Trigger recognition

The level of the control inputs are periodically monitored by the processor. The sampling time (Ts = sample rate) is typically Ts typ = 30 msec. The maximum monitor interval can be set to Ts max = 100 msec. Thus, shorter impulses, spikes or quick AC voltages are recognized inaccurate or with a delay (undersampling). The bi-polar control inputs evaluate both half-waves of AC voltages.

Examples for trigger settings

Ts = sample delay, Ts typ = 30 msec, Ts min = 0 msec, Ts max = 100 msec

If the control input is ON for at least 0.6 seconds (Tdel + Ts max) and no other sequence with a higher priority is currently running, the sequence 23 is started once. The end of the starting impulse is arbitrary.

Sequence 21 is initiated when the control input is without power for at least 0.2 seconds and no other sequence with a higher priority is currently running. Since the control input is still low at the end of the sequence, S21 starts once again.

If this control line’s (watchdog) level is not altered for a period longer than 1.0 seconds, the sequence 02 is launched. If a sequence with a higher priority is currently running, the newly selected sequence will only be initiated after completion of the sequence with the higher priority. Please be aware of the fact, that the truthful recognition of level alterations is only possible when they are applied for a longer period than 100 msec (see trigger recognition).

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Dynacord DMM 4650 owner manual Trigger recognition, Examples for trigger settings
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DMM 4650 specifications

The Dynacord DMM 4650 is a powerful and versatile digital mixing console designed for professional audio applications. Built with cutting-edge technology and years of expertise in the audio industry, the DMM 4650 is a go-to solution for live sound engineers, rental companies, and permanent installations.

One of the primary features of the DMM 4650 is its 32 input channels, allowing for seamless integration of multiple sound sources. Each channel is equipped with high-quality preamps that deliver a clean, transparent sound. The console also includes 16 bus outputs, enabling flexible routing options for different sound systems, whether for front-of-house, monitors, or recording purposes.

The DMM 4650 comes with an intuitive user interface, highlighted by a large touchscreen display that provides clear access to all essential parameters and features. This interface allows users to navigate quickly through settings, making adjustments in real-time without disrupting the audio flow. Additionally, the console supports multiple layers of channels, giving engineers the ability to work efficiently during complex shows.

One standout technology incorporated in the DMM 4650 is its digital signal processing (DSP) capabilities, which include high-quality equalizers, dynamics processors, and effects units. The onboard DSP can manage multiple effects such as reverb, delay, and modulation, giving users a wide range of sound-shaping tools. Moreover, the DMM 4650 features an advanced audio networking option, allowing for easy connectivity with other digital equipment and systems, promoting a streamlined workflow.

Robust connectivity is a hallmark of the DMM 4650, which sports both analog and digital outputs, including AES/EBU and MADI options. This flexibility ensures that the console can adapt to various setups and can coexist with existing audio infrastructure without hassle.

Durability is also a key characteristic of the DMM 4650. Designed for the rigors of live performance, the console's rugged construction ensures reliable operation in demanding environments. Whether it's a large concert, corporate event, or installation in a house of worship, the DMM 4650 is engineered to deliver outstanding performance consistently.

In conclusion, the Dynacord DMM 4650 is a comprehensive digital mixing console that combines advanced technology with user-friendly features. Its high-quality audio processing, extensive connectivity options, and robust build make it an excellent choice for audio professionals looking to elevate their sound mixing capabilities.
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