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Dolby Laboratories CP65 manual Acceptable, Setting, Voltage Range, Fuse, Type

Models: CP65

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Locate the power amplifiers away from the Cat. No. 240A optical preamplifier to avoid hum pickup problems.

STEP 4 Disconnect power from the existing cinema sound equipment.

STEP 5 Disconnect all cabling from the existing cinema sound processing system,

but do not disconnect the wiring from power amplifiers, etc.

STEP 6 Check that the CP65 voltage selector switch is set correctly for your mains voltage and that the correct fuses are installed. (The selector switch is located on the rear of the Cat. No. 259 Power Supply and can be seen through the backplane.)

DISCONNECT THE CP65 FROM POWER BEFORE YOU TURN THE SELECTOR SWITCH FROM ONE POSITION TO ANOTHER.

The CP65 accepts both 50 Hz and 60 Hz power. The mains voltages must fall within the following limits:

Voltage	Acceptable
Setting	Voltage Range	Fuse	Type
100 VAC	85-110 VAC	1.25 A	1/4" x 1-1/4" slow-blow
120 VAC	102-132 VAC	1.25 A	1/4" x 1-1/4" slow-blow
140 VAC	119-154 VAC	1.25 A	1/4" x 1-1/4" slow-blow
200 VAC	170-220 VAC	T 630 mA	5 x 20mm time lag
220 VAC	187-242 VAC	T 630 mA	5 x 20mm time lag
240 VAC	204-265 VAC	T 630 mA	5 x 20mm time lag

NOTE

Follow all local codes and regulations covering electrical wiring. It is recommended that conduit be used for wiring runs.

STEP 7 All signal connections (except those to automation connector J18 -- see the following step) are made by soldering the leads to fanning strips (solder tags) that are supplied with the CP65. The fanning strips with the soldered wiring are fastened in place at the terminal blocks shown on the wiring diagram.

STEP 8 If you plan to make use of the automation interface in the CP65, there are two methods you can follow.

If both remote switches and their accompanying indicators for format, mute, and local / remote fader control are required you should use the 25 way D type connector J18. If only remote switches are required connections can be made to TB1 using the fanning strips supplied with the CP65.

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Dolby Laboratories CP65 manual Acceptable, Setting, Voltage Range, Fuse, Type

Contents

Installation and Alignment Instructions Model CP65 Cinema ProcessorDolby Laboratories Inc Dolby Laboratories Inc U.S. HeadquartersU.K. European Office 100 Potrero Avenue San Francisco, CA TelephoneINTRODUCTION Table of ContentsINITIAL SET-UPAND INSTALLATION EQUIPMENT REQUIREDAPPENDIX C APPENDIX AAPPENDIX B APPENDIX D04 Dolby Stereo A-type 05 Dolby Stereo SR INTRODUCTIONCP65 60 Non-syncPage 1 Dolby Tone and Pink Noise - Cat. No SECTION EQUIPMENT REQUIRED2 1kHz, 100% Modulation, Left/Right - Cat. No 4Stereo Optical Surround Level - Cat. No TEST FILM3SMPTE Buzz Track JIFFYSECTION INITIAL SET-UPAND INSTALLATION Acceptable SettingVoltage Voltage RangeCat. No Cat. No. 242, B-ChainCard Cat. No. 249, Power Supply ModuleJ5 J6 J7 J8 Cat. No. 443, Control Logic Card J3 INCP65 Backplane Standard CP65 or CP65AIn a CP65-300when Cat. No. 300 modules are fitted in place of the normal Cat. No. 350 modules J16 and J18 should be rotated so that the words “Format 42” appears the right way up. With J24 in the “NR” position input signals will be A-typedecoded when the Mag/Aux format is selected. With J24 in the “NO NR” position signals pass through the noise reduction modules but the processing will be turned off. If both of these processing options are required frequently an external switch may be connected to J24 CP65-300J1 Optical Bass Extension output level sets the output level range for the subwoofer channel. In the HIGH position J1 is set at the factory for a power amplifier input sensitivity of between 90 mV and 1.23 V. If the power amplifiers used in the installation are very sensitive 10 mV to 100 mV input sensitivity, it may be necessary to set J1 to the LOW position. If you are unsure of the sensitivity of your power amplifiers set J1 to the LOW position initially. If the high output position is required this will be determined during OBE alignment Slot selected projector. Electronic switches selectCard Descriptions Card2 4 Channel Decoder Two-channelNoiseReduction Module 7,8,9Function SlotCard Cat. NoFuse Voltage SettingInternational TypeIMPORTANT SAFETY NOTICE IEC NOTICESGB F D I E S NL IMPORTANT - NOTE DE SECURITE3.Room lighting dimmer controls SCR-TYPE HUM PROBLEMSModel CP65 With CP65 FADER turned up and format 04 selected 1. Aligning the A-Chain SECTION AN OVERVIEW OF THE ALIGNMENT PROCEDURE2. Aligning the B-Chain and with a broad range of speakers. Accurate equalization requires the use of standardized acoustic measurement procedures Many loudspeakers used in theatres are far from ideal and require boosting of the low- and high-frequencyextremes in order to produce an approximation of the standard reference response curve. Bass and treble controls-centeredon the turnover points of typical loudspeakers-liftthe ends of the spectrum without the need for large amounts of narrow- band boost from the third-octavecontrols in the Cat. No. 64 cards. The third-octavecontrols are used for minor adjustments that are required to smooth the frequency response curve SECTION A-CHAINALIGNMENT Action a. Preliminary Proceduresa. Preliminary Procedures Notes Indicationa. Preliminary Procedures Notes A-ChainAlignment Proceduresa. Preliminary Procedures ActionAction b. Optical Preamplifier Adjustmentsb. Optical Preamplifier Adjustments Notes Indicationb. Optical Preamplifier Adjustments Notes A-ChainAlignment Proceduresb. Optical Preamplifier Adjustments Actionb. Optical Preamplifier Adjustments L L R R L L R RCAT NO b. Optical Preamplifier Adjustments NotesCAT. NO. 97 TEST FILM ActionIndicationn REPEATA-ChainAlignment Procedures OSCILLOSCOPE TRACESRTA DISPLAY b. Optical Preamplifier AdjustmentsA-ChainAlignment Procedures 12 ANDREPEAT b. Optical Preamplifier Adjustmentsb. Optical Preamplifier Adjustments CAT NOFOR PROJECTOR NO. REPEAT 1 → b. Optical Preamplifier Adjustments Notesc. Magnetic Preamplifier Adjustments Magnetic Alignmentc. Magnetic Preamplifier Adjustments A-ChainAlignment ProceduresMagnetic Alignment SECTION B-CHAINALIGNMENT bypass a. Setting Room Equalizationa. Setting Room Equalization Notes Actiona. Setting Room Equalization Notes Loudspeakers and Crossoversa. Setting Room Equalization ActionGeneral bypassAmplifiers a. Setting Room EqualizationAction B-ChainAlignment Proceduresa. Setting Room Equalization Notes Indicationa. Setting Room Equalization Notes REPEATa. Setting Room Equalization Actiona. Setting Room Equalization Notes B-ChainAlignment Proceduresa. Setting Room Equalization Actiona. Setting Room Equalization Notes Do not adjusta. Setting Room Equalization ActionAction a. Setting Room Equalizationa. Setting Room Equalization Notes IndicationL 14 → 21 R 14 → b. Adjusting L,C,R Gainb.Adjusting L,C,R Gain 22REPEAT79 dBC c. Setting Mono Gainc. Setting Mono Gain Notes ActionB-ChainAlignment Procedures d. Subwoofer Alignment Cat. Nod. Subwoofer Alignment Cat. No. Notes Actiond. Subwoofer Alignment Cat. No 90 dBCB-ChainAlignment Procedures Actiond. Subwoofer Alignment Cat. No FROMd. Subwoofer Alignment Cat. No ActionAction Select format 04 Dolby Stereo A-Typed. Subwoofer Alignment Cat. No REPEATd. Subwoofer Alignment Cat. No SAME ASd. Subwoofer Alignment Cat. No Actione. Surround Equalization Alignment Cat. No Re Se. Surround Equalization Alignment Cat. No Actione. Surround Equalization Alignment Cat. No ActionAction e. Surround Equalization Alignment Cat. NoREPEAT e. Surround Equalization Alignment Cat. No 88 dBCAction Action B-ChainAlignment Procedurese. Surround Equalization Alignment Cat. No Indicationmsec f. Adjustment of Surround DelayThumbwheel Switch Settingxx dBC g. Adjustment of Bypass Gaing. Adjustment of Bypass Gain Notes B-ChainAlignment Proceduresg. Adjustment of Bypass Gain FROM xx dBC -3dB yy dBCB-ChainAlignment Procedures g. Adjustment of Bypass Gain NotesPress the format 60 non sync switch h. Adjustment of Non-syncGainh. Adjustment of Non-syncGain Notes ActionAction h. Adjustment of Non-syncGainh. Adjustment of Non-syncGain Notes Indication5REPEAT PAGE 5-20STEP i. Adjustment of Mono Gain and Equalizationi.Adjustment of Mono Gain and Equalization Notes B-ChainAlignment Proceduresj. Final Checks Press the format 04 Dolby Stereo A-type switchJIFFY TEST FILM j. Final Checks NotesSECTION REFERENCE DIAGRAMS Cat. No. 222 Dual Noise Reduction Module INPUTS OUTPUTSPage Cat. No. 242 B-ChainFacilities Card Cat. No. 249 Power Supply Card Cat. No. 259 Transformer Module INPUTS OUTPUTSCat. No. 443 Control Logic Card +24V CP65 POWER DISTRIBUTION TABLECat. No +15VAPPENDIX A CHECKING PHASING OF SPEAKERS 10,000 Frequency in Hz5,000 20,0001.Operation APPENDIX C CP65M MONO INSTRUCTIONS2.Cat. No. 327A Circuit Description C.2 Schematic Cat. No. 327A A3C2984 revTerminal Block TB1 APPENDIX D BACKPLANE CONNECTIONS LISTCP65 Backplane Connections Terminal Block TB2D connector J18