Manuals / Dolby Laboratories / Home Audio / Stereo Amplifier

Dolby Laboratories CP65 manual Same As, d. Subwoofer Alignment Cat. No, Action, Indication

Models: CP65

1 82

Download 82 pages 36.23 Kb

Page 54

SAME AS 12

5-30

B-Chain Alignment Procedures

d. Subwoofer Alignment (Cat. No. 441)

5-31

B-Chain Alignment Procedures

d. Subwoofer Alignment (Cat. No. 441)

Step			Action
No.			Action
No.
14		Cat. No.
14		441
	signal
	present
		tp
Subwoofer		on
Subwoofer		cut
		cut
	auto	freq	Dolby
	off	Q
n-sync	opt gain
surr	mag/dig
gain	gain
Surround	treble
Surround		cut
	mid	freq
Left		Q
Left		bass
		bass
		tp
	treble
Surround		cut
Surround	mid	Q
	mid	freq
Right		bass
		gain
		gnd
	signal
	present

15

10 Dolby Stereo

Digital

		Cat. No.
16		441
16
	signal
	present
		tp
Subwoofer		on
Subwoofer		cut
		cut
	auto	freq
	off	Q	Dolby
		Q	Dolby
n-sync	opt gain
surr	mag/dig
gain	gain
Surround	treble
Surround		cut
	mid	freq
Left		Q
Left		bass
		bass
		tp
	treble
Surround		cut
Surround	mid	Q
	mid	freq
Right		bass
		gain
		gnd
	signal
	present

Indication

dB +10

+5

SAME AS 12

0

–5

–10

.05

.1

.2

.4

.8

1.6

3.15

6.3

12.5 kHz

	dB
	+10
auto
subwoofer
off	+5
	+5

														0
					auto
			subwoofer											–5
					off									–10




.05	.1	.2	.4				.8				1.6	3.15	6.3	12.5 kHz

dB +10

+10 dB

+5

0

–5

–10

.05

.1

.2

.4

.8

1.6

3.15

6.3

12.5 kHz

Notes

Adjust the optical gain control on the Cat. No. 441 card so that the average level of the bands from the subwoofer is at the same level on the analyzer screen as you noted for the center channel in the previous step.

Place the Le toggle switch on the Cat. No. 85C card in the OFF (center) position and place the C (center channel) toggle switch in the ON position.

Note the change in the average level of the bands from 20 Hz to 100 Hz when the subwoofer switch on the Cat. No. 441 is switched between OFF and AUTO. There should be a level INCREASE when it is switched to AUTO. The subwoofer is out of phase with the front channels if you do not see this level increase. Reverse the subwoofer(s) speaker connections.

Re-select Format 10.

Adjust the mag/dig gain on the Cat. No. 441 so that the level of the bands from the subwoofer increases 10 dB above the level in the previous step.

The subwoofer alignment is completed.

Image 54

Dolby Laboratories CP65 manual Same As, d. Subwoofer Alignment Cat. No, Action, Indication

Contents

Installation and Alignment Instructions Model CP65 Cinema ProcessorDolby Laboratories Inc Dolby Laboratories Inc U.S. HeadquartersU.K. European Office 100 Potrero Avenue San Francisco, CA TelephoneINTRODUCTION Table of ContentsINITIAL SET-UPAND INSTALLATION EQUIPMENT REQUIREDAPPENDIX C APPENDIX AAPPENDIX B APPENDIX D04 Dolby Stereo A-type 05 Dolby Stereo SR INTRODUCTIONCP65 60 Non-syncPage SECTION EQUIPMENT REQUIRED 1 Dolby Tone and Pink Noise - Cat. No2 1kHz, 100% Modulation, Left/Right - Cat. No 4Stereo Optical Surround Level - Cat. No TEST FILM3SMPTE Buzz Track JIFFYSECTION INITIAL SET-UPAND INSTALLATION Acceptable SettingVoltage Voltage RangeCat. No Cat. No. 249, Power Supply Module Cat. No. 242, B-ChainCardJ5 J6 J7 J8 Cat. No. 443, Control Logic Card J3 INCP65 Backplane Standard CP65 or CP65AIn a CP65-300when Cat. No. 300 modules are fitted in place of the normal Cat. No. 350 modules J16 and J18 should be rotated so that the words “Format 42” appears the right way up. With J24 in the “NR” position input signals will be A-typedecoded when the Mag/Aux format is selected. With J24 in the “NO NR” position signals pass through the noise reduction modules but the processing will be turned off. If both of these processing options are required frequently an external switch may be connected to J24 CP65-300J1 Optical Bass Extension output level sets the output level range for the subwoofer channel. In the HIGH position J1 is set at the factory for a power amplifier input sensitivity of between 90 mV and 1.23 V. If the power amplifiers used in the installation are very sensitive 10 mV to 100 mV input sensitivity, it may be necessary to set J1 to the LOW position. If you are unsure of the sensitivity of your power amplifiers set J1 to the LOW position initially. If the high output position is required this will be determined during OBE alignment Slot selected projector. Electronic switches selectCard Descriptions Card2 4 Channel Decoder Two-channelNoiseReduction Module 7,8,9Function SlotCard Cat. NoFuse Voltage SettingInternational TypeIMPORTANT SAFETY NOTICE IEC NOTICESGB F D I E S NL IMPORTANT - NOTE DE SECURITEHUM PROBLEMS 3.Room lighting dimmer controls SCR-TYPEModel CP65 With CP65 FADER turned up and format 04 selected SECTION AN OVERVIEW OF THE ALIGNMENT PROCEDURE 1. Aligning the A-Chain2. Aligning the B-Chain and with a broad range of speakers. Accurate equalization requires the use of standardized acoustic measurement procedures Many loudspeakers used in theatres are far from ideal and require boosting of the low- and high-frequencyextremes in order to produce an approximation of the standard reference response curve. Bass and treble controls-centeredon the turnover points of typical loudspeakers-liftthe ends of the spectrum without the need for large amounts of narrow- band boost from the third-octavecontrols in the Cat. No. 64 cards. The third-octavecontrols are used for minor adjustments that are required to smooth the frequency response curve SECTION A-CHAINALIGNMENT Action a. Preliminary Proceduresa. Preliminary Procedures Notes Indicationa. Preliminary Procedures Notes A-ChainAlignment Proceduresa. Preliminary Procedures ActionAction b. Optical Preamplifier Adjustmentsb. Optical Preamplifier Adjustments Notes Indicationb. Optical Preamplifier Adjustments Notes A-ChainAlignment Proceduresb. Optical Preamplifier Adjustments Actionb. Optical Preamplifier Adjustments L L R R L L R RCAT NO b. Optical Preamplifier Adjustments NotesCAT. NO. 97 TEST FILM ActionIndicationn REPEATA-ChainAlignment Procedures OSCILLOSCOPE TRACESRTA DISPLAY b. Optical Preamplifier AdjustmentsA-ChainAlignment Procedures 12 ANDREPEAT b. Optical Preamplifier Adjustmentsb. Optical Preamplifier Adjustments CAT NOFOR PROJECTOR NO. REPEAT 1 → b. Optical Preamplifier Adjustments Notesc. Magnetic Preamplifier Adjustments Magnetic AlignmentA-ChainAlignment Procedures c. Magnetic Preamplifier AdjustmentsMagnetic Alignment SECTION B-CHAINALIGNMENT bypass a. Setting Room Equalizationa. Setting Room Equalization Notes Actiona. Setting Room Equalization Notes Loudspeakers and Crossoversa. Setting Room Equalization ActionGeneral bypassAmplifiers a. Setting Room EqualizationAction B-ChainAlignment Proceduresa. Setting Room Equalization Notes Indicationa. Setting Room Equalization Notes REPEATa. Setting Room Equalization Actiona. Setting Room Equalization Notes B-ChainAlignment Proceduresa. Setting Room Equalization Actiona. Setting Room Equalization Notes Do not adjusta. Setting Room Equalization ActionAction a. Setting Room Equalizationa. Setting Room Equalization Notes IndicationL 14 → 21 R 14 → b. Adjusting L,C,R Gainb.Adjusting L,C,R Gain 22REPEAT79 dBC c. Setting Mono Gainc. Setting Mono Gain Notes ActionB-ChainAlignment Procedures d. Subwoofer Alignment Cat. Nod. Subwoofer Alignment Cat. No. Notes Actiond. Subwoofer Alignment Cat. No 90 dBCB-ChainAlignment Procedures Actiond. Subwoofer Alignment Cat. No FROMd. Subwoofer Alignment Cat. No ActionAction Select format 04 Dolby Stereo A-Typed. Subwoofer Alignment Cat. No REPEATd. Subwoofer Alignment Cat. No SAME ASd. Subwoofer Alignment Cat. No Actione. Surround Equalization Alignment Cat. No Re Se. Surround Equalization Alignment Cat. No Actione. Surround Equalization Alignment Cat. No Actione. Surround Equalization Alignment Cat. No ActionREPEAT 88 dBC e. Surround Equalization Alignment Cat. NoAction Action B-ChainAlignment Procedurese. Surround Equalization Alignment Cat. No Indicationmsec f. Adjustment of Surround DelayThumbwheel Switch Settingxx dBC g. Adjustment of Bypass Gaing. Adjustment of Bypass Gain Notes B-ChainAlignment Proceduresg. Adjustment of Bypass Gain FROM xx dBC -3dB yy dBCB-ChainAlignment Procedures g. Adjustment of Bypass Gain NotesPress the format 60 non sync switch h. Adjustment of Non-syncGainh. Adjustment of Non-syncGain Notes ActionAction h. Adjustment of Non-syncGainh. Adjustment of Non-syncGain Notes Indication5REPEAT PAGE 5-20STEP i. Adjustment of Mono Gain and Equalizationi.Adjustment of Mono Gain and Equalization Notes B-ChainAlignment Proceduresj. Final Checks Press the format 04 Dolby Stereo A-type switchJIFFY TEST FILM j. Final Checks NotesSECTION REFERENCE DIAGRAMS Cat. No. 222 Dual Noise Reduction Module INPUTS OUTPUTSPage Cat. No. 242 B-ChainFacilities Card Cat. No. 249 Power Supply Card Cat. No. 259 Transformer Module INPUTS OUTPUTSCat. No. 443 Control Logic Card +24V CP65 POWER DISTRIBUTION TABLECat. No +15VAPPENDIX A CHECKING PHASING OF SPEAKERS 10,000 Frequency in Hz5,000 20,000APPENDIX C CP65M MONO INSTRUCTIONS 1.Operation2.Cat. No. 327A Circuit Description C.2 Schematic Cat. No. 327A A3C2984 revTerminal Block TB1 APPENDIX D BACKPLANE CONNECTIONS LISTCP65 Backplane Connections Terminal Block TB2D connector J18