Yamaha DGX-500 manual Lr4BothHand, ˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËÎË, ‡˜Ìëúâ Û, ÑÎfl ÔÛ START/STOP

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2 Ç˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ (‰Îfl ΂ÓÈ ËÎË

Ô

ÑÎfl ‡Áۘ˂‡ÌËfl Ô‡ÚËË Ô‡‚ÓÈ ÛÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [R]. ÑÎfl ΂ÓÈ ÛÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [L]. èË ÏÌÓ„ÓÍ‡ÚÌÓÏ Ì‡Ê‡ÚËË Î˛·ÓÈ ËÁ ˝ÚËı ÍÌÓÔÓÍ ÛÓÍË ˆËÍ΢ÂÒÍË ÔÓ‚ÚÓfl˛ÚÒfl ‚ ÒÎÂ‰Û˛˘ÂÈ ÔÓÒΉӂ‡ÚÂθ- ÌÓÒÚË: ìÓÍ 1 ìÓÍ 2 ìÓÍ 3 Ç˚Íβ˜ÂÌË ìÓÍ 1, Ë Ú. ‰.

Ç˚·‡ÌÌ˚È ÛÓÍ Ó·ÓÁ̇˜‡ÂÚÒfl ̇ ‰ËÒÔÎÂÂ.

L 1Timing

L 2Waiting

L 3MinusOne

040Lomond (îÛÌ͈Ëfl Ó·Û˜ÂÌËfl ÓÚÍβ˜Â̇)

r1Timing

r2Waiting

r3MinusOne

040Lomond (îÛÌ͈Ëfl Ó·Û˜ÂÌËfl ÓÚÍβ˜Â̇)

óÚÓ·˚ ‚˚·‡Ú¸ ÛÓÍ 4, ÒΉÛÂÚ Ì‡Ê‡Ú¸ ÍÌÓÔÍË [L] Ë [R] Ó‰ÌÓ‚ÂÏÂÌÌÓ.

Lr4BothHand

3 燘ÌËÚ Û

ìÓÍ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ì‡˜Ë̇˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË (ÔÓÒΠÁ‡Ú‡ÍÚ‡), Í‡Í ÚÓθÍÓ ‚˚ ‚˚·Ë‡ÂÚ ÛÓÍ. ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Grade (éˆÂÌ͇), ÔÓ ÓÍÓ̘‡ÌËË ÛÓ͇ ̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ‚‡¯‡ «ÓˆÂÌ͇» (ÒÏ. ÒÚ. 72). èÓÒΠÍÓÓÚÍÓÈ Ô‡ÛÁ˚ ÙÛÌ͈Ëfl Ó·Û˜ÂÌËfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ÓÁÓ·ÌÓ‚ÎflÂÚÒfl.

r1* * * *

001

4 ÑÎfl ÔÛ [START/STOP].

á‚ÂÁ‰Ó˜ÍË Ó·ÓÁ̇˜‡˛Ú ‚ ÍÓ„‰‡ ‚˚ ‰ÓÎÊÌ˚ Ë„Ú˚.

ãËÌËfl Á‚ÂÁ‰Ó˜ÂÍ Ó·ÓÁ̇˜‡ÂÚ Ó‰ËÌ ÔÓÎÌ˚È Ú‡ÍÚ. òÂÒÚ̇‰ˆ‡Ú˚ ӷÓÁ̇˜‡˛ÚÒfl ˜Â Á̇ÍÓ‚ Á‚ÂÁ‰Ó˜ÍË Ë ‰ËÂÁ‡.

(èÂÒÌË, ËÒÔÓÎÌflÂÏ˚ ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ, Ú‡ÍÓÈ Ë̉Ë͇ˆËÂÈ Ì ÒÓÔʉ‡˛ÚÒfl.)

èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [START/STOP] ÒËÌÚÂÁ‡ÚÓ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚ıÓ‰ËÚ ËÁ ÂÊËχ Ó·Û˜ÂÌËfl.

68

Image 68
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Special Message Section Model Serial No Purchase DateFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ÚÍË ÍÓ‚‡‡ Ú‡ÍÊ Á‡ Ôóúâ ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚË ÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚÑËÒÍÓ‚Ó‰ ............................. ÒÚ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚„·‚ÎÂÌË 100102 104 108 109‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ‡ÒÚ ‡Ì˲‰‡ÔÚ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè‡Û¯ÌËÍË ÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚÂ001Live!Gnd ‡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome002GrandPno ‡ÊÏËÚ Íìóôíû Voice˚·Â ËÔËÒÓÍ ÚÂÏ·004B Bailey 005IrishEye101Filename ËÔËÒÓÍ ÔâòâìÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â ÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP001AlvFevr 002Croco RK+ è ˚„ÓÓÈÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ Dict‡ÊÏËÚ Íìóôíû Dictionary ‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ R1Timing˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl R2Waiting R3MinusOneLr4BothHand 120TEMPO ‡ÊÏËÚ Íìóôíû TEMPO/TAPÀ̉Ë͇ÚÓ ·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔ·Á‚‡ÌËÂ Ë Ìóïâ ‡ÍÚ Ì͇Á‡ÚÂÎË ‰ÓÎÂÈ1à̉Ë͇ÚÓ 2à̉Ë͇ÚÓÎÛÌ͈Ëfl Portable Grand ÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ068TEMPO ˚ÁÓ‚ËÚ ̇ÒÚÛ Tempo04TIME SIG 100MTR VOLÇÍβ˜ËÚ ÏÂÚ ‡ÒÚÚ˚ Ò˄̇· ÏÂÚ‡ÊÏËÚ Íìóôíû Voice ˚·ÂÄÌÓÔÍË + 109CelestaÀÒÔÓθÁÓ‚‡ÌË ˆËÙ ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice ÎÛÌ͈Ëfl Dual Voice123Std.Kit1 104M.Volume ˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ·‡‰‡ÈÚ Á̇˜ÂÌË ԇ ‡ÒÚSplit Voice 113AcB/Pno000Live!Gnd ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ·ÎÛÌ͈ËË Transpose Ë Tuning 00TRANSPOS˚·ÂÛÌÍˆË˛ Transpose ÎÛÌ͈Ëfl Transpose000TUNING ÎÛÌ͈Ëfl TuningÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ 02PB Range‡‰‡ÈÚ ԇ Á̇˜ÂÌËfl Ô‡ ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch Sensitivity2Medium ÙÙÙÂÍÚ˚ ÙÙÙÂÍÚ Reverb1Hall1 Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚·˚·ÂÛÌÍˆË˛ DSP ÙÙÙÂÍÚ DSP06Stage2 ÙÙÙÂÍÚ˚ Harmony 03BlockÇÍβ˜ËÚ ˝ÙÙÂÍÚ Harmony Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ HarmonyÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ÍËÔ˚ ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony ˚·Ó ˚·Ó0018BtModrn ‡ÊÏËÚ Íìóôíû Style‡Ê‡Ú¸ Íìóôíû START/STOP ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÇÍβ˜ËÚ ÒÚËθ Main a ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap TempoÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡INTRO≥A ‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl IntroÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl ‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËflÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÉÒÚ‡ÌÓ‚ËÚ ÒÚËθÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ Ending ‡Ê‡Ú¸ Íìóôíû Sync StartÎÛÌ͈Ëfl Sync Stop ÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡˚ÁÓ‚ËÚ ԇ ÀÁÏÂÌÂÌË ÚÂÏÔ‡120TEMPO Öòîë ̇ʇڸ Íìóôíû ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍËFill A≥B 100ACMP VOL ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÒÚ‡ ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi Fingering Äííó‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂÅÓθ¯ÓÈ Ï‡ÊÓÓ ÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈÅÓθ¯ÓÈ Ïëìóó ÅÓθ¯ÓÈ Ïëìóóâììóè˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point ÌÒÚ‡Ìӂ͇ Ô‡Ú054S-POINT ËÎÓ‚‡ÛÌ͈Ëfl Dictionary ‡ÊÏËÚ Íìóôíû DictionaryÌ͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓÓÚÓ Ú‡ÍÓ ‡ÍÍÓ Ìûêìó Ò˚„‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı 208XmasWalzDGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ Òúëîâ ‡ÊÏËÚ Íìóôíû M.D.B. Music DatabaseÈÄêÄåÖíêõ ëíàãÖâ ‡ÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ıÈÄêÄåÖíêõ íÖåÅêéÇ Ê„ËÒÚ ‡·ÓÚËÓı 1BANK‡ÊÏËÚ Íìóôíû Registration Memory 1 ËÎË 2 ‰Îfl ‚˚·Ó ÀÒÔÓθÁÓ‚‡ÌË ̇·ÓÚ1REGIST1 ‡ÊÏËÚ Íìóôíû Song ‚ÓÒÔÓÈ Ôâòìë Ú‡ÍÚ˚, ‰ÓÎË Ë Ú‡ÈÏËÌ„ ̇ ‰ËÒÔΠ̠ÓÚÓ·‚‡ÂÚ ÔÂβ Ú‡ÍÚ‡, ÓÒڇθÌ˚ ÏË„‡˛Ú ÔÓÒΉӂ‡ÚÂθÌÓ ‡Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓÎÛÌ͈Ëfl A-B Repeat BREPEATÀÁÏÂÌÂÌË ÚÂÏ· 003BritePno˚Íβ˜ËÚ ÙÛÌÍˆË˛ A-B Repeat ÈÓ„‰‡ ıÓÚËÚ‡ÊÏËÚÂ Ë ‰ÂÊËÚ Íìóôíû Voice Ì Ïâìââ ÒÂÍÛ̉˚ 100SONG VOL ˚·ÂÛÌÍˆË˛ Song Volume ÉÓÒÚ¸ ÔâòìëÊ„ÛÎË ‡ÔËÒ¸ Ôâòâì ‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎflRECUser ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ202User ˚·ÓθÁÓ‚‡ÚÂθÒÍÓÈ Ôâòìë ‰Îfl Á‡ÔËÒË˚·ÓÊÍË ‰Îfl Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡˜‡ÎÓ Á‡ÔËÒË ÉÒÚ‡Ìӂ͇ Á‡ÔËÒˇÔËÒ¸ ̇ ‰ÊÍË ‡ÔËÒ¸ ‰ÓÊÍË ÏÂÎÓ‰ËË 1‰‡ÎÂÌË Ôâòìë YESClrUser2È a ̇ÊÏËÚ Íìóôíû Song Memory ‡ÊÏËÚ Íìóôíû +/YES ÓÚ‚ÂÚ Ì‡ ‚ÓÔ‚ÂÛ +/YES ËÎË -/NO‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÈ ‰ÓÊÍ ˜ËÒÚ͇ ‰ÓYESClrTr1 ‡Áۘ˂‡ÌË Ôâòìë ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson040Lomond ¸ÍÓ Á‡ÚÂÏ ÔÂLr4BothHand ˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËΡ˜ÌËÚÂ Û ÑÎfl ÔÛ START/STOP‡‰‡ÈÚ Ìóïâêíë ÌÚ˚ ÌÛ͇ÏË „Ú‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ÎÛÌ͈Ëfl ÓˆÂÌÍË Grade OnExcellenOnGRADE ˚·ÂÛÌÍˆË˛ GradeÉÔÂÚÓÈ ‡ÌÌ˚Â, Íóúóêìó ÒÓı DGX-500/300ÄÓÏÏÂÚ‰ÂθÌÓ USRËÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ ÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ˜ËÒÚ͇ χ„ÌËÚÌÓÈ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‚‰ÂÌËfl Ó ‰ËÒÍÂÚ‡ı101D-Song01 ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰‡ÔÛÒÚËÚ ‚˚· Öòîë ‚˚ ıÓÚËÚ Ô ÉÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛UF00nnn ÀÁÏÂÌÂÌË ԇÊÍË Ôâòìë ̇ ‰ËÒÍÂÚÂÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ Óúùóâúû ‡ÊÏËÚ Íìóôíû SaveUFilename YESFilenameÖòîë ÌÛÊÌÓ, Ëáïâìëúâ ËÏfl هȷ ‡ÊÏËÚ Íìóôíû ExecuteUSaving CompleteTo SMF? SUser1‡„ÛÁ͇ YESSure?ULoading ‡ÊÏËÚ Íìóôíû LoadUtility ÙÛÌ͈Ëfl Delete UDeleting‡ÊÏËÚ Íìóôíû Utility ˚·Â‰‡ÎÂÌËflUtility ÙÓÚ˚ CUEFormat?072Formatin ÇÒÚ‡‚¸Ú Ìâóúùóâúû ‚ ‰ËÒÍÓ‚Ó‰Utility ÔÂÚ˚ ‡ÊÏËÚ Íìóôíû Utility ¢ÂÎÛÌ͈ËË Midi ÓÚÓ Ú‡ÍÓ MidiËËÌÚÂÁ‡ÚÓÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓ ÛÒÚ „Ó ‚ÓÁÏÓÊÌÓÒÚË Ë ËÒÔÓθÁÓ‚‡ÌË ̇ ÒËÌÚÂÁ‡ÚÓMidi ËÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ËËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ÈÓ‰Íβ˜ÂÌËÂ Í ÔÂÛ ËÓ‰ËÌËÚ MIDI-ÓÏÔ¸˛ÚÂÃÓ͇θÌÓ ÛÔ InitsendOn Local ‡ÊÏËÚ Íìóôíû + ËÎËÈÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„Û ‡ÊÏËÚ Íìóôíû START/STOPÇ̯Ìflfl ÒËÌı EndÌÒÚ CLrBackup ËÓıËÓı ÀÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ıËÔËÒÓÍ ÚÂÏ· ‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl086 000 114 062 Techno Brass ËÔËÒÓÍ ÚÂÏ· 353 World ÚÂÏ· MSB LSB ËÔËÒÓÍ ÚÂÏ· ËÔËÒÓÍ Òúëîâè BeatËÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı ÇÓÏ·‡Á˚ ‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ıËÔËÒÓÍ Ì‡·Ó 100ËÔËÒÓÍ Ì‡·Ó ‡·Îˈ‡ Yamaha‡·Îˈ‡ 104 ·Ó‡‚ÍË ÅÓÍÓ‚˚ ԇÌÂÎËÈÓ·˚ ÇËÌÚ˚ Ò ÍÎÓ‚ÍÓÈ 6 x 30 ÏÏÈÚÂ Ô ÈÓÒÚ‡‚¸Ú Í·‚ˇÚÛÛÌÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛ ÍÂıÌ˘ÂÒÍË ı‡ ÈÚÌ˚È Û͇Á‡ÚÂθ Limited Warranty North America Http//www2.yamaha.co.jp/manual/english

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.