Korg Musical Instrument manual Converting a Multi-sound to a Program, Lets get started

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TRITON Training Guide

Converting a Multi-sound to a Program

OK, so you've got a new Multi-sound, and you want to use it in a Program, Combination, or even as a track in the Sequencer… what to do? Convert it to a Program! TRITON makes it easy!

Using the Multi-sample you just recorded:

1.In the Recording tab page, press the Recording Page menu button (upper -right), then press Convert MS To Program. A dialog box appears - you could select Use Destination Program Parameters - a quick way to bring your multi-sample into a "template" Program, with similar parameters to the multi- sample you recorded, but for now, leave this box un-checked.

2.Press the Text Edit button, and use the "typewriter" as before, to name your new Program.

3.Press the Program popup button, then press the Bank E tab button to the left of the center menu.

4.In the center menu, press E004, then press OK - press OK again when the dialog box returns, and press OK once again when the Are You Sure? prompt appears - to convert the multi-sound to your new Program location.

5.Press the PROG key to enter Program mode, then select Program E004. Play the keyboard from C2 -up to hear the multi-sound. It's new "home" is oscillator 1!!!

Working with Grooves, Loops and Tempo

It can't get any easier than this! TRITON features the quickest ways to sample a rhythmic phrase or loop, and view and edit your samples! The following section deals with just -that! You can use any available synth, drum machine, CD Player - anything that's close -at -hand, and that has a source tempo / BPM value that you know.

Let's get started:

1.Power - OFF / ON the TRITON to clear the sample RAM and reset the sampling parameters (you want this demo to go as flawlessly as possible, right? When you get more comfortable with TRITON you can learn how to erase all samples without powering off).

2.Connect your audio source left and right outputs to the TRITON's rear panel Audio Inputs 1 and 2.

3.Set the MIC / LINE switch to LINE, and set the LEVEL control to the 12 o'clock position.

4.Press the SAMPLING key to enter Sampling mode.

5.Press the Input Setup tab, and set the BUS Selects for Input 1 and Input 2 to L / R.

6.In the Recording Setup field of this page, press the Auto radio button, then set the Threshold to - 30dB, and the Pre Trigger REC to 005ms.

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Contents User Guide Page Combination Mode Features and Benefits Overview Connections Disk ModeProgram Mode Arpeggiator ModeTriton Features and Benefits Track sequencer Highly desirable for sampling users Expressive controllersQuick and Powerful Sampling Triton Highlights Incredible SoundWorld-Class Effects Ultimate Control of your sounds Easy and Creative SequencingDual Polyphonic Arpeggiators Touchview Graphic InterfaceUser-Installable, Affordable Options Easy-routing Audio OutputsGreat-feeling Keyboard Actions Disk Mode ConnectionsLoading the Preload Disks Loading the Factory Demos and Sounds Playing the demo Cue list Playing the Factory demosBasic Navigation Front Panel OverviewHeadphone Jack Disk Drive Page Program Mode About the Touchview Graphic InterfaceSelecting Programs Select-By-Category Menu key and Jump pages Performance Editing Check out the Performance EditorSelect Program A001 Acoustic Piano AMS and Effect Dynamic Modulation Real-time Control KnobsTry another Program Check out AMS and Effect Dynamic ModulationAbout TRITONs Program Edit pages Arpeggiator Mode Very Cool ProgramsTheres soooooooooo many sounds Working with the Arpeggiator in Program mode Try out a different Program / Pattern Take a tour of Program A034s arpeggio setup Check out the Keyboard function Now to work with another Program / PatternCheck out the Sort function Check out the Key Sync functionTriton Training Guide Selecting Combinations Combination ModeSelect-By-Category Working with a Combination Check out a few more great Combinations and features Hot Tip Triton Combinations Rule Work with the Solo FunctionP3 Edit -MIDI Filter Quick Tour of the Combination Edit PagesP1 Edit -Prog / Mixer P2 Edit -Trk ParamP4 Edit -Zone / Ctrl P7 Edit -ArpeggiatorP8 Edit -Insert-FX and P9 Edit -Master FX Insert and Master Effects Very Cool CombinationsProgram, Combination and Song modes Highlighting just a few of TRITONs many Effect FeaturesSampling mode Tour of Insert and Master Effects in Program modeWork with an Insert effect More examples of Dynamic Modulation Apply a new Insert effectPress the Menu key, then press P8 Edit Insert Effect Write the edited Program to a new location Copy an insert effect from another ProgramWork with the Master Effects Rename the edited Program, then write itWork with the gain levels and Update the Program Working with the Master EQCopy a Master effect from a source Program Independent control of insert and master effect routing Working with the Effects and EQ in Combination modeWork with the EQ parameters Work with a Combinations Insert EffectsCopying Insert effects in Combination mode Word About Output Bussing Working with the Audio Inputs and EffectsConnect the microphone and set the input level Work with the Vocoder effect Working with the Audio Inputs and Vocoder EffectSampling Mode Just a bit of Korg sampling terminology…More sampling terms to come…for now, lets get started Input Setup Tab Recording One -Shot Vocal SamplesRecording Tab Preference Tab Record the samplesHeres what happened Lets continue on from the previous steps Sampling Through an Insert EffectRename the Multi-sample Naming Your Samples and Multi-samplesLets get started Using the Multi-sample you just recordedConverting a Multi-sound to a Program Working with Grooves, Loops and TempoWork with the Sample Edit Work with the Loop Edit Lets fix the loop Triton Training Guide Sequencer Mode Lots of features ! Where do we start?Load a Template Song Select a Preset Pattern and Put it to a track Rehearse and record the Bass track Now to set a Play Loop for TrackReady to record the Guitar track? Now for something totally outrageousLets see how this works with the current song Solo / Mute FunctionsAbout the Locate Key Record a couple more tracksIntroducing the Cue List Creating a Cue ListLets get started… Create a new song and copy your current song to itChorus Make changes to the tracks in each songTime to review… Now to create the Cue ListLets review whats just been done to get to this point Converting Cue Lists to Songs Rppr Real-time Pattern Play Record Load Fever from the TNFD-00PUS factory diskPlayback the demo song Now to create a new song using Rppr Load the Template SongAssign patterns to keys and work with the Rppr functions Recording with Rppr Set up and record the patternsLets Do It Using Combis and the Arpeggiators in a SequenceAssign an Insert effect to the track Add a new solo track to the songNow to work with the Velocity function Editing the Arpeggiator in Program modeAdvanced Arpeggiator Tour Check out the Gate functionSet the Scan and Velocity Zones for the pattern Adjust the Swing functionEditing a User Arpeggio pattern in Global mode Before we go any further in the Pattern Setup tabWork with a User Pattern Now to discover why this pattern is sooooooooo funky Wait a minute! Whats going on here? Now back to the Pattern Setup TabArpeggio Pattern Setup Arpeggio Tone Mode Now to show you just how cool these functions can beTriton Training Guide Heres why it works this way Tips On Using the Arpeggiators in Combination ModeNow to tour the Arpeggiator Setup and Zoning pages Recording Combinations with Arpeggiation Triton Touch Copy From Combi TutorialTutorial Touch Arpeggiator Touch Track Param Set Track 12s Bass BUS Select to 1, from the popup menu Demonstrate output routing in Sequencer modeOutput Routing Output Routing for Individual SoundsTriton Training Guide There are three types of option boards available for Triton User Installable Option Boards / MemoryEXB Scsi Installing Option Boards / Simm ModulesAdditional Information OM References Save and Load ProceduresSong Play Mode Global ModePage Very Cool Triton Programs Very Cool Triton Combinations Triton Training Guide Iii