Yamaha DGX-300, DGX-500 manual Ëôëòóí Úâï·

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DJ Set 1

DJ Set 2

DJ Set 3

DJ Set 4

DJ Set 5

ÌÓÚ˚

 

 

 

 

 

 

 

036

C

1

BD Analog H

Bass Drum Soft

BD Analog H

BD Analog H

BD Analog H

037

C#

1

Analog Side Stick

Side Stick

Analog Side Stick

Analog Side Stick

Analog Side Stick

038

D

1

Analog Snare 1

Snare M

Analog Snare 1

Analog Snare 1

Analog Snare 1

039

D#

1

Hand Clap

Hand Clap

Hand Clap

Hand Clap

Hand Clap

040

E

1

Analog Snare 2

Snare H Hard

Analog Snare 2

Analog Snare 2

Analog Snare 2

041

F

1

Analog Tom 1

Floor Tom L

Analog Tom 1

Analog Tom 1

Analog Tom 1

042

F#

1

Analog HH Closed 1

Hi-Hat Closed

Analog HH Closed 1

Analog HH Closed 1

Analog HH Closed 1

043

G

1

Analog Tom 2

Floor Tom H

Analog Tom 2

Analog Tom 2

Analog Tom 2

044

G#

1

Analog HH Closed 2

Hi-Hat Pedal

Analog HH Closed 2

Analog HH Closed 2

Analog HH Closed 2

045

A

1

Analog Tom 3

Low Tom

Analog Tom 3

Analog Tom 3

Analog Tom 3

046

A#

1

Analog HH Open

Hi-Hat Open

Analog HH Open

Analog HH Open

Analog HH Open

047

B

1

Analog Tom 4

Mid Tom L

Analog Tom 4

Analog Tom 4

Analog Tom 4

048

C

2

Analog Tom 5

Mid Tom H

Analog Tom 5

Analog Tom 5

Analog Tom 5

049

C#

2

Analog Cymbal

Crash Cymbal 1

Analog Cymbal

Analog Cymbal

Analog Cymbal

050

D

2

Analog Tom 6

High Tom

Analog Tom 6

Analog Tom 6

Analog Tom 6

051

D#

2

Ride Cymbal 1

Ride Cymbal 1

Ride Cymbal 1

Ride Cymbal 1

Ride Cymbal 1

052

E

2

Chinese Cymbal

Chinese Cymbal

Chinese Cymbal

Chinese Cymbal

Chinese Cymbal

053

F

2

Ride Cymbal Cup

Ride Cymbal Cup

Ride Cymbal Cup

Ride Cymbal Cup

Ride Cymbal Cup

054

F#

2

Tambourine

Tambourine

Tambourine

Tambourine

Tambourine

055

G

2

 

 

 

 

 

056

G#

2

 

 

 

 

 

057

A

2

 

 

 

 

 

058

A#

2

 

 

 

 

 

059

B

2

 

 

 

 

 

060

C

3

 

 

 

 

 

061

C#

3

 

 

 

 

 

062

D

3

 

 

 

 

 

063

D#

3

Ohh2

FX01

ORCH

signal

Go

064

E

3

 

 

 

 

 

065

F

3

 

 

 

 

 

066

F#

3

 

 

 

 

 

067

G

3

 

 

 

 

 

068

G#

3

 

 

 

 

 

069

A

3

 

 

 

 

 

070

A#

3

 

 

 

 

 

071

B

3

 

 

 

 

 

072

C

4

 

 

 

 

 

073

C#

4

 

 

 

 

 

074

D

4

 

 

 

 

 

075

D#

4

 

 

 

 

 

076

E

4

 

 

 

 

 

077

F

4

FX02

Onemoretime

Onemoretime

Uhh-Hit

Huea

078

F#

4

 

 

 

 

 

079

G

4

 

 

 

 

 

080

G#

4

 

 

 

 

 

081

A

4

 

 

 

 

 

082

A#

4

 

 

 

 

 

083

B

4

 

 

 

 

 

084

C

5

Joo

Go

GetUp

Huihu

GetUp

085

C#

5

Reverse

Ohh2

signal

Joo

Reverse

086

D

5

Huihu

Heau

Joo

ComeOn

Joo

087

D#

5

FXTBrs

FX02

FXTBrs

Onemoretime

FX01

088

E

5

Huea

Huihu

Go

Go

Ohh1

089

F

5

GetUp

GetUp

Huihu

GetUp

Ohh2

090

F#

5

Ohh1

Reverse

FX01

Huea

Onemoretime

091

G

5

Go

signal

ComeOn

Ohh2

ComeOn

092

G#

5

Scratch 1

Scratch 1

Scratch 1

Scratch 1

Scratch 1

093

A

5

Scratch 2

Scratch 2

Scratch 2

Scratch 2

Scratch 2

094

A#

5

Scratch 3

Scratch 3

Scratch 3

Scratch 3

Scratch 3

095

B

5

Scratch 4

Scratch 4

Scratch 4

Scratch 4

Scratch 4

096

C

6

Scratch 5

Scratch 5

Scratch 5

Scratch 5

Scratch 5

97

Image 97
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Model Serial No Purchase Date Special Message SectionFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ‡ Ú‡ÍÊ Á‡ Ôóúâ ÍÓ‚‡ÚÍË ÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚ ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚËÑËÒÍÓ‚Ó‰ ............................. ÒÚ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚100 „·‚ÎÂÌËÂ102 104 108 109‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ‡Ì˲ ‡ÒÚ‰‡ÔÚ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl‡Û¯ÌËÍË ÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚ‡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome 001Live!Gnd‡ÊÏËÚ Íìóôíû Voice 002GrandPno˚·Â ËÔËÒÓÍ ÚÂÏ·005IrishEye 004B BaileyËÔËÒÓÍ Ôâòâì 101FilenameÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â ÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP002Croco RK 001AlvFevr+ è ˚„ÓÓȇÊÏËÚ Íìóôíû Dictionary DictÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ ˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl R1Timing‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ R3MinusOne R2WaitingLr4BothHand 120TEMPO ‡ÊÏËÚ Íìóôíû TEMPO/TAP‡Á‚‡ÌËÂ Ë Ìóïâ ·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔÎÂÂÀ̉Ë͇ÚÓ Ì͇Á‡ÚÂÎË ‰ÓÎÂÈ ‡ÍÚ1à̉Ë͇ÚÓ 2à̉Ë͇ÚÓÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ ÎÛÌ͈Ëfl Portable Grand068TEMPO ˚ÁÓ‚ËÚ ̇ÒÚÛ Tempo100MTR VOL 04TIME SIGÇÍβ˜ËÚ ÏÂÚ ‡ÒÚÚ˚ Ò˄̇· ÏÂÚ˚·Â ‡ÊÏËÚ Íìóôíû VoiceÀÒÔÓθÁÓ‚‡ÌË ˆËÙ 109CelestaÄÌÓÔÍË + 123Std.Kit1 ÎÛÌ͈Ëfl Dual VoiceÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice ˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ· 104M.Volume‡‰‡ÈÚ Á̇˜ÂÌË ԇ ‡ÒÚ113AcB/Pno Split Voice000Live!Gnd ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ·00TRANSPOS ÎÛÌ͈ËË Transpose Ë Tuning˚·ÂÛÌÍˆË˛ Transpose ÎÛÌ͈Ëfl TransposeÎÛÌ͈Ëfl Tuning 000TUNING‡‰‡ÈÚ ԇ 02PB RangeÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ 2Medium ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch SensitivityÁ̇˜ÂÌËfl Ô‡ ÙÙÙÂÍÚ Reverb ÙÙÙÂÍÚ˚1Hall1 Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚·06Stage2 ÙÙÙÂÍÚ DSP˚·ÂÛÌÍˆË˛ DSP 03Block ÙÙÙÂÍÚ˚ HarmonyÇÍβ˜ËÚ ˝ÙÙÂÍÚ Harmony Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ HarmonyÍËÔ˚ ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony ˚·Ó ˚·Ó0018BtModrn ‡ÊÏËÚ Íìóôíû StyleÇÍβ˜ËÚ ÒÚËθ ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌڇʇڸ Íìóôíû START/STOP ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap Tempo Main aÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl Intro INTRO≥AÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl ‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËflÉÒÚ‡ÌÓ‚ËÚ ÒÚËθ ÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ Ending ‡Ê‡Ú¸ Íìóôíû Sync StartÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡ ÎÛÌ͈Ëfl Sync Stop120TEMPO ÀÁÏÂÌÂÌË ÚÂÏÔ‡˚ÁÓ‚ËÚ ԇ Fill A≥B ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍËÖòîë ̇ʇڸ Íìóôíû ‡ÒÚ‡ ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡100ACMP VOL Äííó ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi Fingering‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈ ÅÓθ¯ÓÈ Ï‡ÊÓÓÅÓθ¯ÓÈ Ïëìóó ÅÓθ¯ÓÈ Ïëìóóâììóè054S-POINT ÌÒÚ‡Ìӂ͇ Ô‡Ú˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point ‡ÊÏËÚ Íìóôíû Dictionary ËÎÓ‚‡ÛÌ͈Ëfl DictionaryÌ͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓÌûêìó Ò˚„ ÓÚÓ Ú‡ÍÓ ‡ÍÍÓ‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ 208XmasWalz ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ıDGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ Òúëîâ ‡ÊÏËÚ Íìóôíû M.D.B. Music DatabaseÈÄêÄåÖíêõ íÖåÅêéÇ ‡ÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ıÈÄêÄåÖíêõ ëíàãÖâ ‡·ÓÚ Ê„ËÒÚËÓı 1BANK1REGIST1 ÀÒÔÓθÁÓ‚‡ÌË ̇·ÓÚ‡ÊÏËÚ Íìóôíû Registration Memory 1 ËÎË 2 ‰Îfl ‚˚·Ó ‚ÓÒÔÓÈ Ôâòìë Ú‡ÍÚ˚, ‰ÓÎË Ë Ú‡ÈÏËÌ„ ̇ ‰ËÒÔΠ̠ÓÚÓ· ‡ÊÏËÚ Íìóôíû Song‚‡ÂÚ ÔÂβ Ú‡ÍÚ‡, ÓÒڇθÌ˚ ÏË„‡˛Ú ÔÓÒΉӂ‡ÚÂθÌÓ ‡Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓBREPEAT ÎÛÌ͈Ëfl A-B Repeat003BritePno ÀÁÏÂÌÂÌË ÚÂÏ·˚Íβ˜ËÚ ÙÛÌÍˆË˛ A-B Repeat ÈÓ„‰‡ ıÓÚËÚ‡ÊÏËÚÂ Ë ‰ÂÊËÚ Íìóôíû Voice Ì Ïâìââ ÒÂÍÛ̉˚ Ê„ÛÎË ˚·ÂÛÌÍˆË˛ Song Volume ÉÓÒÚ¸ Ôâòìë100SONG VOL ‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎfl ‡ÔËÒ¸ ÔâòâìRECUser ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ˚·ÓθÁÓ‚‡ÚÂθÒÍÓÈ Ôâòìë ‰Îfl Á‡ÔËÒË 202User˚·ÓÊÍË ‰Îfl Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÉÒÚ‡Ìӂ͇ Á‡ÔËÒË ‡˜‡ÎÓ Á‡ÔËÒˇÔËÒ¸ ̇ ‰ÊÍË ‡ÔËÒ¸ ‰ÓÊÍË ÏÂÎÓ‰ËË 1YESClrUser2 ‰‡ÎÂÌË ÔâòìëÈ a ̇ÊÏËÚ Íìóôíû Song Memory ‡ÊÏËÚ Íìóôíû +/YES ÓÚ‚ÂÚ Ì‡ ‚ÓÔ‚ÂÛ +/YES ËÎË -/NOYESClrTr1 ˜ËÒÚ͇ ‰Ó‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÈ ‰ÓÊÍ ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson ‡Áۘ˂‡ÌË Ôâòìë040Lomond ¸ÍÓ Á‡ÚÂÏ ÔÂ˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËÎË Lr4BothHand‡˜ÌËÚÂ Û ÑÎfl ÔÛ START/STOP‡‰‡ÈÚ Ìóïâêíë ÌÚ˚ „Ú‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ ÌÛ͇ÏËOnExcellen ÎÛÌ͈Ëfl ÓˆÂÌÍË GradeOnGRADE ˚·ÂÛÌÍˆË˛ Grade‡ÌÌ˚Â, Íóúóêìó ÒÓı DGX-500/300 ÉÔÂÚÓÈÄÓÏÏÂÚ‰ÂθÌÓ USRÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ ËÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ˜ËÒÚ͇ χ„ÌËÚÌÓÈ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‚‰ÂÌËfl Ó ‰ËÒÍÂÚ‡ıÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ 101D-Song01‡ÔÛÒÚËÚ ‚˚· Öòîë ‚˚ ıÓÚËÚ Ô ÉÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ÀÁÏÂÌÂÌË ԇÊÍË Ôâòìë ̇ ‰ËÒÍÂÚ UF00nnnÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ Óúùóâúû ‡ÊÏËÚ Íìóôíû SaveYESFilename UFilenameÖòîë ÌÛÊÌÓ, Ëáïâìëúâ ËÏfl هȷ ‡ÊÏËÚ Íìóôíû ExecuteComplete USavingTo SMF? SUser1YESSure? ‡„ÛÁ͇ULoading ‡ÊÏËÚ Íìóôíû LoadUDeleting Utility ÙÛÌ͈Ëfl Delete‡ÊÏËÚ Íìóôíû Utility ˚·Â‰‡ÎÂÌËflCUEFormat? Utility ÙÓÚ˚072Formatin ÇÒÚ‡‚¸Ú Ìâóúùóâúû ‚ ‰ËÒÍÓ‚Ó‰‡ÊÏËÚ Íìóôíû Utility ¢ Utility ÔÂÚ˚ÓÚÓ Ú‡ÍÓ Midi ÎÛÌ͈ËË MidiËËÌÚÂÁ‡ÚÓÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓ ÛÒÚ „Ó ‚ÓÁÏÓÊÌÓÒÚË Ë ËÒÔÓθÁÓ‚‡ÌË ̇ ÒËÌÚÂÁ‡ÚÓËËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ËÓÓ·˘ÂÌËfl ͇̇ÎÓ‚Midi ËÓ‰ËÌËÚ MIDI-ÓÏÔ¸˛Ú ÈÓ‰Íβ˜ÂÌËÂ Í ÔÂÛInitsend ÃÓ͇θÌÓ ÛÔOn Local ‡ÊÏËÚ Íìóôíû + ËΡÊÏËÚ Íìóôíû START/STOP ÈÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„ÛEnd Ç̯Ìflfl ÒËÌıÌÒÚ ËÓı CLrBackupËÓı ÀÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ı‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl ËÔËÒÓÍ ÚÂÏ·086 000 114 062 Techno Brass ËÔËÒÓÍ ÚÂÏ· 353 World ÚÂÏ· MSB LSB ËÔËÒÓÍ ÚÂÏ· Beat ËÔËÒÓÍ ÒúëîâèÇÓÏ·‡Á˚ ‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ı ËÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı100 ËÔËÒÓÍ Ì‡·ÓËÔËÒÓÍ Ì‡·Ó Yamaha ‡·Îˈ‡‡·Îˈ‡ 104 ÅÓÍÓ‚˚ ԇÌÂÎË ·Ó‡‚ÍËÇËÌÚ˚ Ò ÍÎÓ‚ÍÓÈ 6 x 30 ÏÏ ÈÓ·˚ÌÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛ ÈÓÒÚ‡‚¸Ú Í·‚ˇÚÛÛÈÚÂ Ô ÍÂıÌ˘ÂÒÍË ı‡ ÈÚÌ˚È Û͇Á‡ÚÂθ Limited Warranty North America Http//www2.yamaha.co.jp/manual/english

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.