Yamaha DGX-500, DGX-300 manual ‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎfl, RECUser, ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ, Åâú

Page 62

á‡ÔËÒ¸ÔÂÒÂÌ

ëËÌÚÂÁ‡ÚÓθÁÓ‚‡ÌËË Ò

ÍÓÚÓÎfl˛Ú Á‡ÔËÒ˚‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ë„Ê͇ı Ë ÒÓÁ‰‡‚‡Ú¸

Á‡ÍÓ̘ÂÌÌ˚Â Ë ÔÓÎÌÓÒÚ¸˛ ÓÂÒÚÓÏÔÓÁˈËË. å‡ÍÒËχθÌÓ ÍÓ΢ÂÒÚ‚Ó ‰ÓÊÂÍ – 6, ‚Íβ˜‡fl ‰ÓÊÍÛ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. åÓÊÌÓ Á‡ÔËÒ‡Ú¸ Ë ÒÓıθÁÓ‚‡ÚÂÎfl.

rECUser 1

èêàåÖóÄçàÖ

é·˙ÂÏ Ô‡ÏflÚË ÔÂÒÂÌ

 

 

å‡ÍÒËχθÌÓ ˜ËÒÎÓ ÌÓÚ: Ô

 

001

10 000 (ÍÓ„‰‡ Á‡ÔËÒ˚‚‡˛ÚÒfl ÚÓθÍÓ

 

 

‰ÓÊÍË ÏÂÎÓ‰ËË)

 

å‡ÍÒËχθÌÓ ˜ËÒÎÓ ‡ÍÍÓ

 

 

ÔÓ„‰‡ Á‡ÔËÒ˚‚‡ÂÚÒfl

 

 

ÚÓθÍÓ ‰ÓÊ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡)

á‡ÔËÒ¸ ÔÂÒÂÌ Ì‡ ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ÔӉӷ̇ Á‡ÔËÒË Ì‡ χ„ÌËÚÓÙÓ- ÌÂ. ÇÒÂ, ˜ÚÓ ‚˚ Ë„‡ÂÚ ̇ Í·‚ˇÚÛÂ, Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ÇÓ ‚ÂÏfl Á‡ÔËÒË ÔÓÒÎÂ‰Û˛˘Ëı ˜‡ÒÚÂÈ Ì‡ ‰Û„Ë ‰ÓÓÊÍË ÏÓÊÌÓ ÒÎ˚¯‡Ú¸ ‡Ì Á‡ÔËÒ‡ÌÌ˚ ˜‡ÒÚË.

á‡ÔËÒ¸ ÔÂÒÂÌ ÔÓθÁÓ‚‡ÚÂÎfl

чÌÌ˚Â, ÍÓÚÓÊÌÓ Á‡ÔËÒ‡Ú¸ ̇ Ó·˚˜Ì˚ ‰ÓÊÍË (ÏÂÎÓ‰ËË):

Note on/off

Velocity

Voice Number

Reverb Type*

Chorus Type*

íËÔ DSP*

Sustain

чÌÌ˚ Pitch Bend

Tempo*, Time Signature* (ÂÒÎË Ì‡ ‰ÓÊÍ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ú‡ÍËı ‰‡ÌÌ˚ı ÌÂÚ)

чÌÌ˚Â, ÍÓÚÓÊÌÓ Á‡ÔËÒ‡Ú¸ ̇ ‰ÓÊÍÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡:

çÓÏÂ

Chord changes and timing (чÌÌ˚Â Ó ÒÏÂÌ ‡ÍÍÓ

èÂ

Reverb Type*

íËÔ DSP*

Accompaniment Volume*

Tempo, Time Signature*

* ùÚË Ì‡ÒÚθÍÓ Ó‰ËÌ Ì‡ÒÚÊÌÓ ËÁÏÂÌflÚ¸ ‚ ÒÂ

1 ìÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ

èÂ‰ ̇˜‡ÎÓÏ Á‡ÔËÒË ÌÂÓ·ıÓ‰ËÏÓ Á‡‰‡Ú¸ ̇ÒÚÓÈÍË ‰Îfl ÔÂÒÌË, ̇ÔËÏÂ, ÒÚËθ, ÚÂÏÔ Ë ÚÂÏ· (ÒÚ. 38, 44 Ë 24).

ÖÒÎË ÌÛÊÌÓ, ҉·ÈÚÂ Ë ‰Û„Ë ̇ÒÚÓÈÍË. Ç˚¯Â Ô˂‰ÂÌ ÒÔËÒÓÍ Ì‡ÒÚÓÂÍ, ÍÓÚÓ˚ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰Îfl ÔÂÒÌË.

åÂÚ

ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÏÂÚÓÌÓÏ ‚ÏÂÒÚÓ ÒÚËÎfl. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‰Âʇڸ ËÚÏ ‰‡Ê ÔË Á‡ÔËÒË ·ÂÁ ÒÚËÎfl. ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ [METRONOME] ÔÂ‰ ̇˜‡ÎÓÏ Á‡ÔËÒË (ÒÏ. ¯‡„ 4 ÌËÊÂ). äÓ„‰‡ ÔÂÒÌfl ·Û‰ÂÚ ÔÓÎÌÓÒÚ¸˛ Á‡ÔË҇̇, ÔÓÒÚÓ ÔÓË„‡ÈÚ ÂÂ Ò ‚˚Íβ˜ÂÌÌ˚Ï ÏÂÚÓÌÓÏÓÏ (ÒÚ. 22).

62

Image 62
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Special Message Section Model Serial No Purchase DateFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ÚÍË ÍÓ‚‡‡ Ú‡ÍÊ Á‡ Ôóúâ ÑËÒÍÓ‚Ó‰ ............................. ÒÚ ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚËÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚102 104 „·‚ÎÂÌËÂ100 108 109‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ‰‡ÔÚ ‡ÒÚ‡Ì˲ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚ‡Û¯ÌËÍË ÇÍβ˜ÂÌË ÔËÚ‡ÌËflÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè ÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚÂ001Live!Gnd ‡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome˚·Â 002GrandPno‡ÊÏËÚ Íìóôíû Voice ËÔËÒÓÍ ÚÂÏ·004B Bailey 005IrishEyeÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â 101FilenameËÔËÒÓÍ Ôâòâì ÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP+ è 001AlvFevr002Croco RK ˚„ÓÓÈÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ Dict‡ÊÏËÚ Íìóôíû Dictionary ‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ R1Timing˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl Lr4BothHand 120TEMPO R2WaitingR3MinusOne ‡ÊÏËÚ Íìóôíû TEMPO/TAPÀ̉Ë͇ÚÓ ·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔ·Á‚‡ÌËÂ Ë Ìóïâ 1à̉Ë͇ÚÓ ‡ÍÚÌ͇Á‡ÚÂÎË ‰ÓÎÂÈ 2à̉Ë͇ÚÓ068TEMPO ÎÛÌ͈Ëfl Portable GrandÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ ˚ÁÓ‚ËÚ ̇ÒÚÛ TempoÇÍβ˜ËÚ ÏÂÚ 04TIME SIG100MTR VOL ‡ÒÚÚ˚ Ò˄̇· ÏÂÚ‡ÊÏËÚ Íìóôíû Voice ˚·ÂÄÌÓÔÍË + 109CelestaÀÒÔÓθÁÓ‚‡ÌË ˆËÙ ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice ÎÛÌ͈Ëfl Dual Voice123Std.Kit1 ‡‰‡ÈÚ Á̇˜ÂÌË ԇ 104M.Volume˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ· ‡ÒÚ000Live!Gnd Split Voice113AcB/Pno ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ·˚·ÂÛÌÍˆË˛ Transpose ÎÛÌ͈ËË Transpose Ë Tuning00TRANSPOS ÎÛÌ͈Ëfl Transpose000TUNING ÎÛÌ͈Ëfl TuningÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ 02PB Range‡‰‡ÈÚ ԇ Á̇˜ÂÌËfl Ô‡ ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch Sensitivity2Medium 1Hall1 ÙÙÙÂÍÚ˚ÙÙÙÂÍÚ Reverb Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚·˚·ÂÛÌÍˆË˛ DSP ÙÙÙÂÍÚ DSP06Stage2 ÇÍβ˜ËÚ ˝ÙÙÂÍÚ Harmony ÙÙÙÂÍÚ˚ Harmony03Block Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ HarmonyÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ÍËÔ˚ ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony 0018BtModrn ˚·Ó˚·Ó ‡ÊÏËÚ Íìóôíû Style‡Ê‡Ú¸ Íìóôíû START/STOP ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÇÍβ˜ËÚ ÒÚËθ ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start Main aÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap Tempo ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl INTRO≥A‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl Intro ‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËflÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ Ending ÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÉÒÚ‡ÌÓ‚ËÚ ÒÚËθ ‡Ê‡Ú¸ Íìóôíû Sync StartÎÛÌ͈Ëfl Sync Stop ÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡˚ÁÓ‚ËÚ ԇ ÀÁÏÂÌÂÌË ÚÂÏÔ‡120TEMPO Öòîë ̇ʇڸ Íìóôíû ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍËFill A≥B 100ACMP VOL ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÒÚ‡ ‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi FingeringÄííó ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂÅÓθ¯ÓÈ Ïëìóó ÅÓθ¯ÓÈ Ï‡ÊÓÓÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈ ÅÓθ¯ÓÈ Ïëìóóâììóè˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point ÌÒÚ‡Ìӂ͇ Ô‡Ú054S-POINT Ì͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ ËÎÓ‚‡ÛÌ͈Ëfl Dictionary‡ÊÏËÚ Íìóôíû Dictionary Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓÓÚÓ Ú‡ÍÓ ‡ÍÍÓ Ìûêìó Ò˚„‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ DGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ Òúëîâ ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı208XmasWalz ‡ÊÏËÚ Íìóôíû M.D.B. Music DatabaseÈÄêÄåÖíêõ ëíàãÖâ ‡ÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ıÈÄêÄåÖíêõ íÖåÅêéÇ ËÓı Ê„ËÒÚ‡·ÓÚ 1BANK‡ÊÏËÚ Íìóôíû Registration Memory 1 ËÎË 2 ‰Îfl ‚˚·Ó ÀÒÔÓθÁÓ‚‡ÌË ̇·ÓÚ1REGIST1 ‚‡ÂÚ ÔÂβ Ú‡ÍÚ‡, ÓÒڇθÌ˚ ÏË„‡˛Ú ÔÓÒΉӂ‡ÚÂθÌÓ ‡ÊÏËÚ Íìóôíû Song‚ÓÒÔÓÈ Ôâòìë Ú‡ÍÚ˚, ‰ÓÎË Ë Ú‡ÈÏËÌ„ ̇ ‰ËÒÔΠ̠ÓÚÓ· ‡Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓÎÛÌ͈Ëfl A-B Repeat BREPEAT˚Íβ˜ËÚ ÙÛÌÍˆË˛ A-B Repeat ÀÁÏÂÌÂÌË ÚÂÏ·003BritePno ÈÓ„‰‡ ıÓÚËÚ‡ÊÏËÚÂ Ë ‰ÂÊËÚ Íìóôíû Voice Ì Ïâìââ ÒÂÍÛ̉˚ 100SONG VOL ˚·ÂÛÌÍˆË˛ Song Volume ÉÓÒÚ¸ ÔâòìëÊ„ÛÎË RECUser ‡ÔËÒ¸ Ôâòâì‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎfl ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ˚·ÓÊÍË ‰Îfl Á‡ÔËÒË 202User˚·ÓθÁÓ‚‡ÚÂθÒÍÓÈ Ôâòìë ‰Îfl Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÔËÒ¸ ̇ ‰ÊÍË ‡˜‡ÎÓ Á‡ÔËÒËÉÒÚ‡Ìӂ͇ Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ÏÂÎÓ‰ËË 1È a ̇ÊÏËÚ Íìóôíû Song Memory ‰‡ÎÂÌË ÔâòìëYESClrUser2 ‡ÊÏËÚ Íìóôíû +/YES ÓÚ‚ÂÚ Ì‡ ‚ÓÔ‚ÂÛ +/YES ËÎË -/NO‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÈ ‰ÓÊÍ ˜ËÒÚ͇ ‰ÓYESClrTr1 040Lomond ‡Áۘ˂‡ÌË ÔâòìëÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson ¸ÍÓ Á‡ÚÂÏ Ô‡˜ÌËÚÂ Û Lr4BothHand˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËÎË ÑÎfl ÔÛ START/STOP‡‰‡ÈÚ Ìóïâêíë ÌÚ˚ ÌÛ͇ÏË „Ú‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡OnGRADE ÎÛÌ͈Ëfl ÓˆÂÌÍË GradeOnExcellen ˚·ÂÛÌÍˆË˛ GradeÄÓÏÏÂÚ‰ÂθÌÓ ÉÔÂÚÓȇÌÌ˚Â, Íóúóêìó ÒÓı DGX-500/300 USR˜ËÒÚ͇ χ„ÌËÚÌÓÈ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ËÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ ‚‰ÂÌËfl Ó ‰ËÒÍÂÚ‡ı‡ÔÛÒÚËÚ ‚˚· 101D-Song01ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Öòîë ‚˚ ıÓÚËÚ Ô ÉÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ Óúùóâúû UF00nnnÀÁÏÂÌÂÌË ԇÊÍË Ôâòìë ̇ ‰ËÒÍÂÚ ‡ÊÏËÚ Íìóôíû SaveÖòîë ÌÛÊÌÓ, Ëáïâìëúâ ËÏfl هȷ UFilenameYESFilename ‡ÊÏËÚ Íìóôíû ExecuteTo SMF? USavingComplete SUser1ULoading ‡„ÛÁ͇YESSure? ‡ÊÏËÚ Íìóôíû Load‡ÊÏËÚ Íìóôíû Utility Utility ÙÛÌ͈Ëfl DeleteUDeleting ˚·Â‰‡ÎÂÌËfl072Formatin Utility ÙÓÚ˚CUEFormat? ÇÒÚ‡‚¸Ú Ìâóúùóâúû ‚ ‰ËÒÍÓ‚Ó‰Utility ÔÂÚ˚ ‡ÊÏËÚ Íìóôíû Utility ¢ÂËËÌÚÂÁ‡ÚÓÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓ ÛÒÚ ÎÛÌ͈ËË MidiÓÚÓ Ú‡ÍÓ Midi „Ó ‚ÓÁÏÓÊÌÓÒÚË Ë ËÒÔÓθÁÓ‚‡ÌË ̇ ÒËÌÚÂÁ‡ÚÓMidi ËÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ËËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ÈÓ‰Íβ˜ÂÌËÂ Í ÔÂÛ ËÓ‰ËÌËÚ MIDI-ÓÏÔ¸˛ÚÂOn Local ÃÓ͇θÌÓ ÛÔInitsend ‡ÊÏËÚ Íìóôíû + ËÎËÈÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„Û ‡ÊÏËÚ Íìóôíû START/STOPÇ̯Ìflfl ÒËÌı EndÌÒÚ ËÓı CLrBackupËÓı ÀÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ıËÔËÒÓÍ ÚÂÏ· ‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl086 000 114 062 Techno Brass ËÔËÒÓÍ ÚÂÏ· 353 World ÚÂÏ· MSB LSB ËÔËÒÓÍ ÚÂÏ· ËÔËÒÓÍ Òúëîâè BeatËÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı ÇÓÏ·‡Á˚ ‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ıËÔËÒÓÍ Ì‡·Ó 100ËÔËÒÓÍ Ì‡·Ó ‡·Îˈ‡ Yamaha‡·Îˈ‡ 104 ·Ó‡‚ÍË ÅÓÍÓ‚˚ ԇÌÂÎËÈÓ·˚ ÇËÌÚ˚ Ò ÍÎÓ‚ÍÓÈ 6 x 30 ÏÏÈÚÂ Ô ÈÓÒÚ‡‚¸Ú Í·‚ˇÚÛÛÌÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛ ÍÂıÌ˘ÂÒÍË ı‡ ÈÚÌ˚È Û͇Á‡ÚÂθ Limited Warranty North America Http//www2.yamaha.co.jp/manual/english

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.