Effects settings

The effect section of the TRITON provides five insert effects, two master effects, one master EQ (stereo 3- band EQ), and a mixer that controls the routing of these components.

You can choose from 102 types of full-digital effects for each insert effect, and from 89 types for each master effect. The effects are categorized as follows.

Categories of the 102 effect types

001–015

Filter and dynamics effects, such as EQ and com-

 

pressor

 

 

016–031

Phase modulation effects, such as chorus and

 

phaser

 

 

032–040

Other modulation and pitch-shift effects such as

 

rotary speaker and pitch shifter

 

 

041–051

Early reflection and delay effects

 

 

052–057

Reverb effects

 

 

058–089

Mono + mono chain effects that internally connect

 

two mono effects in series

 

 

090–102

Double-size effects

 

 

Effects 000–089can be selected for IFX1, 2, 3, 4, 5, or MFX 1 or 2. Effects 090–102are double-size effects, and will use twice the processing area of other effects. They can be selected for IFX2, IFX3 or IFX4.

Effects in each mode

In Program mode, insert effects can be used as part of the sound-creating process, in the same way that the output sound of the oscillator (OSC) is processed by the filter and amp to create the final sound. Then the master effects can be used to apply spatial-type effects such as reverb. The stereo 3-band master EQ located immediately before the OUTPUT (MAIN) L/MONO and R outputs is used to make final adjustments in tone. These settings can be made independently for each program.

 

 

 

Send

Master Effect 1,2

Return

 

 

 

 

 

 

 

Oscillator

Filter

Amplifier

Insert Effect 1-5

 

Master EQ

OUTPUT

 

L/MONO, R

 

 

 

 

 

 

In Combination mode, Sequencer mode, and Song Play mode, insert effects can be used to help create the sound of each timbre/track. The master effects are used to apply overall spatial processing, and the mas- ter EQ is used to make overall adjustments in tone. These settings are made in Combination mode inde- pendently for each combination, in Sequencer mode for each song, and in Song Play mode for the entire mode.

 

 

Send

Return

 

 

 

 

Master Effect 1,2

 

Timbre 1

/ Track 1

Insert Effect 1-5

Master EQ

OUTPUT

L/MONO, R

 

 

 

 

Timbre 2

/ Track 2

 

 

 

Timbre 8 / Track 16

 

 

 

In Sampling mode, the sound of an external source that is input from AUDIO INPUT 1 and 2 can be pro- cessed by the insert effects as the sound is sampled. Settings in Sampling mode are made in “Audio Input (Sampling)” of Sampling P0: Input/Setup. These set- tings are valid only within Sampling mode.

AUDIO INPUT 1, 2 Insert Effect 1-5

Sample Recording

The external input from AUDIO INPUT 1 and 2 can be used outside of Sampling mode. In Program, Combi- nation, Sequencer, and Song Play modes, the external input sound can be processed by the insert effects, master effects, and master EQ.

This means that you can use the TRITON as a 2-in/6- out effect processor. When 093: Vocoder is selected, the TRITON can be used as a vocoder effect processor in which its internal sounds are controlled by an external mic input.

 

 

 

Send

Master Effect 1,2

Return

 

 

 

 

 

 

 

Oscillator

Filter

Amplifier

Insert Effect 1-5

 

Master EQ

OUTPUT

 

L/MONO, R

 

 

 

 

 

 

AUDIO INPUT 1, 2

 

 

 

 

 

106

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Korg Speaker System owner manual Effects settings, Effects in each mode, 106, Categories of the 102 effect types
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Speaker System specifications

Korg, renowned for its high-quality musical instruments and equipment, has expanded its offerings to include an innovative speaker system designed to elevate the listening and performing experience for musicians and audio enthusiasts alike. The Korg Speaker System delivers impressive sound quality, versatile connectivity, and user-friendly features, making it a desirable addition to any setup.

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Incorporating modern technologies, the Korg Speaker System often features Bluetooth connectivity, allowing for seamless wireless streaming from smartphones, tablets, and other compatible devices. This wireless capability not only adds convenience but also encourages greater flexibility in arranging audio setups during gigs or jam sessions. Additionally, various input options, including USB, AUX, and MIDI, ensure compatibility with an array of devices, making it suitable for a wide range of musical genres and applications.

Portability is another key characteristic of the Korg Speaker System. Designed with musicians in mind, it often boasts a lightweight, compact build that makes it easy to transport to rehearsals, performances, or even casual gatherings. Some models may come with built-in rechargeable batteries, providing the freedom to perform without being tethered to a power source.

Korg also emphasizes user convenience, offering intuitive controls that allow musicians to adjust settings quickly. Tone controls, volume adjustments, and EQ settings can usually be tweaked effortlessly, enabling users to customize the sound to suit their preferences or the acoustics of the space they are in.

Durability is a hallmark of Korg products, and their speaker systems are no exception. Built with high-quality materials, they are designed to withstand the rigors of regular use. Whether in a studio environment, live on stage, or at home, Korg’s commitment to quality ensures reliability and longevity.

In summary, the Korg Speaker System combines premium sound quality, modern connectivity options, portability, ease of use, and robust construction. These features make it an ideal choice for musicians and audio enthusiasts looking for a versatile and reliable audio solution. Whether enhancing a performance or enjoying music at home, the Korg Speaker System is poised to deliver an exceptional listening experience.
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