Korg Musical Instrument manual Tutorial, Touch Copy From Combi

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TRITON Training Guide

6 of a Combination, and so on. Bearing in mind that Combinations all fall on the same MIDI channel, the question arises…

…How can the Sequencer keep track of these separate assignments and only record and playback the notes for an intended Track, if all the Tracks are on the same MIDI channel?

The answer is… it can’t!

So we need to take each part that has a specific arpeggiator (A or B) assigned to it and set that Track/Timbre to a different MIDI channel from the other arpeggiated part, AND from the non-arpeggiated parts. If there is one arpeggiator being used you will need two different MIDI channels. If both arpeggiators are being used you will need three different MIDI channels (assuming that there are also some non-arpeggiated parts as well).

This brings us to the second part of this “trick” – how can we trigger all the tones at the same time if they’re on different MIDI channels? The Triton sequencer only allows you to be on one track/MIDI channel at a time. The answer lies in creating “Dummy Tracks” - a track that is on the same channel as the rest of the Combination, but is actually turned "Off" under the track's on/off status.

This Dummy Track is assigned to the same Arp. as the track it's going to trigger, but the actual track containing the Program is set to a Channel other than what the rest of the Combination is set to. So what are two approaches to Combination/arpeggiator setups that we mentioned earlier? The first is the many Combinations that have a drum rhythm that plays in the background while you play the keyboard live. These Combinations have already had the drum part set up on a different MIDI channel from the rest of the sounds, and already have the Dummy Track created. These are the easiest Combinations to record – simply use

Tutorial 1.

A Combination which keeps all channels the same regardless of Arp. Trigger would require Tutorial 2 to be followed for correct recording. Examples of these include:

Tutorial 1

Multi Channel Combination -- Using Example Combination A33: "After-T-House"

First, we'll get the Combination into the Sequencer mode:

1.Press the SEQ. button to enter the Sequencer Mode.

2.Touch the arrow on the top right hand side of the screen.

3.Touch "Copy From Combi".

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Contents User Guide Page Combination Mode Features and Benefits Overview Connections Disk ModeProgram Mode Arpeggiator ModeTriton Features and Benefits Track sequencer Highly desirable for sampling users Expressive controllersTriton Highlights Incredible Sound Quick and Powerful SamplingWorld-Class Effects Ultimate Control of your sounds Easy and Creative SequencingDual Polyphonic Arpeggiators Touchview Graphic InterfaceEasy-routing Audio Outputs User-Installable, Affordable OptionsGreat-feeling Keyboard Actions Connections Disk ModeLoading the Preload Disks Loading the Factory Demos and Sounds Playing the demo Cue list Playing the Factory demosFront Panel Overview Basic NavigationHeadphone Jack Disk Drive Page About the Touchview Graphic Interface Program ModeSelecting Programs Select-By-Category Menu key and Jump pages Check out the Performance Editor Performance EditingSelect Program A001 Acoustic Piano AMS and Effect Dynamic Modulation Real-time Control KnobsTry another Program Check out AMS and Effect Dynamic ModulationAbout TRITONs Program Edit pages Very Cool Programs Arpeggiator ModeTheres soooooooooo many sounds Working with the Arpeggiator in Program mode Try out a different Program / Pattern Take a tour of Program A034s arpeggio setup Check out the Keyboard function Now to work with another Program / PatternCheck out the Sort function Check out the Key Sync functionTriton Training Guide Selecting Combinations Combination ModeSelect-By-Category Working with a Combination Check out a few more great Combinations and features Hot Tip Triton Combinations Rule Work with the Solo FunctionP3 Edit -MIDI Filter Quick Tour of the Combination Edit PagesP1 Edit -Prog / Mixer P2 Edit -Trk ParamP7 Edit -Arpeggiator P4 Edit -Zone / CtrlP8 Edit -Insert-FX and P9 Edit -Master FX Insert and Master Effects Very Cool CombinationsProgram, Combination and Song modes Highlighting just a few of TRITONs many Effect FeaturesSampling mode Tour of Insert and Master Effects in Program modeWork with an Insert effect Apply a new Insert effect More examples of Dynamic ModulationPress the Menu key, then press P8 Edit Insert Effect Write the edited Program to a new location Copy an insert effect from another ProgramWork with the Master Effects Rename the edited Program, then write itWorking with the Master EQ Work with the gain levels and Update the ProgramCopy a Master effect from a source Program Independent control of insert and master effect routing Working with the Effects and EQ in Combination modeWork with the EQ parameters Work with a Combinations Insert EffectsCopying Insert effects in Combination mode Working with the Audio Inputs and Effects Word About Output BussingConnect the microphone and set the input level Work with the Vocoder effect Working with the Audio Inputs and Vocoder EffectJust a bit of Korg sampling terminology… Sampling ModeMore sampling terms to come…for now, lets get started Recording One -Shot Vocal Samples Input Setup TabRecording Tab Record the samples Preference TabHeres what happened Lets continue on from the previous steps Sampling Through an Insert EffectRename the Multi-sample Naming Your Samples and Multi-samplesLets get started Using the Multi-sample you just recordedConverting a Multi-sound to a Program Working with Grooves, Loops and TempoWork with the Sample Edit Work with the Loop Edit Lets fix the loop Triton Training Guide Lots of features ! Where do we start? Sequencer ModeLoad a Template Song Select a Preset Pattern and Put it to a track Rehearse and record the Bass track Now to set a Play Loop for TrackReady to record the Guitar track? Now for something totally outrageousLets see how this works with the current song Solo / Mute FunctionsAbout the Locate Key Record a couple more tracksIntroducing the Cue List Creating a Cue ListLets get started… Create a new song and copy your current song to itChorus Make changes to the tracks in each songNow to create the Cue List Time to review…Lets review whats just been done to get to this point Converting Cue Lists to Songs Load Fever from the TNFD-00PUS factory disk Rppr Real-time Pattern Play RecordPlayback the demo song Load the Template Song Now to create a new song using RpprAssign patterns to keys and work with the Rppr functions Recording with Rppr Set up and record the patternsLets Do It Using Combis and the Arpeggiators in a SequenceAssign an Insert effect to the track Add a new solo track to the songNow to work with the Velocity function Editing the Arpeggiator in Program modeAdvanced Arpeggiator Tour Check out the Gate functionSet the Scan and Velocity Zones for the pattern Adjust the Swing functionBefore we go any further in the Pattern Setup tab Editing a User Arpeggio pattern in Global modeWork with a User Pattern Now to discover why this pattern is sooooooooo funky Wait a minute! Whats going on here? Now back to the Pattern Setup TabArpeggio Pattern Setup Arpeggio Tone Mode Now to show you just how cool these functions can beTriton Training Guide Heres why it works this way Tips On Using the Arpeggiators in Combination ModeNow to tour the Arpeggiator Setup and Zoning pages Recording Combinations with Arpeggiation Triton Touch Copy From Combi TutorialTutorial Touch Arpeggiator Touch Track Param Set Track 12s Bass BUS Select to 1, from the popup menu Demonstrate output routing in Sequencer modeOutput Routing Output Routing for Individual SoundsTriton Training Guide There are three types of option boards available for Triton User Installable Option Boards / MemoryEXB Scsi Installing Option Boards / Simm ModulesAdditional Information OM References Save and Load ProceduresSong Play Mode Global ModePage Very Cool Triton Programs Very Cool Triton Combinations Triton Training Guide Iii
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