Korg Speaker System Patterns, Cue List, As track musical data of a song, Parameter Guide

** Musical data (MIDI RPN data) can be used to	If you copy (“Copy to Track”) a pattern to a track of the
change the starting settings during playback.	song, the playback data will be recorded on the track
For details on control changes, refer to p.223 in the	just as if you had recorded it onto the track in the first
	place. This will occupy more memory than if you use
Parameter Guide.
	“Put to Track,” but you will be able to edit each loca-
	tion of data independently without affecting other
	locations, just as when editing normal track data.

Patterns

There are two types of patterns: preset patterns and user patterns.

•Preset patterns: Patterns suitable for drum tracks are preset in internal memory, and can be selected for any song.

•User patterns: Each song can have up to 100 patterns. When using a pattern in a different song, use the page menu commands “Copy Pattern” or “Copy From Song” etc. to copy the pattern. The pattern length can be specified in units of a measure.

Each pattern consists of musical data for one track. It is not possible to create patterns that contain multiple tracks.

These patterns can be used as track musical data by being placed in a track (page menu command “Put to Track”) or copied to a track (page menu command “Copy to Track”). Alternatively, you can use a pattern with the RPPR function of a song.

As track musical data of a song

Phrases that are used repeatedly in a song can be recorded as patterns.

When you place (“Put to Track”) such a pattern in a song, the musical data of that pattern will be recalled and played when playback reaches the measure in which the pattern was played. When using a phrase or rhythm that occurs repeatedly, you can make more effi- cient use of memory by creating a pattern and placing it in multiple locations of the song, rather than actually recording the same data directly to each location of the song. However, be aware that if you modify the pat- tern itself, the playback will be affected for all mea- sures at which the pattern had been placed.

The RPPR (Realtime Pattern Play/Recording) function:

For each song, you can assign patterns to each note of the keyboard, and play notes on the keyboard to play- back or record patterns in realtime.

Cue List

A cue list allows you to playback multiple songs in succession. The TRITON allows you to create 20 cue lists. Each cue list allows you to connect a maximum of 99 songs in any order, and to specify the number of times that each song will repeat.

Each unit in a cue list is called a “step,” and each step contains a song number and the number of repeats.

For example, a song consisting of an introduction, mel- ody A, melody B, bridge, solo backing, and ending could be created using a separate song for each unit. Then you could use a cue list to play the introduction twice, melody A four times, melody B four times, the break twice, melody A four times, ... etc. to create the completed song. When you will need to change the structure of the song, the cue list function provides an efficient way to do so.

The page menu command “Convert to Song” lets you convert the two or more songs in a cue list into a single song. This allows you to use a cue list to create the backing, then convert the cue list into a song and add solo phrases on unused tracks.

Sequencer mode Basic functions

Track 1	Setup parameters	Musical data
Track 2	Setup parameters	Musical data
Track 3	Setup parameters	Musical data
Track 4	Setup parameters	Musical data
Track 5	Setup parameters	Musical data
Track 6	Setup parameters	Musical data
Track 7	Setup parameters	Musical data
Track 8	Setup parameters	Musical data
Track 16	Setup parameters	Musical data
Master Track	Tempo, time signature data

Routing : P8-1

Track

Insert Effect

Master Effect

Individual Outputs

Insert Effect 1 ... 5 : P8

Pattern U00 ... U99	Controller Setup : P4- 4
RPPR Setup
: P6
	Arpeggiator : P7

Master Effect 1, 2 : P9

MasterEQ : P9	AUDIO OUTPUT
	L/MONO, R

AUDIO OUTPUT

INDIVIDUAL 1,2,3,4

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