Yamaha DGX-300, DGX-500 manual Ëôëòóí Úâï·

Page 93

ëÔËÒÓÍÚÂÏ·

çÓÏÂ

ŇÌÍ ‰‡ÌÌ˚ı

MIDI

ç‡Á‚‡ÌË ÚÂÏ·

ÚÂÏ·

MSB

LSB

Program

Change#

 

 

 

 

 

188

000

096

014

Church Bells

189

000

097

014

Carillon

190

000

000

015

Dulcimer

191

000

035

015

Dulcimer 2

192

000

096

015

Cimbalom

193

000

097

015

Santur

 

 

 

ORGAN

 

194

000

000

016

DrawOrg

195

000

032

016

Detuned DrawOrg

196

000

033

016

60’s DrawOrg 1

197

000

034

016

60’s DrawOrg 2

198

000

035

016

70’s DrawOrg 1

199

000

036

016

DrawOrg 2

200

000

037

016

60’s DrawOrg 3

201

000

038

016

Even Bar

202

000

040

016

16+2"2/3

203

000

064

016

Organ Bass

204

000

065

016

70’s DrawOrg 2

205

000

066

016

Cheezy Organ

206

000

067

016

DrawOrg 3

207

000

000

017

Percussive Organ

208

000

024

017

70’s Percussive Organ

209

000

032

017

Detuned Percussive

Organ

 

 

 

 

210

000

033

017

Light Organ

211

000

037

017

Percussive Organ 2

212

000

000

018

Rock Organ

213

000

064

018

Rotary Organ

214

000

065

018

Slow Rotary

215

000

066

018

Fast Rotary

216

000

000

019

Church Organ

217

000

032

019

Church Organ 3

218

000

035

019

Church Organ 2

219

000

040

019

Notre Dame

220

000

064

019

Organ Flute

221

000

065

019

Tremolo Organ Flute

222

000

000

020

Reed Organ

223

000

040

020

Puff Organ

224

000

000

021

Accordion

225

000

032

021

Accord It

226

000

000

022

Hamonica

227

000

032

022

Harmonica 2

228

000

000

023

Tango Accordion

229

000

064

023

Tango Accordion 2

 

 

 

GUITAR

 

230

000

000

024

Nylon Guitar

231

000

016

024

Nylon Guitar 2

232

000

025

024

Nylon Guitar 3

233

000

043

024

Velocity Guitar Harmonics

234

000

096

024

Ukulele

235

000

000

025

Steel Guitar

236

000

016

025

Steel Guitar 2

237

000

035

025

12-string Guitar

238

000

040

025

Nylon & Steel Guitar

239

000

041

025

Steel Guitar with Body

Sound

 

 

 

 

240

000

096

025

Mandolin

241

000

000

026

Jazz Guitar

çÓÏÂ

ŇÌÍ ‰‡ÌÌ˚ı

MIDI

ç‡Á‚‡ÌË ÚÂÏ·

ÚÂÏ·

MSB

LSB

Program

Change#

 

 

 

 

 

242

000

018

026

Mellow Guitar

243

000

032

026

Jazz Amp

244

000

000

027

Clean Guitar

245

000

032

027

Chorus Guitar

246

000

000

028

Muted Guitar

247

000

040

028

Funk Guitar 1

248

000

041

028

Muted Steel Guitar

249

000

043

028

Funk Guitar 2

250

000

045

028

Jazz Man

251

000

000

029

Overdriven Guitar

252

000

043

029

Guitar Pinch

253

000

000

030

Distortion Guitar

254

000

040

030

Feedback Guitar

255

000

041

030

Feedback Guitar 2

256

000

000

031

Guitar Harmonics

257

000

065

031

Guitar Feedback

258

000

066

031

Guitar Harmonics 2

 

 

 

BASS

 

259

000

000

032

Acoustic Bass

260

000

040

032

Jazz Rhythm

261

000

045

032

Velocity Crossfade Upright

Bass

 

 

 

 

262

000

000

033

Finger Bass

263

000

018

033

Finger Dark

264

000

027

033

Flange Bass

265

000

040

033

Bass & Distorted Electric

Guitar

 

 

 

 

266

000

043

033

Finger Slap Bass

267

000

045

033

Finger Bass 2

268

000

065

033

Modulated Bass

269

000

000

034

Pick Bass

270

000

028

034

Muted Pick Bass

271

000

000

035

Fretless Bass

272

000

032

035

Fretless Bass 2

273

000

033

035

Fretless Bass 3

274

000

034

035

Fretless Bass 4

275

000

096

035

Synth Fretless

276

000

097

035

Smooth Fretless

277

000

000

036

Slap Bass 1

278

000

027

036

Resonant Slap

279

000

032

036

Punch Thumb Bass

280

000

000

037

Slap Bass 2

281

000

043

037

Velocity Switch Slap

282

000

000

038

Synth Bass 1

283

000

018

038

Synth Bass 1 Dark

284

000

020

038

Fast Resonant Bass

285

000

024

038

Acid Bass

286

000

035

038

Clavi Bass

287

000

040

038

Techno Synth Bass

288

000

064

038

Orbiter

289

000

065

038

Square Bass

290

000

066

038

Rubber Bass

291

000

096

038

Hammer

292

000

000

039

Synth Bass 2

293

000

006

039

Mellow Synth Bass

294

000

012

039

Sequenced Bass

295

000

018

039

Click Synth Bass

296

000

019

039

Synth Bass 2 Dark

93

Image 93
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Model Serial No Purchase Date Special Message SectionFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ÍÓ‚‡ ‡ Ú‡ÍÊ Á‡ ÔóúâÚÍË ÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚ ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚËÑËÒÍÓ‚Ó‰ ............................. ÒÚ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚100 „·‚ÎÂÌËÂ102 104 108 109‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ‡Ì˲ ‡ÒÚ‰‡ÔÚ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl‡Û¯ÌËÍË ÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚ‡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome 001Live!Gnd‡ÊÏËÚ Íìóôíû Voice 002GrandPno˚·Â ËÔËÒÓÍ ÚÂÏ·005IrishEye 004B BaileyËÔËÒÓÍ Ôâòâì 101FilenameÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â ÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP002Croco RK 001AlvFevr+ è ˚„ÓÓÈDict ‡ÊÏËÚ Íìóôíû DictionaryÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ R1Timing ˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ R3MinusOne R2WaitingLr4BothHand 120TEMPO ‡ÊÏËÚ Íìóôíû TEMPO/TAP·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠ‡Á‚‡ÌËÂ Ë ÌóïâÀ̉Ë͇ÚÓ Ì͇Á‡ÚÂÎË ‰ÓÎÂÈ ‡ÍÚ1à̉Ë͇ÚÓ 2à̉Ë͇ÚÓÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ ÎÛÌ͈Ëfl Portable Grand068TEMPO ˚ÁÓ‚ËÚ ̇ÒÚÛ Tempo100MTR VOL 04TIME SIGÇÍβ˜ËÚ ÏÂÚ ‡ÒÚÚ˚ Ò˄̇· ÏÂÚ˚·Â ‡ÊÏËÚ Íìóôíû Voice109Celesta ÀÒÔÓθÁÓ‚‡ÌË ˆËÙÄÌÓÔÍË + ÎÛÌ͈Ëfl Dual Voice 123Std.Kit1ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice ˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ· 104M.Volume‡‰‡ÈÚ Á̇˜ÂÌË ԇ ‡ÒÚ113AcB/Pno Split Voice000Live!Gnd ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ·00TRANSPOS ÎÛÌ͈ËË Transpose Ë Tuning˚·ÂÛÌÍˆË˛ Transpose ÎÛÌ͈Ëfl TransposeÎÛÌ͈Ëfl Tuning 000TUNING02PB Range ‡‰‡ÈÚ ԇÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch Sensitivity 2MediumÁ̇˜ÂÌËfl Ô‡ ÙÙÙÂÍÚ Reverb ÙÙÙÂÍÚ˚1Hall1 Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚·ÙÙÙÂÍÚ DSP 06Stage2˚·ÂÛÌÍˆË˛ DSP 03Block ÙÙÙÂÍÚ˚ HarmonyÇÍβ˜ËÚ ˝ÙÙÂÍÚ Harmony Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ HarmonyÍËÔ˚ ˝ÙÙÂÍÚÓ‚ ÍËÔ˚ÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony ˚·Ó ˚·Ó0018BtModrn ‡ÊÏËÚ Íìóôíû StyleÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÇÍβ˜ËÚ ÒÚËθ‡Ê‡Ú¸ Íìóôíû START/STOP ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap Tempo Main aÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl Intro INTRO≥AÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl ‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËflÉÒÚ‡ÌÓ‚ËÚ ÒÚËθ ÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ Ending ‡Ê‡Ú¸ Íìóôíû Sync StartÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡ ÎÛÌ͈Ëfl Sync StopÀÁÏÂÌÂÌË ÚÂÏÔ‡ 120TEMPO˚ÁÓ‚ËÚ ԇ ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍË Fill A≥BÖòîë ̇ʇڸ Íìóôíû ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡ÒÚ‡100ACMP VOL Äííó ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi Fingering‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈ ÅÓθ¯ÓÈ Ï‡ÊÓÓÅÓθ¯ÓÈ Ïëìóó ÅÓθ¯ÓÈ ÏëìóóâììóèÌÒÚ‡Ìӂ͇ Ô‡Ú 054S-POINT˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point ‡ÊÏËÚ Íìóôíû Dictionary ËÎÓ‚‡ÛÌ͈Ëfl DictionaryÌ͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓÌûêìó Ò˚„ ÓÚÓ Ú‡ÍÓ ‡ÍÍÓ‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ 208XmasWalz ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ıDGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ Òúëîâ ‡ÊÏËÚ Íìóôíû M.D.B. Music Database‡ÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ı ÈÄêÄåÖíêõ íÖåÅêéÇÈÄêÄåÖíêõ ëíàãÖâ ‡·ÓÚ Ê„ËÒÚËÓı 1BANKÀÒÔÓθÁÓ‚‡ÌË ̇·ÓÚ 1REGIST1‡ÊÏËÚ Íìóôíû Registration Memory 1 ËÎË 2 ‰Îfl ‚˚·Ó ‚ÓÒÔÓÈ Ôâòìë Ú‡ÍÚ˚, ‰ÓÎË Ë Ú‡ÈÏËÌ„ ̇ ‰ËÒÔΠ̠ÓÚÓ· ‡ÊÏËÚ Íìóôíû Song‚‡ÂÚ ÔÂβ Ú‡ÍÚ‡, ÓÒڇθÌ˚ ÏË„‡˛Ú ÔÓÒΉӂ‡ÚÂθÌÓ ‡Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓBREPEAT ÎÛÌ͈Ëfl A-B Repeat003BritePno ÀÁÏÂÌÂÌË ÚÂÏ·˚Íβ˜ËÚ ÙÛÌÍˆË˛ A-B Repeat ÈÓ„‰‡ ıÓÚËÚ‡ÊÏËÚÂ Ë ‰ÂÊËÚ Íìóôíû Voice Ì Ïâìââ ÒÂÍÛ̉˚ ˚·ÂÛÌÍˆË˛ Song Volume ÉÓÒÚ¸ Ôâòìë Ê„ÛÎË100SONG VOL ‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎfl ‡ÔËÒ¸ ÔâòâìRECUser ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ˚·ÓθÁÓ‚‡ÚÂθÒÍÓÈ Ôâòìë ‰Îfl Á‡ÔËÒË 202User˚·ÓÊÍË ‰Îfl Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÉÒÚ‡Ìӂ͇ Á‡ÔËÒË ‡˜‡ÎÓ Á‡ÔËÒˇÔËÒ¸ ̇ ‰ÊÍË ‡ÔËÒ¸ ‰ÓÊÍË ÏÂÎÓ‰ËË 1YESClrUser2 ‰‡ÎÂÌË ÔâòìëÈ a ̇ÊÏËÚ Íìóôíû Song Memory ‡ÊÏËÚ Íìóôíû +/YES ÓÚ‚ÂÚ Ì‡ ‚ÓÔ‚ÂÛ +/YES ËÎË -/NO˜ËÒÚ͇ ‰Ó YESClrTr1‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÈ ‰ÓÊÍ ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson ‡Áۘ˂‡ÌË Ôâòìë040Lomond ¸ÍÓ Á‡ÚÂÏ ÔÂ˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËÎË Lr4BothHand‡˜ÌËÚÂ Û ÑÎfl ÔÛ START/STOP‡‰‡ÈÚ Ìóïâêíë ÌÚ˚ „Ú‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ ÌÛ͇ÏËOnExcellen ÎÛÌ͈Ëfl ÓˆÂÌÍË GradeOnGRADE ˚·ÂÛÌÍˆË˛ Grade‡ÌÌ˚Â, Íóúóêìó ÒÓı DGX-500/300 ÉÔÂÚÓÈÄÓÏÏÂÚ‰ÂθÌÓ USRÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ ËÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ˜ËÒÚ͇ χ„ÌËÚÌÓÈ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‚‰ÂÌËfl Ó ‰ËÒÍÂÚ‡ıÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ 101D-Song01‡ÔÛÒÚËÚ ‚˚· Öòîë ‚˚ ıÓÚËÚ Ô ÉÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ÀÁÏÂÌÂÌË ԇÊÍË Ôâòìë ̇ ‰ËÒÍÂÚ UF00nnnÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ Óúùóâúû ‡ÊÏËÚ Íìóôíû SaveYESFilename UFilenameÖòîë ÌÛÊÌÓ, Ëáïâìëúâ ËÏfl هȷ ‡ÊÏËÚ Íìóôíû ExecuteComplete USavingTo SMF? SUser1YESSure? ‡„ÛÁ͇ULoading ‡ÊÏËÚ Íìóôíû LoadUDeleting Utility ÙÛÌ͈Ëfl Delete‡ÊÏËÚ Íìóôíû Utility ˚·Â‰‡ÎÂÌËflCUEFormat? Utility ÙÓÚ˚072Formatin ÇÒÚ‡‚¸Ú Ìâóúùóâúû ‚ ‰ËÒÍÓ‚Ó‰‡ÊÏËÚ Íìóôíû Utility ¢ Utility ÔÂÚ˚ÓÚÓ Ú‡ÍÓ Midi ÎÛÌ͈ËË MidiËËÌÚÂÁ‡ÚÓÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓ ÛÒÚ „Ó ‚ÓÁÏÓÊÌÓÒÚË Ë ËÒÔÓθÁÓ‚‡ÌË ̇ ÒËÌÚÂÁ‡ÚÓËÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ ËËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËflMidi ËÓ‰ËÌËÚ MIDI-ÓÏÔ¸˛Ú ÈÓ‰Íβ˜ÂÌËÂ Í ÔÂÛInitsend ÃÓ͇θÌÓ ÛÔOn Local ‡ÊÏËÚ Íìóôíû + ËΡÊÏËÚ Íìóôíû START/STOP ÈÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„ÛEnd Ç̯Ìflfl ÒËÌıÌÒÚ ËÓı CLrBackupËÓı ÀÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ı‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl ËÔËÒÓÍ ÚÂÏ·086 000 114 062 Techno Brass ËÔËÒÓÍ ÚÂÏ· 353 World ÚÂÏ· MSB LSB ËÔËÒÓÍ ÚÂÏ· Beat ËÔËÒÓÍ ÒúëîâèÇÓÏ·‡Á˚ ‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ı ËÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı100 ËÔËÒÓÍ Ì‡·ÓËÔËÒÓÍ Ì‡·Ó Yamaha ‡·Îˈ‡‡·Îˈ‡ 104 ÅÓÍÓ‚˚ ԇÌÂÎË ·Ó‡‚ÍËÇËÌÚ˚ Ò ÍÎÓ‚ÍÓÈ 6 x 30 ÏÏ ÈÓ·˚ÈÓÒÚ‡‚¸Ú Í·‚ˇÚÛÛ ÌÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛÈÚÂ Ô ÍÂıÌ˘ÂÒÍË ı‡ ÈÚÌ˚È Û͇Á‡ÚÂθ Limited Warranty North America Http//www2.yamaha.co.jp/manual/english

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.