Korg Speaker System Effect settings in Sampling mode, Effect settings for the AUDIO INPUT

has passed through each insertion effect. If effects are chained, the settings after the last IFX in the chain will be used. “Send 1” and “Send 2” adjust the amount of master effect that is applied to the signal that has passed through the IFX. These settings can be made in the same way as for a program (☞p.107).

Master effects

Master EQ

These settings can be made in the same way as in “Effect settings for a program” (☞p.108).

Effect settings in Sampling mode

In Sampling mode, insert effects can be applied to an external audio source connected to the AUDIO INPUT 1 and 2 jacks, and sampled.

Routing

1In Sampling P0: Recording, select the Audio Input tab.

The parameters in “Audio Input (SAMPLING)” specify the insert effect to which the external audio input from the AUDIO INPUT 1 and 2 jacks will be sent. For details on these settings, refer to “Sam- pling (recording a sample)” (☞p.78).

Insert effects

Select an effect for IFX1–IFX5, and set “Pan,” “BUS Sel. (BUS Select),” “Send 1” and “Send 2” for the signal that has passed through each insertion effect. If effects are chained, the settings after the last IFX in the chain will be used. “Send 1” and “Send 2” adjust the amount of master effect that is applied to the signal that has passed through the IFX. These settings can be made in the same way as for a program (☞p.107).

Master effects

Master EQ

The master effects and master EQ cannot be used in Sampling mode.

Effect settings for the AUDIO INPUT

Even in modes other than Sampling mode, the TRI- TON’s effects can be applied to the external audio source connected to the AUDIO INPUT 1 and 2 jacks. The effect section of the TRITON can be used as a 2-in 6-out effect processor. When 093: Vocoder is selected, you can use the TRITON as a vocoder that combines the internal sounds with the sound from an external microphone.

Routing

In modes other than Sampling mode (i.e., in Combina- tion, Program, Sequencer, and Song Play modes), the settings in Global P0: Basic Setup Audio Input tab specify the routing of the external audio input from the AUDIO INPUT 1 and 2 jacks.

1Move from Program mode to Global mode.

If you move from Sampling mode to Global mode, the “Audio Input” settings of Sampling mode will be maintained, and you will not be able to hear the results of the settings you make in this page. Be sure to move from a mode in which the external audio signal can be input (Combination, Program, Sequencer, Song Play). In Sampling mode, the set- tings you make here will not apply. Settings for the rear panel AUDIO INPUT 1 and 2 jacks in Sam- pling mode are made in the same way in Sampling P0: Recording Input/Setup tab “Audio Input (SAMPLING).”

2In Global P0: Basic Setup, select the Audio Input tab.

3Set the parameters for Input 1 and 2.

Input 1 corresponds to AUDIO INPUT 1 jack and INPUT 2 jack corresponds to AUDIO INPUT 2.

“Level”: Set the signal level from AUDIO INPUT 1 and 2. Normally you will set this to 127. If the sound is still distorted even when this level is lowered sig- nificantly, it is possible that the distortion is occur- ring before the AD converter. Adjust the rear panel [LEVEL] knob or the output level of your external audio source.

“Pan”: Set the panning of the signal from AUDIO INPUT 1 and 2. When you are inputting a stereo audio source, you will normally set Input 1 to L000, and Input 2 to R127 (or Input 1 to R127, and Input 2

Effects settings Basic functions

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