6.FILTER — SYNTH

TYPE

-12dB BPF ():

-12dB/oct BPF (Band Pass Filter) allows a frequency band in the re- gion of the cutoff frequency to pass, and cuts the remaining frequencies. It is used when you wish to empha- size only a specific portion of the frequency range.(Figure 6-2)

Use this when you want to empha- size just a specific region of the sound. For example, you can use this to create a bandwidth-limited sound similar to sound heard from a small radio or a telephone.

-12dB HPF ():

-12dB/oct HPF (High Pass Filter) allows frequencies above the cutoff frequency to pass, and cuts the lower frequencies. Use this when you wish to make the sound thin- ner. However if the cutoff frequency is raised excessively, the volume will decrease significantly. (Fig- ure 6-3)

For example you can use the HPF to purposely attenuate the low-fre- quency region of a sound that will be played together with other low- frequency instruments, in order to differentiate that sound from the other instruments.

Figure 6-2

BPF (Band Pass Filter)

Frequency

Cutoff

Figure 6-3

HPF (High Pass Filter)

Frequency

Cutoff

Filter oscillation

If you raise the resonance to a high value, it will oscillate (produce a sound) at the frequency specified by the cutoff frequency. You can use filter oscillation ("self-oscillation") as a sound source. If the filter is

Figure 6-5

Cutoff

Figure 6-6

Cutoff

Cutoff frequency specified by “Cutoff”

FILTER KEY TRACK

Keyboard Track operates ac- cording to the pitch that is con- trolled by pitch bend, and trans- pose. It is not affected by pitch changes produced by vibrato or Virtual Patch.

Note on

 

 

 

 

Note off

 

 

 

 

Sustain Level

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Attack

 

Decay

 

 

Release Time

Time

 

Time

 

 

 

 

 

Time

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Int=+32

 

Int=+63

Note on

 

Note off

Note on Note off

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Int=0

Time

oscillating, the "CUTOFF" parameter that normally adjusts the tone will instead control the pitch of the oscillation. This can be used in a variety of ways. Whistling is a typical example, and can be produced by adjusting the ADSR parameters of the filter EG. You can also try setting "FILTER EG INT" to a negative value. Another possibility is to select the MOD wheel or LFO 1/2 as a source in Virtual Patch, and use it to control "CUTOFF" as a destination.

Figure 6-7

Cutoff

 

 

 

 

 

 

 

 

 

Cutoff frequency

 

 

Int=–32

 

Int=–63

 

 

 

 

 

 

 

 

 

Int=0

specified by

 

 

 

 

 

 

 

 

“Cutoff”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Note off

 

 

 

 

 

Note on Note off

 

 

Note on

 

 

 

 

 

 

 

 

Time

 

 

 

 

 

 

 

 

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Image 31
Korg MICRO manual Filter KEY Track, 12dB BPF, 12dB HPF, Filter oscillation