Yamaha DGX-500, DGX-300 manual ÎÛÌ͈Ëfl Dual Voice, 123Std.Kit1, ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice

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ëÔÓÏÓ˘¸˛ 12 ÚÂÏ·Ó‚ ̇·Ó‡ Drum Kit ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ ̇ Í·‚ˇÚÛ Á‚ÛÍË ‡Á΢Ì˚ı ·‡‡·‡ÌÓ‚ Ë Û‰‡Ì˚ı.

123Std.Kit1

çÓÏÂ

ç‡Á‚‡ÌË ̇·Ó

íÂÍÒÚ Ì‡ ‰ËÒÔÎÂÂ

123

Standard Kit 1

Std.Kit1

124

Standard Kit 2

Std.Kit2

125

Room Kit

Room Kit

126

Rock Kit

Rock Kit

127

Electronic Kit

Elct.Kit

128

Analog Kit

AnlogKit

129

Dance Kit

DanceKit

130

Jazz Kit

Jazz Kit

131

Brush Kit

BrushKit

132

Symphony Kit

SymphKit

133

SFX Kit 1

SFX Kit1

134

SFX Kit 2

SFX Kit2

ç‡Ô

 

 

 

 

Bell

 

 

Shot

 

 

ClosedPedal Open

Cymbal

1

1

 

Open

 

 

 

Mute

Mute

Pull

 

Slap

Rim

Clap

 

 

 

L

Short

Mute

 

Tap

 

 

 

 

 

 

 

SurdoHi

 

Noise

 

CastanetSticksOpen

 

Stick

Hi

Hi

Hi

CrashRide

Cymbal

 

 

TimbaleAgogoMaracas Guiro Claves

CuicaTriangleShaker

Q

ScratchClick

MetronomeBrushBrush

Side Hand

 

TambourineVibraslapCowbell BongoConga

 

 

 

 

 

 

 

 

-Hat

-Hat -Hat

 

 

 

 

 

 

 

 

 

 

 

C3

 

 

 

 

 

L

H

 

 

 

 

 

 

 

 

M

 

 

L

 

H

 

 

L

 

H

 

Cymbal

 

Cymbal

2

 

2

H

 

L

 

H

 

H

 

H

 

L

 

 

H

 

L

 

 

Open SlapPushSnapClick

Click

 

Swirl Swirl Roll

 

Soft SoftHardDrum

H

Hard

 

 

 

Tom

 

 

 

 

 

 

 

 

H

Mute

 

 

 

Cabasa

 

 

 

 

 

Block Block

 

OpenOpen

Bell Tree

 

 

 

 

 

 

Low

 

 

 

Tom

Cup

 

 

Bongo

 

 

Agogo

 

 

 

 

 

Long

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Snare

 

 

Tom

 

 

Tom

 

 

 

 

 

 

 

 

 

 

Conga

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bell

Whip

 

 

Click

 

 

 

Tap

 

 

Drum

 

 

 

Tom

Mid

 

High

 

 

 

 

CymbalCymbal

 

 

Timbale

 

 

 

WhistleWhistle

 

 

 

 

 

 

 

 

Jingle

 

Surdo ScratchFinger

 

 

 

 

 

 

 

Snare

Bass

 

Snare

 

Floor

 

 

 

 

 

Chinese

Cymbal

 

 

 

 

 

 

 

 

 

 

 

 

Samba

 

 

 

 

Wood

 

 

 

 

 

 

 

Metronome

 

 

 

 

 

Snare

DrumBass

 

 

 

 

 

 

 

 

Mid

 

 

 

 

 

 

 

 

 

 

 

 

 

Guiro

 

 

 

 

 

 

 

 

 

 

 

Seq Seq Brush

 

 

 

 

 

 

 

 

Floor

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Conga

 

 

 

 

 

 

 

 

 

Wood

 

Cuica

 

 

 

 

 

 

 

 

Brush

 

Bass

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Splash

 

Ride

 

 

 

 

 

 

 

 

 

 

 

 

Triangle

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ride

Crash

 

 

 

 

 

 

 

 

Samba

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

îÛÌ͈Ëfl Dual Voice

îÛÌ͈Ëfl Dual Voice ÔÓÁ‚ÓÎflÂÚ ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ‡Á΢Ì˚ı ÚÂÏ·‡ — Ó‰ËÌ ÓÒÌÓ‚ÌÓÈ, ÍÓÚÓ˚È ‚˚·Ë‡ÂÚÒfl Í‡Í Ó·˚˜ÌÓ, Ë ‰Û„ÓÈ, Ó ÍÓÚÓÓÏ „Ó‚ÓËÚÒfl

˝ÚÓÈ „·‚Â. ÑÎfl ˝ÚËı ÚÂÏ·Ó‚ ÏÓÊÌÓ Ú‡ÍÊ ÌÂÁ‡‚ËÒËÏÓ Á‡‰‡‚‡Ú¸ ‡ÁÌ˚ ԇ‡ÏÂÚ˚, ̇ÔËÏÂ, „ÓÏÍÓÒÚ¸, ÓÍÚ‡‚Û, Ô‡ÌÓ‡ÏÛ, ‚Â·Â‡ˆË˛, ˝ÙÙÂÍÚ Chorus Ë Ì‡ÒÚÓÈÍË DSP. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡Ú¸ ÓÔÚËχθÌÓ ÒÓ˜ÂÚ‡ÌË ÚÂÏ·Ó‚ Ë ÛÎÛ˜¯ËÚ¸ Ëı ÒÓ‚ÏÂÒÚÌÓ Á‚Û˜‡ÌËÂ.

1 ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [DUAL]

001Live!Gnd

001

îÛÌ͈Ëfl Dual Voice ‚Íβ˜Â̇

26

Image 26
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Special Message Section Model Serial No Purchase DateFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ÚÍË ÍÓ‚‡‡ Ú‡ÍÊ Á‡ Ôóúâ ÑËÒÍÓ‚Ó‰ ............................. ÒÚ ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚËÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚102 104 „·‚ÎÂÌËÂ100 108 109‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ‰‡ÔÚ ‡ÒÚ‡Ì˲ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚ‡Û¯ÌËÍË ÇÍβ˜ÂÌË ÔËÚ‡ÌËflÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè ÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚÂ001Live!Gnd ‡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome˚·Â 002GrandPno‡ÊÏËÚ Íìóôíû Voice ËÔËÒÓÍ ÚÂÏ·004B Bailey 005IrishEyeÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â 101FilenameËÔËÒÓÍ Ôâòâì ÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP+ è 001AlvFevr002Croco RK ˚„ÓÓÈÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ Dict‡ÊÏËÚ Íìóôíû Dictionary ‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ R1Timing˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl Lr4BothHand 120TEMPO R2WaitingR3MinusOne ‡ÊÏËÚ Íìóôíû TEMPO/TAPÀ̉Ë͇ÚÓ ·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔ·Á‚‡ÌËÂ Ë Ìóïâ 1à̉Ë͇ÚÓ ‡ÍÚÌ͇Á‡ÚÂÎË ‰ÓÎÂÈ 2à̉Ë͇ÚÓ068TEMPO ÎÛÌ͈Ëfl Portable GrandÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ ˚ÁÓ‚ËÚ ̇ÒÚÛ TempoÇÍβ˜ËÚ ÏÂÚ 04TIME SIG100MTR VOL ‡ÒÚÚ˚ Ò˄̇· ÏÂÚ‡ÊÏËÚ Íìóôíû Voice ˚·ÂÄÌÓÔÍË + 109CelestaÀÒÔÓθÁÓ‚‡ÌË ˆËÙ ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice ÎÛÌ͈Ëfl Dual Voice123Std.Kit1 ‡‰‡ÈÚ Á̇˜ÂÌË ԇ 104M.Volume˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ· ‡ÒÚ000Live!Gnd Split Voice113AcB/Pno ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ·˚·ÂÛÌÍˆË˛ Transpose ÎÛÌ͈ËË Transpose Ë Tuning00TRANSPOS ÎÛÌ͈Ëfl Transpose000TUNING ÎÛÌ͈Ëfl TuningÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ 02PB Range‡‰‡ÈÚ ԇ Á̇˜ÂÌËfl Ô‡ ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch Sensitivity2Medium 1Hall1 ÙÙÙÂÍÚ˚ÙÙÙÂÍÚ Reverb Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚·˚·ÂÛÌÍˆË˛ DSP ÙÙÙÂÍÚ DSP06Stage2 ÇÍβ˜ËÚ ˝ÙÙÂÍÚ Harmony ÙÙÙÂÍÚ˚ Harmony03Block Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ HarmonyÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ÍËÔ˚ ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony 0018BtModrn ˚·Ó˚·Ó ‡ÊÏËÚ Íìóôíû Style‡Ê‡Ú¸ Íìóôíû START/STOP ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÇÍβ˜ËÚ ÒÚËθ ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start Main aÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap Tempo ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl INTRO≥A‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl Intro ‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËflÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ Ending ÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÉÒÚ‡ÌÓ‚ËÚ ÒÚËθ ‡Ê‡Ú¸ Íìóôíû Sync StartÎÛÌ͈Ëfl Sync Stop ÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡˚ÁÓ‚ËÚ ԇ ÀÁÏÂÌÂÌË ÚÂÏÔ‡120TEMPO Öòîë ̇ʇڸ Íìóôíû ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍËFill A≥B 100ACMP VOL ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÒÚ‡ ‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi FingeringÄííó ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂÅÓθ¯ÓÈ Ïëìóó ÅÓθ¯ÓÈ Ï‡ÊÓÓÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈ ÅÓθ¯ÓÈ Ïëìóóâììóè˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point ÌÒÚ‡Ìӂ͇ Ô‡Ú054S-POINT Ì͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ ËÎÓ‚‡ÛÌ͈Ëfl Dictionary‡ÊÏËÚ Íìóôíû Dictionary Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓÓÚÓ Ú‡ÍÓ ‡ÍÍÓ Ìûêìó Ò˚„‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ DGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ Òúëîâ ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı208XmasWalz ‡ÊÏËÚ Íìóôíû M.D.B. Music DatabaseÈÄêÄåÖíêõ ëíàãÖâ ‡ÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ıÈÄêÄåÖíêõ íÖåÅêéÇ ËÓı Ê„ËÒÚ‡·ÓÚ 1BANK‡ÊÏËÚ Íìóôíû Registration Memory 1 ËÎË 2 ‰Îfl ‚˚·Ó ÀÒÔÓθÁÓ‚‡ÌË ̇·ÓÚ1REGIST1 ‚‡ÂÚ ÔÂβ Ú‡ÍÚ‡, ÓÒڇθÌ˚ ÏË„‡˛Ú ÔÓÒΉӂ‡ÚÂθÌÓ ‡ÊÏËÚ Íìóôíû Song‚ÓÒÔÓÈ Ôâòìë Ú‡ÍÚ˚, ‰ÓÎË Ë Ú‡ÈÏËÌ„ ̇ ‰ËÒÔΠ̠ÓÚÓ· ‡Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓÎÛÌ͈Ëfl A-B Repeat BREPEAT˚Íβ˜ËÚ ÙÛÌÍˆË˛ A-B Repeat ÀÁÏÂÌÂÌË ÚÂÏ·003BritePno ÈÓ„‰‡ ıÓÚËÚ‡ÊÏËÚÂ Ë ‰ÂÊËÚ Íìóôíû Voice Ì Ïâìââ ÒÂÍÛ̉˚ 100SONG VOL ˚·ÂÛÌÍˆË˛ Song Volume ÉÓÒÚ¸ ÔâòìëÊ„ÛÎË RECUser ‡ÔËÒ¸ Ôâòâì‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎfl ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ˚·ÓÊÍË ‰Îfl Á‡ÔËÒË 202User˚·ÓθÁÓ‚‡ÚÂθÒÍÓÈ Ôâòìë ‰Îfl Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÔËÒ¸ ̇ ‰ÊÍË ‡˜‡ÎÓ Á‡ÔËÒËÉÒÚ‡Ìӂ͇ Á‡ÔËÒË ‡ÔËÒ¸ ‰ÓÊÍË ÏÂÎÓ‰ËË 1È a ̇ÊÏËÚ Íìóôíû Song Memory ‰‡ÎÂÌË ÔâòìëYESClrUser2 ‡ÊÏËÚ Íìóôíû +/YES ÓÚ‚ÂÚ Ì‡ ‚ÓÔ‚ÂÛ +/YES ËÎË -/NO‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÈ ‰ÓÊÍ ˜ËÒÚ͇ ‰ÓYESClrTr1 040Lomond ‡Áۘ˂‡ÌË ÔâòìëÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson ¸ÍÓ Á‡ÚÂÏ Ô‡˜ÌËÚÂ Û Lr4BothHand˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËÎË ÑÎfl ÔÛ START/STOP‡‰‡ÈÚ Ìóïâêíë ÌÚ˚ ÌÛ͇ÏË „Ú‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡OnGRADE ÎÛÌ͈Ëfl ÓˆÂÌÍË GradeOnExcellen ˚·ÂÛÌÍˆË˛ GradeÄÓÏÏÂÚ‰ÂθÌÓ ÉÔÂÚÓȇÌÌ˚Â, Íóúóêìó ÒÓı DGX-500/300 USR˜ËÒÚ͇ χ„ÌËÚÌÓÈ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ËÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ ‚‰ÂÌËfl Ó ‰ËÒÍÂÚ‡ı‡ÔÛÒÚËÚ ‚˚· 101D-Song01ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Öòîë ‚˚ ıÓÚËÚ Ô ÉÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ Óúùóâúû UF00nnnÀÁÏÂÌÂÌË ԇÊÍË Ôâòìë ̇ ‰ËÒÍÂÚ ‡ÊÏËÚ Íìóôíû SaveÖòîë ÌÛÊÌÓ, Ëáïâìëúâ ËÏfl هȷ UFilenameYESFilename ‡ÊÏËÚ Íìóôíû ExecuteTo SMF? USavingComplete SUser1ULoading ‡„ÛÁ͇YESSure? ‡ÊÏËÚ Íìóôíû Load‡ÊÏËÚ Íìóôíû Utility Utility ÙÛÌ͈Ëfl DeleteUDeleting ˚·Â‰‡ÎÂÌËfl072Formatin Utility ÙÓÚ˚CUEFormat? ÇÒÚ‡‚¸Ú Ìâóúùóâúû ‚ ‰ËÒÍÓ‚Ó‰Utility ÔÂÚ˚ ‡ÊÏËÚ Íìóôíû Utility ¢ÂËËÌÚÂÁ‡ÚÓÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓ ÛÒÚ ÎÛÌ͈ËË MidiÓÚÓ Ú‡ÍÓ Midi „Ó ‚ÓÁÏÓÊÌÓÒÚË Ë ËÒÔÓθÁÓ‚‡ÌË ̇ ÒËÌÚÂÁ‡ÚÓMidi ËÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ËËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ÈÓ‰Íβ˜ÂÌËÂ Í ÔÂÛ ËÓ‰ËÌËÚ MIDI-ÓÏÔ¸˛ÚÂOn Local ÃÓ͇θÌÓ ÛÔInitsend ‡ÊÏËÚ Íìóôíû + ËÎËÈÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„Û ‡ÊÏËÚ Íìóôíû START/STOPÇ̯Ìflfl ÒËÌı EndÌÒÚ ËÓı CLrBackupËÓı ÀÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ıËÔËÒÓÍ ÚÂÏ· ‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl086 000 114 062 Techno Brass ËÔËÒÓÍ ÚÂÏ· 353 World ÚÂÏ· MSB LSB ËÔËÒÓÍ ÚÂÏ· ËÔËÒÓÍ Òúëîâè BeatËÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı ÇÓÏ·‡Á˚ ‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ıËÔËÒÓÍ Ì‡·Ó 100ËÔËÒÓÍ Ì‡·Ó ‡·Îˈ‡ Yamaha‡·Îˈ‡ 104 ·Ó‡‚ÍË ÅÓÍÓ‚˚ ԇÌÂÎËÈÓ·˚ ÇËÌÚ˚ Ò ÍÎÓ‚ÍÓÈ 6 x 30 ÏÏÈÚÂ Ô ÈÓÒÚ‡‚¸Ú Í·‚ˇÚÛÛÌÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛ ÍÂıÌ˘ÂÒÍË ı‡ ÈÚÌ˚È Û͇Á‡ÚÂθ Limited Warranty North America Http//www2.yamaha.co.jp/manual/english

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.