Yamaha DGX-500, DGX-300 manual Íëô˚ ˝Ùùâíúó‚, Íëô˚ Dsp

Page 36

ùÙÙÂÍÚ˚

íËÔ˚ ˝ÙÙÂÍÚÓ‚

íËÔ˚

çÓÏÂ

íËÔ

ç‡Á‚‡ÌË ̇ ‰ËÒÔÎÂÂ

éÔËÒ‡ÌËÂ

1

Hall 1

Hall1

ê‚Â

2

Hall 2

Hall1

 

3

Room 1

Room1

ê‚Â

4

Room 2

Room2

 

5

Stage 1

Stage1

ê‚Â

6

Stage 2

Stage2

 

7

Plate 1

Plate1

àÏËÚ‡ÚÓ

8

Plate 2

Plate2

 

9

Ç˚ÍÎ.

Ç˚ÍÎ.

çË͇ÍÓ„Ó ˝ÙÙÂÍÚ‡.

íËÔ˚ DSP

çÓÏÂ

íËÔ DSP

ç‡Á‚‡ÌË ̇ ‰ËÒÔÎÂÂ

éÔËÒ‡ÌËÂ

1

Hall 1

Hall1

ê‚Â

2

Hall 2

Hall2

 

3

Room 1

Room1

ê‚Â

4

Room 2

Room2

 

5

Stage 1

Stage1

ê‚Â

6

Stage 2

Stage2

 

7

Plate 1

Plate1

àÏËÚ‡ÚÓ

8

Plate 2

Plate2

 

9

Early Reflection 1

ER1

íÓθÍÓ

10

Early Reflection 2

ER2

 

11

Gate Reverb

Gate1

ùÙÙÂÍÚ ÒÚÔÍÓÚÓ·˚ÒÚÔ‰Îfl

 

 

 

ÒÔˆˇθÌ˚ı ˝ÙÙÂÍÚÓ‚.

12

Reverse Gate

Gate2

ëıÓ‰ÂÌ Ò ˝ÙÙÂÍÚÓÏ Gate Reverb, ÌÓ Ò Ó·

13

Chorus 1

Chorus1

í

14

Chorus 2

Chorus2

 

15

Flanger 1

Flanger1

óÂÚ͇fl Ú

16

Flanger 2

Flanger2

 

17

Symphonic

Symphony

ó

18

Phaser

Phaser

óÂÚ͇fl ÏÂÚ‡Î΢ÂÒ͇fl ÏÓ‰ÛÎflˆËfl Ò ÔÂ

19

Rotary Speaker 1

Rotary1

àÏËÚ‡ÚÓ

20

Rotary Speaker 2

Rotary2

 

21

Tremolo 1

Tremolo1

ÅÓ„‡Ú˚È ˝ÙÙÂÍÚ Tremolo Ò ÏÓ‰ÛÎflˆËÂÈ Í‡Í ÔÓ „

22

Tremolo 2

Tremolo2

 

23

Guitar Tremolo

Guitar Tremolo

àÏËÚ‡ÚÓ

24

Auto Pan

AutoPan

çÂÒÍÓθÍÓ ˝ÙÙÂÍÚÓ‚ Ô‡ÌÓ

 

 

 

Á‚Û͇ (΂‡fl, Ô

25

Auto Wah

AutoWah

èÓ‚ÚÓ

26

Delay Left - Center - Right

DelayLCR

í

27

Delay Left - Right

DelayLR

燘‡Î¸Ì‡fl Á‡‰Â

 

 

 

Ò‚flÁË.

28

Echo

Echo

ᇉÂ

 

 

 

͇̇·.

29

Cross Delay

CrossDly

ëÎÓÊÌ˚È ˝ÙÙÂÍÚ, ÍÓÚÓÔÓÒ˚·ÂÚ Á‡‰ÂÔÓ‚ÚÓ«ÔÏÂÊ‰Û Î‚˚Ï

 

 

 

Ë Ô

30

Karaoke

Karaoke

ÉÎÛ·ÓÍËÈ, ˜ÂÚÍËÈ ˝ÙÙÂÍÚ ˝ıÓ.

31

Distortion Hard

D Hard

ÜÂÒÚÍËÈ ÚÂÔÎ˚È ‰ËÒÚÓ¯Ì.

32

Distortion Soft

D Soft

åfl„ÍËÈ ÚÂÔÎ˚È ‰ËÒÚÓ¯Ì.

33

Overdrive

Overdrv

ÖÒÚÂÒÚ‚ÂÌÌ˚È ‰ËÒÚÓ¯Ì, Í‡Í ‚ ÛÒËÎËÚÂÎÂ.

34

Amp Simulation

AmpSimu

ï‡

35

EQ Disco

EQ Disco

ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁÂ

 

 

 

·Óθ¯ËÌÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı Ô

36

EQ Telephone

EQ Tel

ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁÂ

 

 

 

Á‚ÛÍÓ‚ ‚ ÚÂÎÂÙÓÌÌÓÈ Ú

37

3Band EQ

3BandEQ

ùÍ‚‡Î‡ÈÁÂ

38

2Band EQ

2BandEQ

ùÍ‚‡Î‡ÈÁÂ

39

ÅÂÁ ˝ÙÙÂÍÚ‡.

Ç˚ÍÎ.

ÅÂÁ ˝ÙÙÂÍÚ‡.

36

Image 36
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Special Message Section Model Serial No Purchase DateFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ÍÓ‚‡ ‡ Ú‡ÍÊ Á‡ ÔóúâÚÍË ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚË ÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚÑËÒÍÓ‚Ó‰ ............................. ÒÚ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚„·‚ÎÂÌË 100102 104 108 109‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ‡ÒÚ ‡Ì˲‰‡ÔÚ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè‡Û¯ÌËÍË ÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚÂ001Live!Gnd ‡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome002GrandPno ‡ÊÏËÚ Íìóôíû Voice˚·Â ËÔËÒÓÍ ÚÂÏ·004B Bailey 005IrishEye101Filename ËÔËÒÓÍ ÔâòâìÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â ÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP001AlvFevr 002Croco RK+ è ˚„ÓÓÈDict ‡ÊÏËÚ Íìóôíû DictionaryÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ R1Timing ˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ R2Waiting R3MinusOneLr4BothHand 120TEMPO ‡ÊÏËÚ Íìóôíû TEMPO/TAP·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠ‡Á‚‡ÌËÂ Ë ÌóïâÀ̉Ë͇ÚÓ ‡ÍÚ Ì͇Á‡ÚÂÎË ‰ÓÎÂÈ1à̉Ë͇ÚÓ 2à̉Ë͇ÚÓÎÛÌ͈Ëfl Portable Grand ÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ068TEMPO ˚ÁÓ‚ËÚ ̇ÒÚÛ Tempo04TIME SIG 100MTR VOLÇÍβ˜ËÚ ÏÂÚ ‡ÒÚÚ˚ Ò˄̇· ÏÂÚ‡ÊÏËÚ Íìóôíû Voice ˚·Â109Celesta ÀÒÔÓθÁÓ‚‡ÌË ˆËÙÄÌÓÔÍË + ÎÛÌ͈Ëfl Dual Voice 123Std.Kit1ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice 104M.Volume ˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ·‡‰‡ÈÚ Á̇˜ÂÌË ԇ ‡ÒÚSplit Voice 113AcB/Pno000Live!Gnd ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ·ÎÛÌ͈ËË Transpose Ë Tuning 00TRANSPOS˚·ÂÛÌÍˆË˛ Transpose ÎÛÌ͈Ëfl Transpose000TUNING ÎÛÌ͈Ëfl Tuning02PB Range ‡‰‡ÈÚ ԇÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch Sensitivity 2MediumÁ̇˜ÂÌËfl Ô‡ ÙÙÙÂÍÚ˚ ÙÙÙÂÍÚ Reverb1Hall1 Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚·ÙÙÙÂÍÚ DSP 06Stage2˚·ÂÛÌÍˆË˛ DSP ÙÙÙÂÍÚ˚ Harmony 03BlockÇÍβ˜ËÚ ˝ÙÙÂÍÚ Harmony Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ HarmonyÍËÔ˚ ˝ÙÙÂÍÚÓ‚ ÍËÔ˚ÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony ˚·Ó ˚·Ó0018BtModrn ‡ÊÏËÚ Íìóôíû StyleÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÇÍβ˜ËÚ ÒÚËθ‡Ê‡Ú¸ Íìóôíû START/STOP Main a ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap TempoÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡INTRO≥A ‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl IntroÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl ‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËflÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÉÒÚ‡ÌÓ‚ËÚ ÒÚËθÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ Ending ‡Ê‡Ú¸ Íìóôíû Sync StartÎÛÌ͈Ëfl Sync Stop ÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡ÀÁÏÂÌÂÌË ÚÂÏÔ‡ 120TEMPO˚ÁÓ‚ËÚ ԇ ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍË Fill A≥BÖòîë ̇ʇڸ Íìóôíû ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡ÒÚ‡100ACMP VOL ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi Fingering Äííó‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂÅÓθ¯ÓÈ Ï‡ÊÓÓ ÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈÅÓθ¯ÓÈ Ïëìóó ÅÓθ¯ÓÈ ÏëìóóâììóèÌÒÚ‡Ìӂ͇ Ô‡Ú 054S-POINT˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point ËÎÓ‚‡ÛÌ͈Ëfl Dictionary ‡ÊÏËÚ Íìóôíû DictionaryÌ͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓÓÚÓ Ú‡ÍÓ ‡ÍÍÓ Ìûêìó Ò˚„‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı 208XmasWalzDGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ Òúëîâ ‡ÊÏËÚ Íìóôíû M.D.B. Music Database‡ÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ı ÈÄêÄåÖíêõ íÖåÅêéÇÈÄêÄåÖíêõ ëíàãÖâ Ê„ËÒÚ ‡·ÓÚËÓı 1BANKÀÒÔÓθÁÓ‚‡ÌË ̇·ÓÚ 1REGIST1‡ÊÏËÚ Íìóôíû Registration Memory 1 ËÎË 2 ‰Îfl ‚˚·Ó ‡ÊÏËÚ Íìóôíû Song ‚ÓÒÔÓÈ Ôâòìë Ú‡ÍÚ˚, ‰ÓÎË Ë Ú‡ÈÏËÌ„ ̇ ‰ËÒÔΠ̠ÓÚÓ·‚‡ÂÚ ÔÂβ Ú‡ÍÚ‡, ÓÒڇθÌ˚ ÏË„‡˛Ú ÔÓÒΉӂ‡ÚÂθÌÓ ‡Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓÎÛÌ͈Ëfl A-B Repeat BREPEATÀÁÏÂÌÂÌË ÚÂÏ· 003BritePno˚Íβ˜ËÚ ÙÛÌÍˆË˛ A-B Repeat ÈÓ„‰‡ ıÓÚËÚ‡ÊÏËÚÂ Ë ‰ÂÊËÚ Íìóôíû Voice Ì Ïâìââ ÒÂÍÛ̉˚ ˚·ÂÛÌÍˆË˛ Song Volume ÉÓÒÚ¸ Ôâòìë Ê„ÛÎË100SONG VOL ‡ÔËÒ¸ Ôâòâì ‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎflRECUser ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ202User ˚·ÓθÁÓ‚‡ÚÂθÒÍÓÈ Ôâòìë ‰Îfl Á‡ÔËÒË˚·ÓÊÍË ‰Îfl Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡˜‡ÎÓ Á‡ÔËÒË ÉÒÚ‡Ìӂ͇ Á‡ÔËÒˇÔËÒ¸ ̇ ‰ÊÍË ‡ÔËÒ¸ ‰ÓÊÍË ÏÂÎÓ‰ËË 1‰‡ÎÂÌË Ôâòìë YESClrUser2È a ̇ÊÏËÚ Íìóôíû Song Memory ‡ÊÏËÚ Íìóôíû +/YES ÓÚ‚ÂÚ Ì‡ ‚ÓÔ‚ÂÛ +/YES ËÎË -/NO˜ËÒÚ͇ ‰Ó YESClrTr1‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÈ ‰ÓÊÍ ‡Áۘ˂‡ÌË Ôâòìë ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson040Lomond ¸ÍÓ Á‡ÚÂÏ ÔÂLr4BothHand ˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËΡ˜ÌËÚÂ Û ÑÎfl ÔÛ START/STOP‡‰‡ÈÚ Ìóïâêíë ÌÚ˚ ÌÛ͇ÏË „Ú‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ÎÛÌ͈Ëfl ÓˆÂÌÍË Grade OnExcellenOnGRADE ˚·ÂÛÌÍˆË˛ GradeÉÔÂÚÓÈ ‡ÌÌ˚Â, Íóúóêìó ÒÓı DGX-500/300ÄÓÏÏÂÚ‰ÂθÌÓ USRËÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ ÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ˜ËÒÚ͇ χ„ÌËÚÌÓÈ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‚‰ÂÌËfl Ó ‰ËÒÍÂÚ‡ı101D-Song01 ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰‡ÔÛÒÚËÚ ‚˚· Öòîë ‚˚ ıÓÚËÚ Ô ÉÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛UF00nnn ÀÁÏÂÌÂÌË ԇÊÍË Ôâòìë ̇ ‰ËÒÍÂÚÂÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ Óúùóâúû ‡ÊÏËÚ Íìóôíû SaveUFilename YESFilenameÖòîë ÌÛÊÌÓ, Ëáïâìëúâ ËÏfl هȷ ‡ÊÏËÚ Íìóôíû ExecuteUSaving CompleteTo SMF? SUser1‡„ÛÁ͇ YESSure?ULoading ‡ÊÏËÚ Íìóôíû LoadUtility ÙÛÌ͈Ëfl Delete UDeleting‡ÊÏËÚ Íìóôíû Utility ˚·Â‰‡ÎÂÌËflUtility ÙÓÚ˚ CUEFormat?072Formatin ÇÒÚ‡‚¸Ú Ìâóúùóâúû ‚ ‰ËÒÍÓ‚Ó‰Utility ÔÂÚ˚ ‡ÊÏËÚ Íìóôíû Utility ¢ÂÎÛÌ͈ËË Midi ÓÚÓ Ú‡ÍÓ MidiËËÌÚÂÁ‡ÚÓÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓ ÛÒÚ „Ó ‚ÓÁÏÓÊÌÓÒÚË Ë ËÒÔÓθÁÓ‚‡ÌË ̇ ÒËÌÚÂÁ‡ÚÓËÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ ËËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËflMidi ÈÓ‰Íβ˜ÂÌËÂ Í ÔÂÛ ËÓ‰ËÌËÚ MIDI-ÓÏÔ¸˛ÚÂÃÓ͇θÌÓ ÛÔ InitsendOn Local ‡ÊÏËÚ Íìóôíû + ËÎËÈÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„Û ‡ÊÏËÚ Íìóôíû START/STOPÇ̯Ìflfl ÒËÌı EndÌÒÚ CLrBackup ËÓıËÓı ÀÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ıËÔËÒÓÍ ÚÂÏ· ‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl086 000 114 062 Techno Brass ËÔËÒÓÍ ÚÂÏ· 353 World ÚÂÏ· MSB LSB ËÔËÒÓÍ ÚÂÏ· ËÔËÒÓÍ Òúëîâè BeatËÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı ÇÓÏ·‡Á˚ ‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ıËÔËÒÓÍ Ì‡·Ó 100ËÔËÒÓÍ Ì‡·Ó ‡·Îˈ‡ Yamaha‡·Îˈ‡ 104 ·Ó‡‚ÍË ÅÓÍÓ‚˚ ԇÌÂÎËÈÓ·˚ ÇËÌÚ˚ Ò ÍÎÓ‚ÍÓÈ 6 x 30 ÏÏÈÓÒÚ‡‚¸Ú Í·‚ˇÚÛÛ ÌÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛÈÚÂ Ô ÍÂıÌ˘ÂÒÍË ı‡ ÈÚÌ˚È Û͇Á‡ÚÂθ Limited Warranty North America Http//www2.yamaha.co.jp/manual/english

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.