Korg Speaker System More about Alternate Modula tion, P7: Edit-arpeggiator Arpeggiator settings

P7: Edit-arpeggiator

Arpeggiator settings

Here you can make arpeggiator settings (☞p.96).

P8: Edit-Insert Effect

Insert Effect settings

Here you can select insert effects and make settings for them. You can also specify the oscillator routing (the signal sent to the insert effects, master effects, and independent outputs) (☞p.107).

P9: Edit Master Effect

Master Effect settings

Here you can select master effects and make settings for them. The master EQ is also set here (☞p.108).

More about Alternate Modula-

tion

Alternate Modulation is a type of modulation that can be used to control various aspects of the sound.

AMS (Alternate Modulation Source) refers to any of the numerous sources that can control alternate modu- lation, and includes controllers such as the joystick or ribbon controller that you physically operate, incom- ing MIDI data, as well as modulators such as the EG or LFO.

Since the TRITON allows you apply modulation to a modulator, this type of control is referred to as “alter- nate modulation.”

Intensity is a parameter that sets the degree (speed or depth) to which AMS will control alternate modula- tion.

Combinations that are frequently used in sequencer performance (such as using the joystick or ribbon con- troller to vary the pitch) are also provided as special parameters separately from alternate modulation.

The TRITON provides 29 types of alternate modula- tion.

In single mode you can use 29 alternate modulation destinations of 29 types, and in double mode you can use 55 alternate modulation destinations of 29 types. There are 42 AMS sources. (However depending on the type of modulation, some sources cannot be selected.) For details on alternate modulation and AMS, refer to p.209 in the Parameter Guide.

Suggestions on using alternate modulation

When making settings for alternate modulation, think of the effect that you wish to produce, what type of modulation will be necessary to produce that effect, and what parameter of the oscillator, filter, or amplifier needs to be controlled. Then select a source (“AMS”) and set the “Intensity.”

If you proceed logically in this way, you will achieve the desired effect.

For example if you want to “control a guitar-like sound so that it appears to be approaching feedback when the joystick is moved away,” you will make settings so that the joystick controls filter modulation or the resonance level.

Program mode Basic functions

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