2Waiting R3MinusOneLr4BothHand 120TEMPO ‡ÊÏËÚ Íìóôíû TEMPO/TAP‡Á‚‡ÌËÂ Ë Ìóïâ ·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔÎÂÂÀ̉Ë͇ÚÓ ‡ÍÚ Ì͇Á‡ÚÂÎË ‰ÓÎÂÈ1à̉Ë͇ÚÓ 2à̉Ë͇ÚÓÎÛÌ͈Ëfl Portable Grand ÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ068TEMPO ˚ÁÓ‚ËÚ ̇ÒÚÛ Tempo04TIME SIG 100MTR VOLÇÍβ˜ËÚ ÏÂÚ ‡ÒÚÚ˚ Ò˄̇· ÏÂÚ‡ÊÏËÚ Íìóôíû Voice ˚·ÂÀÒÔÓθÁÓ‚‡ÌË ˆËÙ 109CelestaÄÌÓÔÍË + 123Std.Kit1 ÎÛÌ͈Ëfl Dual VoiceÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice 104M.Volume ˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ·‡‰‡ÈÚ Á̇˜ÂÌË ԇ ‡ÒÚSplit Voice 113AcB/Pno000Live!Gnd ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ·ÎÛÌ͈ËË Transpose Ë Tuning 00TRANSPOS˚·ÂÛÌÍˆË˛ Transpose ÎÛÌ͈Ëfl Transpose000TUNING ÎÛÌ͈Ëfl Tuning‡‰‡ÈÚ ԇ 02PB RangeÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ 2Medium ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch SensitivityÁ̇˜ÂÌËfl Ô‡ ÙÙÙÂÍÚ˚ ÙÙÙÂÍÚ Reverb1Hall1 Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚·06Stage2 ÙÙÙÂÍÚ DSP˚·ÂÛÌÍˆË˛ DSP ÙÙÙÂÍÚ˚ Harmony 03BlockÇÍβ˜ËÚ ˝ÙÙÂÍÚ Harmony Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ HarmonyÍËÔ˚ ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony ˚·Ó ˚·Ó0018BtModrn ‡ÊÏËÚ Íìóôíû StyleÇÍβ˜ËÚ ÒÚËθ ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌڇʇڸ Íìóôíû START/STOP Main a ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap TempoÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡INTRO≥A ‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl IntroÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl ‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËflÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÉÒÚ‡ÌÓ‚ËÚ ÒÚËθÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ Ending ‡Ê‡Ú¸ Íìóôíû Sync StartÎÛÌ͈Ëfl Sync Stop ÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡120TEMPO ÀÁÏÂÌÂÌË ÚÂÏÔ‡˚ÁÓ‚ËÚ ԇ Fill A≥B ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍËÖòîë ̇ʇڸ Íìóôíû ‡ÒÚ‡ ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡100ACMP VOL ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi Fingering Äííó‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂÅÓθ¯ÓÈ Ï‡ÊÓÓ ÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈÅÓθ¯ÓÈ Ïëìóó ÅÓθ¯ÓÈ Ïëìóóâììóè054S-POINT ÌÒÚ‡Ìӂ͇ Ô‡Ú˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point ËÎÓ‚‡ÛÌ͈Ëfl Dictionary ‡ÊÏËÚ Íìóôíû DictionaryÌ͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓÓÚÓ Ú‡ÍÓ ‡ÍÍÓ Ìûêìó Ò˚„‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı 208XmasWalzDGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ Òúëîâ ‡ÊÏËÚ Íìóôíû M.D.B. 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DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.