Yamaha DGX-500, DGX-300 ‡Òú‡, 100ACMP VOL, ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

Page 46

Ç˚·Ó

ç‡ÒÚ‡

ÉÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸. ùÚ‡ „ÛÎËӂ͇ ‚ÎËflÂÚ ÚÓθÍÓ Ì‡ „ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÉÓÏÍÓÒÚ¸ „ÛÎËÛÂÚÒfl ‚ ‰Ë‡Ô‡ÁÓÌ 000 - 127.

1 Ç˚·ÂÛÌÍˆË˛ Accompaniment Volume (ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).

ç‡ÊËχÈÚ ÎÂ‚Û˛ ÍÌÓÔÍÛ Overall ‰Ó ÚÂı ÔÓ, ÔÓ͇ ̇ ‰ËÒÔΠ̠ÔÓfl‚ËÚÒfl ACMP VOL.

íÂÍÛ˘‡fl „ÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

100ACMP VOL

001

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ‚˚·ÓÒÚË

2 àÁÏÂÌËÚ Á̇˜ÂÌËÂ.

ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÓ Á̇˜ÂÌË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (000 - 127) ̇ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛÂ. ÑÎfl Û‚Â΢ÂÌËfl ËÎË ÛÏÂ̸¯ÂÌËfl „ÓÏÍÓÒÚË ÏÓÊÌÓ Ú‡ÍÊ ÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔ͇ÏË [+]/[-]. ÖÒÎË ‰Âʇڸ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ, Á̇˜ÂÌË ÔÓÒÚÂÔÂÌÌÓ ÔÓ‚˚¯‡ÂÚÒfl ËÎË ÔÓÌËʇÂÚÒfl.

èêàåÖóÄçàÖ

ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÓθÍÓ ‚

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ „ÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ÖÒÎË „ÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·˚· ËÁÏÂÌÂ̇, ‰Îfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl Òڇ̉‡˜ÌÓ Ó‰ÌÓ‚

ÓÒÚË

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

46

Image 46
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Special Message Section Model Serial No Purchase DateFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ‡ Ú‡ÍÊ Á‡ Ôóúâ ÍÓ‚‡ÚÍË ÑËÒÍÓ‚Ó‰ ............................. ÒÚ ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚËÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚102 104 „·‚ÎÂÌËÂ100 108 109‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ‰‡ÔÚ ‡ÒÚ‡Ì˲ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚ‡Û¯ÌËÍË ÇÍβ˜ÂÌË ÔËÚ‡ÌËflÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè ÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚÂ001Live!Gnd ‡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome˚·Â 002GrandPno‡ÊÏËÚ Íìóôíû Voice ËÔËÒÓÍ ÚÂÏ·004B Bailey 005IrishEyeÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â 101FilenameËÔËÒÓÍ Ôâòâì ÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP+ è 001AlvFevr002Croco RK ˚„ÓÓȇÊÏËÚ Íìóôíû Dictionary DictÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ ˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl R1Timing‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ Lr4BothHand 120TEMPO R2WaitingR3MinusOne ‡ÊÏËÚ Íìóôíû TEMPO/TAP‡Á‚‡ÌËÂ Ë Ìóïâ ·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔÎÂÂÀ̉Ë͇ÚÓ 1à̉Ë͇ÚÓ ‡ÍÚÌ͇Á‡ÚÂÎË ‰ÓÎÂÈ 2à̉Ë͇ÚÓ068TEMPO ÎÛÌ͈Ëfl Portable GrandÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ ˚ÁÓ‚ËÚ ̇ÒÚÛ TempoÇÍβ˜ËÚ ÏÂÚ 04TIME SIG100MTR VOL ‡ÒÚÚ˚ Ò˄̇· ÏÂÚ‡ÊÏËÚ Íìóôíû Voice ˚·ÂÀÒÔÓθÁÓ‚‡ÌË ˆËÙ 109CelestaÄÌÓÔÍË + 123Std.Kit1 ÎÛÌ͈Ëfl Dual VoiceÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice ‡‰‡ÈÚ Á̇˜ÂÌË ԇ 104M.Volume˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ· ‡ÒÚ000Live!Gnd Split Voice113AcB/Pno ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ·˚·ÂÛÌÍˆË˛ Transpose ÎÛÌ͈ËË Transpose Ë Tuning00TRANSPOS ÎÛÌ͈Ëfl Transpose000TUNING ÎÛÌ͈Ëfl Tuning‡‰‡ÈÚ ԇ 02PB RangeÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ 2Medium ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch SensitivityÁ̇˜ÂÌËfl Ô‡ 1Hall1 ÙÙÙÂÍÚ˚ÙÙÙÂÍÚ Reverb Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚·06Stage2 ÙÙÙÂÍÚ DSP˚·ÂÛÌÍˆË˛ DSP ÇÍβ˜ËÚ ˝ÙÙÂÍÚ Harmony ÙÙÙÂÍÚ˚ Harmony03Block Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ HarmonyÍËÔ˚ ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony 0018BtModrn ˚·Ó˚·Ó ‡ÊÏËÚ Íìóôíû StyleÇÍβ˜ËÚ ÒÚËθ ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌڇʇڸ Íìóôíû START/STOP ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start Main aÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap Tempo ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl INTRO≥A‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl Intro ‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËflÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ Ending ÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÉÒÚ‡ÌÓ‚ËÚ ÒÚËθ ‡Ê‡Ú¸ Íìóôíû Sync StartÎÛÌ͈Ëfl Sync Stop ÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡120TEMPO ÀÁÏÂÌÂÌË ÚÂÏÔ‡˚ÁÓ‚ËÚ ԇ Fill A≥B ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍËÖòîë ̇ʇڸ Íìóôíû ‡ÒÚ‡ ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡100ACMP VOL ‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi FingeringÄííó ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂÅÓθ¯ÓÈ Ïëìóó ÅÓθ¯ÓÈ Ï‡ÊÓÓÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈ ÅÓθ¯ÓÈ Ïëìóóâììóè054S-POINT ÌÒÚ‡Ìӂ͇ Ô‡Ú˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point Ì͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ ËÎÓ‚‡ÛÌ͈Ëfl Dictionary‡ÊÏËÚ Íìóôíû Dictionary Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓÓÚÓ Ú‡ÍÓ ‡ÍÍÓ Ìûêìó Ò˚„‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ DGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ Òúëîâ ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı208XmasWalz ‡ÊÏËÚ Íìóôíû M.D.B. Music DatabaseÈÄêÄåÖíêõ íÖåÅêéÇ ‡ÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ıÈÄêÄåÖíêõ ëíàãÖâ ËÓı Ê„ËÒÚ‡·ÓÚ 1BANK1REGIST1 ÀÒÔÓθÁÓ‚‡ÌË ̇·ÓÚ‡ÊÏËÚ Íìóôíû Registration Memory 1 ËÎË 2 ‰Îfl ‚˚·Ó ‚‡ÂÚ ÔÂβ Ú‡ÍÚ‡, ÓÒڇθÌ˚ ÏË„‡˛Ú ÔÓÒΉӂ‡ÚÂθÌÓ ‡ÊÏËÚ Íìóôíû Song‚ÓÒÔÓÈ Ôâòìë Ú‡ÍÚ˚, ‰ÓÎË Ë Ú‡ÈÏËÌ„ ̇ ‰ËÒÔΠ̠ÓÚÓ· ‡Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓÎÛÌ͈Ëfl A-B Repeat BREPEAT˚Íβ˜ËÚ ÙÛÌÍˆË˛ A-B Repeat ÀÁÏÂÌÂÌË ÚÂÏ·003BritePno ÈÓ„‰‡ ıÓÚËÚ‡ÊÏËÚÂ Ë ‰ÂÊËÚ Íìóôíû Voice Ì Ïâìââ ÒÂÍÛ̉˚ Ê„ÛÎË ˚·ÂÛÌÍˆË˛ Song Volume ÉÓÒÚ¸ Ôâòìë100SONG VOL RECUser ‡ÔËÒ¸ Ôâòâì‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎfl ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ˚·ÓÊÍË ‰Îfl Á‡ÔËÒË 202User˚·ÓθÁÓ‚‡ÚÂθÒÍÓÈ Ôâòìë ‰Îfl Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÔËÒ¸ ̇ ‰ÊÍË ‡˜‡ÎÓ Á‡ÔËÒËÉÒÚ‡Ìӂ͇ Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ÏÂÎÓ‰ËË 1È a ̇ÊÏËÚ Íìóôíû Song Memory ‰‡ÎÂÌË ÔâòìëYESClrUser2 ‡ÊÏËÚ Íìóôíû +/YES ÓÚ‚ÂÚ Ì‡ ‚ÓÔ‚ÂÛ +/YES ËÎË -/NOYESClrTr1 ˜ËÒÚ͇ ‰Ó‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÈ ‰ÓÊÍ 040Lomond ‡Áۘ˂‡ÌË ÔâòìëÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson ¸ÍÓ Á‡ÚÂÏ Ô‡˜ÌËÚÂ Û Lr4BothHand˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËÎË ÑÎfl ÔÛ START/STOP‡‰‡ÈÚ Ìóïâêíë ÌÚ˚ ÌÛ͇ÏË „Ú‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡OnGRADE ÎÛÌ͈Ëfl ÓˆÂÌÍË GradeOnExcellen ˚·ÂÛÌÍˆË˛ GradeÄÓÏÏÂÚ‰ÂθÌÓ ÉÔÂÚÓȇÌÌ˚Â, Íóúóêìó ÒÓı DGX-500/300 USR˜ËÒÚ͇ χ„ÌËÚÌÓÈ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ËÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ ‚‰ÂÌËfl Ó ‰ËÒÍÂÚ‡ı‡ÔÛÒÚËÚ ‚˚· 101D-Song01ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Öòîë ‚˚ ıÓÚËÚ Ô ÉÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ Óúùóâúû UF00nnnÀÁÏÂÌÂÌË ԇÊÍË Ôâòìë ̇ ‰ËÒÍÂÚ ‡ÊÏËÚ Íìóôíû SaveÖòîë ÌÛÊÌÓ, Ëáïâìëúâ ËÏfl هȷ UFilenameYESFilename ‡ÊÏËÚ Íìóôíû ExecuteTo SMF? USavingComplete SUser1ULoading ‡„ÛÁ͇YESSure? ‡ÊÏËÚ Íìóôíû Load‡ÊÏËÚ Íìóôíû Utility Utility ÙÛÌ͈Ëfl DeleteUDeleting ˚·Â‰‡ÎÂÌËfl072Formatin Utility ÙÓÚ˚CUEFormat? ÇÒÚ‡‚¸Ú Ìâóúùóâúû ‚ ‰ËÒÍÓ‚Ó‰Utility ÔÂÚ˚ ‡ÊÏËÚ Íìóôíû Utility ¢ÂËËÌÚÂÁ‡ÚÓÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓ ÛÒÚ ÎÛÌ͈ËË MidiÓÚÓ Ú‡ÍÓ Midi „Ó ‚ÓÁÏÓÊÌÓÒÚË Ë ËÒÔÓθÁÓ‚‡ÌË ̇ ÒËÌÚÂÁ‡ÚÓËËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ËÓÓ·˘ÂÌËfl ͇̇ÎÓ‚Midi ÈÓ‰Íβ˜ÂÌËÂ Í ÔÂÛ ËÓ‰ËÌËÚ MIDI-ÓÏÔ¸˛ÚÂOn Local ÃÓ͇θÌÓ ÛÔInitsend ‡ÊÏËÚ Íìóôíû + ËÎËÈÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„Û ‡ÊÏËÚ Íìóôíû START/STOPÇ̯Ìflfl ÒËÌı EndÌÒÚ ËÓı CLrBackupËÓı ÀÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ıËÔËÒÓÍ ÚÂÏ· ‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl086 000 114 062 Techno Brass ËÔËÒÓÍ ÚÂÏ· 353 World ÚÂÏ· MSB LSB ËÔËÒÓÍ ÚÂÏ· ËÔËÒÓÍ Òúëîâè BeatËÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı ÇÓÏ·‡Á˚ ‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ıËÔËÒÓÍ Ì‡·Ó 100ËÔËÒÓÍ Ì‡·Ó ‡·Îˈ‡ Yamaha‡·Îˈ‡ 104 ·Ó‡‚ÍË ÅÓÍÓ‚˚ ԇÌÂÎËÈÓ·˚ ÇËÌÚ˚ Ò ÍÎÓ‚ÍÓÈ 6 x 30 ÏÏÌÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛ ÈÓÒÚ‡‚¸Ú Í·‚ˇÚÛÛÈÚÂ Ô ÍÂıÌ˘ÂÒÍË ı‡ ÈÚÌ˚È Û͇Á‡ÚÂθ Limited Warranty North America Http//www2.yamaha.co.jp/manual/english

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.