Yamaha DGX-300 ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi Fingering, Äííó, ‡Êïëúâ Íî‡‚Ë¯Û ‰Ìó‚ Óòìó‚Ìó„Ó Úóì‡ ‡Ííó

Page 47

Ç˚·Ó

Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ – Multi Fingering

ÖÒÎË Á‡‰‡Ì‡ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 39), Ó̇ ‡‚ÚÓχÚ˘ÂÒÍË „ÂÌÂËÛÂÚ ·‡Ò˚ Ë ‡ÍÍÓ‰˚ ÒÓÔÓ‚ÓʉÂÌËfl ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl, ËÒÔÓθÁÛfl ÏÂÚÓ‰˚ Ë„˚ ‡ÍÍÓ‰‡ÏË (Multi Fingering). àÒÔÓÎÌËÚÂθ ÏÓÊÂÚ ÏÂÌflÚ¸ ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ÊËχfl Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ËÒÔÓθÛfl ÏÂÚÓ‰ Single Finger ËÎË Fingered. åÂÚÓ‰ÓÏ Single Finger ΄ÍÓ Ë„‡Ú¸ ‡ÍÍÓ‰˚ Ó‰ÌËÏ, ‰‚ÛÏfl ËÎË ÚÂÏfl ԇθˆ‡ÏË (ÒÏ. ÌËÊ ‡ÍÍÓ‰˚, ÔÓË„˚‚‡ÂÏ˚ ÏÂÚÓ‰ÓÏ Single Finger). èË ÏÂÚӉ Fingered Ú‡‰ËˆËÓÌÌÓ ÔÓË„˚‚‡˛ÚÒfl ‚Ò ÌÓÚ˚ ‡ÍÍÓ‰‡. ä‡ÍËÏ ·˚ ÏÂÚÓ‰ÓÏ ‚˚ ÌË ÔÓθÁÓ‚‡ÎËÒ¸, ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ‡ÒÔÓÁ̇ÂÚ ÌÛÊÌ˚È ‡ÍÍÓ‰ Ë ‡‚ÚÓχÚ˘ÂÒÍË „ÂÌÂËÛÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

ÄÍÍÓ • • • • • • • • • • • • • •

åÂÚÓ‰ÓÏ Single Finger ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ χÊÓÌÓ ÚÂÁ‚Û˜ËÂ, ÏËÌÓÌÓ ÚÂÁ‚Û˜ËÂ, ÒÂÔÚ‡ÍÍÓ‰ Ë Ï‡Î˚È ÒÂÔÚ‡ÍÍÓ‰. ç‡ ËÒÛÌÍ ÔÓ͇Á‡ÌÓ, Í‡Í Ë„‡Ú¸ ˝ÚË ˜ÂÚ˚ ‡ÍÍÓ‰‡. (ä·‚˯‡ C ËÒÔÓθÁÛÂÚÒfl Á‰ÂÒ¸ ‰Îfl ÔËÏÂ‡; ‰Îfl ÓÒڇθÌ˚ı Í·‚˯ ‰ÂÈÒÚ‚Û˛Ú Ú Ê Ô‡‚Ë·. ç‡ÔËÏÂ, Bb7 ÔÓË„˚‚‡ÂÚÒfl Í‡Í Bb Ë A.)

C

 

 

 

 

 

 

 

Cm

 

 

 

 

C7

 

 

 

 

Cm7

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

å‡ÊÓ

åËÌÓ

̇ÊÏËÚ Í·‚˯Û

Ó‰ÌÓ‚

ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ

Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë

 

·ÎËÊ‡È¯Û˛ ˜Â

 

Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.

ëÂÔÚ‡ÍÍÓ

å‡Î˚È ÒÂÔÚ‡ÍÍÓ

Ó‰ÌÓ‚

Ó‰ÌÓ‚

Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë

Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ò

·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛

·ÎËʇȯËÏË ·ÂÎÓÈ Ë

Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.

˜Â

 

ÓÚ ÌÂÂ.

ÄÍÍÓ• • • • • • • • • • • • • • • • • •

çËÊ ÔÓ͇Á‡Ì˚ ‚ˉ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ı ‚ ÂÊËÏ Fingered. Ç Í‡˜ÂÒÚ‚Â ÔËÏÂ‡ ËÒÔÓθÁÛÂÚÒfl Í·‚˯‡ C (‰Ó).

èÓ

C

C (9)

C6

C 6(9)

CM7

CM7 (9)

CM7(#11)

C(b5)

CM7b5

( )

( )

( )

( )

( )

Csus4

Caug

CM7 aug

Cm

Cm(9)

Cm6

Cm7

Cm7 (9)

Cm7(11)

)

(

 

 

)

 

 

 

 

 

 

 

 

)

 

 

)

)

 

 

 

 

(

 

 

 

 

 

 

 

 

(

 

 

(

 

(

CmM7

CmM7 (9) Cm7 b5

CmM7 b5 Cdim

Cdim7

 

C 7

 

 

C 7 (b9)

 

 

C 7 (b13)

( )

( )

( )

( )

C 7 (9)

 

 

C 7 (#11)

 

C 7 (13)

 

 

 

 

 

C 7 (#9)

 

 

 

 

 

C 7 b5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

)

 

 

 

 

)

 

 

 

 

 

 

 

 

 

 

 

 

 

)

 

 

 

 

 

 

 

 

)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(

 

 

 

 

(

 

 

 

 

 

 

 

 

 

 

 

 

 

(

 

 

 

 

 

 

 

 

(

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

* çÓÚ˚, Û͇Á‡ÌÌ˚ ‚ ÒÍӷ͇ı, ÌÂÓ·flÁ‡ÚÂθÌ˚; ‡ÍÍÓ

C7 aug C7sus4 C 1+2+5

( )

47

Image 47
Contents ÊÛÍÓ‚Ó‰ÒÚ‚ÓêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflÔÓθÁÓ‚‡ÚÂÎfl Model Serial No Purchase Date Special Message SectionFCC Information U.S.A ÅÖêõ ÅÖáéèÄëçéëíà ÚÍË ÍÓ‚‡‡ Ú‡ÍÊ Á‡ Ôóúâ ÅÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚ ÉÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚËÅìáõäÄãúçÄü ÅÄáÄ ÑÄççõï ............................. ÒÚ ÑËÒÍÓ‚Ó‰ ............................. ÒÚ108 109 „·‚ÎÂÌËÂ100 102 104‡ÌÂθ ÛÔ ‡‰Ìflfl Ô‡ÌÂθ ÙÚÓÚ ÊËÚ Ëìùóâ ÒËÌÚÂÁ‡ÚÓ èÂθÁÓ‚‡ÌËÂÏ ËÌÒÚ˜ËÚ‡ÈÚ ˝ÚÓÚ ‡ÒÚ‡Ì˲ ‰‡ÔÚÂÈÓ‰Íβ˜ÂÌË ÛÒËÎËÚÂÎfl ËÎË ÒÚ ÇÍβ˜ÂÌË ÔËÚ‡ÌËflÉÌÂÁ‰‡ ‰Îfl Ôîâêìóòúâè ‡Û¯ÌË͡ÊÏËÚ Íìóôíû Portable Grand ‡ÊÏËÚ Íìóôíû Metronome 001Live!GndËÔËÒÓÍ ÚÂÏ· 002GrandPno‡ÊÏËÚ Íìóôíû Voice ˚·Â005IrishEye 004B BaileyÑÎfl ̇˜‡Î‡ ËÎË ÓÒÚ‡ÌÓ‚ÍË Ô Ì‡ÊÏËÚ Íìóôíû START/STOP 101FilenameËÔËÒÓÍ Ôâòâì ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ˚·Â˚„ÓÓÈ 001AlvFevr002Croco RK + èÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÛÌ͈ËË Ì‡ÊÏËÚ Íìóôíû Dictionary ¢ Dict‡ÊÏËÚ Íìóôíû Dictionary ‡˜ÌËÚ ˄ ÄÓ„‰‡ Á‡ÍÓ̘ËÚÂ, ‚˚ȉËÚ ËÁ R1Timing˚·ÂÓÚÓÓÚËÚ ÔÓ ‡Ú¸ ΂ÓÈ ËÎË ÔÚ‡Ô Ó·Û˜ÂÌËfl ‡ÊÏËÚ Íìóôíû TEMPO/TAP R2WaitingR3MinusOne Lr4BothHand 120TEMPOÀ̉Ë͇ÚÓ ·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔ·Á‚‡ÌËÂ Ë Ìóïâ 2à̉Ë͇ÚÓ ‡ÍÚÌ͇Á‡ÚÂÎË ‰ÓÎÂÈ 1à̉Ë͇ÚÓ˚ÁÓ‚ËÚ ̇ÒÚÛ Tempo ÎÛÌ͈Ëfl Portable GrandÀÒÔÓθÁÓ‚‡ÌË ÏÂÚ 068TEMPO‡ÒÚÚ˚ Ò˄̇· ÏÂÚ 04TIME SIG100MTR VOL ÇÍβ˜ËÚ ÏÂÚ˚·Â ‡ÊÏËÚ Íìóôíû VoiceÄÌÓÔÍË + 109CelestaÀÒÔÓθÁÓ‚‡ÌË ˆËÙ ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Dual Voice ÎÛÌ͈Ëfl Dual Voice123Std.Kit1 ‡ÒÚ 104M.Volume˚·ÂÎÌËÚÂθÌÓ„Ó ÚÂÏ· ‡‰‡ÈÚ Á̇˜ÂÌË ԇ˚ÁÓ‚ ÌËÊÌÂ„Ó ÚÂÏ· Split Voice113AcB/Pno 000Live!GndÎÛÌ͈Ëfl Transpose ÎÛÌ͈ËË Transpose Ë Tuning00TRANSPOS ˚·ÂÛÌÍˆË˛ TransposeÎÛÌ͈Ëfl Tuning 000TUNINGÀÁÏÂÌflÈÚ ‚˚ÒÓÚÛ Á‚Û͇ ÎflÚÓPITCH Bend ‚Ó ‚Ë„ ̇ Í·‚ˇÚÛ 02PB Range‡‰‡ÈÚ ԇ Á̇˜ÂÌËfl Ô‡ ÎÛÌ͈Ëfl Touch Ë Ô‡Úouch Sensitivity2Medium Reverb, DSP Ë Harmony, Ë ‚ ͇ʉÓÈ ËÁ ÌËı ÂÒÚ¸, ˜ÚÓ ‚˚· ÙÙÙÂÍÚ˚ÙÙÙÂÍÚ Reverb 1Hall1˚·ÂÛÌÍˆË˛ DSP ÙÙÙÂÍÚ DSP06Stage2 Öòîë ÚÒÚ‡ÌÓ‚ËÚ ÚËÔ Harmony ÙÙÙÂÍÚ˚ Harmony03Block ÇÍβ˜ËÚ ˝ÙÙÂÍÚ HarmonyÍËÔ˚ DSP ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ÍËÔ˚ ÍËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony ‡ÊÏËÚ Íìóôíû Style ˚·Ó˚·Ó 0018BtModrn‡Ê‡Ú¸ Íìóôíû START/STOP ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÇÍβ˜ËÚ ÒÚËθ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main aÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap Tempo ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start‡Í ̇˜‡Ú¸ ÒÓ ‚ÒÚÛÔÎÂÌËfl INTRO≥A‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl Intro ÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl‡Ê‡Ú¸ Íìóôíû Sync Start ÀÁÏÂÌËÚ ‡ÍÍÓÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ÉÒÚ‡ÌÓ‚ËÚ ÒÚËθ ÀÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ EndingÇÓÁ¸ÏËÚ ‡ÍÍÓÓÏÔ‡ÌÂÏÂÌÚ‡ ÎÛÌ͈Ëfl Sync Stop˚ÁÓ‚ËÚ ԇ ÀÁÏÂÌÂÌË ÚÂÏÔ‡120TEMPO Öòîë ̇ʇڸ Íìóôíû ‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Main A/B Ë ‚ÒÚ‡‚ÍËFill A≥B 100ACMP VOL ˚·ÂÛÌÍˆË˛ Accompaniment Volume ÉÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡‡ÒÚ‡ ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛ ·ÎËʇȯËÏË ·ÂÎÓÈ Ë Í·‚Ë¯Û Ò΂‡ ÓÚ Ì ‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Multi FingeringÄííó ‡ÊÏËÚ Í·‚Ë¯Û ‰ÌÓ‚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓÅÓθ¯ÓÈ Ïëìóóâììóè ÅÓθ¯ÓÈ Ï‡ÊÓÓÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈ ÅÓθ¯ÓÈ Ïëìóó˚·ÂÛÌÍˆË˛ ÛÔ˜ÍÓÈ Split Point ÌÒÚ‡Ìӂ͇ Ô‡Ú054S-POINT Ì͇ÊËÚ ÚËÔ ‡ÍÍÓÓ ËÎÓ‚‡ÛÌ͈Ëfl Dictionary‡ÊÏËÚ Íìóôíû Dictionary Ì͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓÌûêìó Ò˚„ ÓÚÓ Ú‡ÍÓ ‡ÍÍÓ‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ ‡ÊÏËÚ Íìóôíû M.D.B. Music Database ÀÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı208XmasWalz DGX-500/300 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÊÂÚ ˄ÚÓÏ ÏÛÁ˚͇θÌÓÏ ÒúëîâÈÄêÄåÖíêõ ëíàãÖâ ‡ÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ıÈÄêÄåÖíêõ íÖåÅêéÇ 1BANK Ê„ËÒÚ‡·ÓÚ ËÓı‡ÊÏËÚ Íìóôíû Registration Memory 1 ËÎË 2 ‰Îfl ‚˚·Ó ÀÒÔÓθÁÓ‚‡ÌË ̇·ÓÚ1REGIST1 ‡Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓ ‡ÊÏËÚ Íìóôíû Song‚ÓÒÔÓÈ Ôâòìë Ú‡ÍÚ˚, ‰ÓÎË Ë Ú‡ÈÏËÌ„ ̇ ‰ËÒÔΠ̠ÓÚÓ· ‚‡ÂÚ ÔÂβ Ú‡ÍÚ‡, ÓÒڇθÌ˚ ÏË„‡˛Ú ÔÓÒΉӂ‡ÚÂθÌÓBREPEAT ÎÛÌ͈Ëfl A-B RepeatÈÓ„‰‡ ıÓÚËÚ ÀÁÏÂÌÂÌË ÚÂÏ·003BritePno ˚Íβ˜ËÚ ÙÛÌÍˆË˛ A-B Repeat‡ÊÏËÚÂ Ë ‰ÂÊËÚ Íìóôíû Voice Ì Ïâìââ ÒÂÍÛ̉˚ 100SONG VOL ˚·ÂÛÌÍˆË˛ Song Volume ÉÓÒÚ¸ ÔâòìëÊ„ÛÎË ÌÒÚ‡Ìӂ͇ ÌÛÊÌ˚ı ̇ÒÚ ‡ÔËÒ¸ Ôâòâì‡ÔËÒ¸ Ôâòâì ÔÓθÁÓ‚‡ÚÂÎfl RECUser‡ÔËÒ¸ ‰ÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 202User˚·ÓθÁÓ‚‡ÚÂθÒÍÓÈ Ôâòìë ‰Îfl Á‡ÔËÒË ˚·ÓÊÍË ‰Îfl Á‡ÔËÒˇÔËÒ¸ ‰ÓÊÍË ÏÂÎÓ‰ËË 1 ‡˜‡ÎÓ Á‡ÔËÒËÉÒÚ‡Ìӂ͇ Á‡ÔËÒË ‡ÔËÒ¸ ̇ ‰Ê͡ÊÏËÚ Íìóôíû +/YES ÓÚ‚ÂÚ Ì‡ ‚ÓÔ‚ÂÛ +/YES ËÎË -/NO ‰‡ÎÂÌË ÔâòìëYESClrUser2 È a ̇ÊÏËÚ Íìóôíû Song Memory‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÈ ‰ÓÊÍ ˜ËÒÚ͇ ‰ÓYESClrTr1 ¸ÍÓ Á‡ÚÂÏ Ô ‡Áۘ˂‡ÌË ÔâòìëÀÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson 040LomondÑÎfl ÔÛ START/STOP Lr4BothHand˚·ÂÓÚÓÓÚËÚ ÔÓÚ‡Ú¸ ‰Îfl ΂ÓÈ ËÎË ‡˜ÌËÚ ۇ‰‡ÈÚ Ìóïâêíë ÌÚ˚ „Ú‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ ÌÛ͇ÏË˚·ÂÛÌÍˆË˛ Grade ÎÛÌ͈Ëfl ÓˆÂÌÍË GradeOnExcellen OnGRADEUSR ÉÔÂÚÓȇÌÌ˚Â, Íóúóêìó ÒÓı DGX-500/300 ÄÓÏÏÂÚ‰ÂθÌӂ‰ÂÌËfl Ó ‰ËÒÍÂÚ‡ı ËÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ ˜ËÒÚ͇ χ„ÌËÚÌÓÈ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡Öòîë ‚˚ ıÓÚËÚ Ô ÉÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ 101D-Song01ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ ‡ÔÛÒÚËÚ ‚˚·‡ÊÏËÚ Íìóôíû Save UF00nnnÀÁÏÂÌÂÌË ԇÊÍË Ôâòìë ̇ ‰ËÒÍÂÚ ÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ Óúùóâúû‡ÊÏËÚ Íìóôíû Execute UFilenameYESFilename Öòîë ÌÛÊÌÓ, Ëáïâìëúâ ËÏfl هȷSUser1 USavingComplete To SMF?‡ÊÏËÚ Íìóôíû Load ‡„ÛÁ͇YESSure? ULoading˚·Â‰‡ÎÂÌËfl Utility ÙÛÌ͈Ëfl DeleteUDeleting ‡ÊÏËÚ Íìóôíû UtilityÇÒÚ‡‚¸Ú Ìâóúùóâúû ‚ ‰ËÒÍÓ‚Ó‰ Utility ÙÓÚ˚CUEFormat? 072Formatin‡ÊÏËÚ Íìóôíû Utility ¢ Utility ÔÂÚ˚„Ó ‚ÓÁÏÓÊÌÓÒÚË Ë ËÒÔÓθÁÓ‚‡ÌË ̇ ÒËÌÚÂÁ‡ÚÓ ÎÛÌ͈ËË MidiÓÚÓ Ú‡ÍÓ Midi ËËÌÚÂÁ‡ÚÓÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓ ÛÒÚMidi ËÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ËËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ËÓ‰ËÌËÚ MIDI-ÓÏÔ¸˛Ú ÈÓ‰Íβ˜ÂÌËÂ Í ÔÂÛ‡ÊÏËÚ Íìóôíû + ËÎË ÃÓ͇θÌÓ ÛÔInitsend On Local‡ÊÏËÚ Íìóôíû START/STOP ÈÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„ÛEnd Ç̯Ìflfl ÒËÌıÌÒÚ ÀÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ı CLrBackupËÓı ËÓı‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl ËÔËÒÓÍ ÚÂÏ·086 000 114 062 Techno Brass ËÔËÒÓÍ ÚÂÏ· 353 World ÚÂÏ· MSB LSB ËÔËÒÓÍ ÚÂÏ· Beat ËÔËÒÓÍ ÒúëîâèÇÓÏ·‡Á˚ ‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ı ËÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı100 ËÔËÒÓÍ Ì‡·ÓËÔËÒÓÍ Ì‡·Ó Yamaha ‡·Îˈ‡‡·Îˈ‡ 104 ÅÓÍÓ‚˚ ԇÌÂÎË ·Ó‡‚ÍËÇËÌÚ˚ Ò ÍÎÓ‚ÍÓÈ 6 x 30 ÏÏ ÈÓ·˚ÈÚÂ Ô ÈÓÒÚ‡‚¸Ú Í·‚ˇÚÛÛÌÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛ ÍÂıÌ˘ÂÒÍË ı‡ ÈÚÌ˚È Û͇Á‡ÚÂθ Limited Warranty North America Http//www2.yamaha.co.jp/manual/english

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.