Korg Speaker System owner manual Realtime recording to a pattern, Quantize

Copying combination sounds to multiple tracks

You can copy a combination sound to multiple tracks to record it.

For the copy procedure, refer to “Copy From Combina- tion” (☞p.48) in the Parameter Guide.

If you wish to use the arpeggiator settings of a copied combination and record the arpeggiator performance in realtime, use “Track Select” to choose a track that uses the global MIDI channel. When you play the keyboard, it will sound in the same way as for the combination. When you per- form multitrack recording, the multiple channels that are sounded by the arpeggiator will be recorded in the same way.

However, in the case of multi-track recording when multiple tracks are set to the same MIDI channel, this musical data will be combined.

Quantize

The TRITON provides a realtime quantize “Reso” (resolution) setting (see step 8, ☞p.64) that lets you correct the timing of musical data as it is being recorded, and a “Quantize” function (a P5: Track Edit page menu command) that lets you correct the timing of musical data that has already been input.

For example, suppose that during realtime recording you intended to play eighth notes, but that the rhythm was slightly inaccurate, as shown in figure 1 below. In such cases, you could set “Reso” (resolution) to , so that when you realtime-record, the notes will automat- ically be adjusted to the correct timing as shown in fig- ure 2.

Alternatively, if data that was recorded without using realtime quantize plays back as shown in figure 1, you could select the P5: Track Edit page menu command “Quantize,” set its “Resolution” parameter to , and press the OK button to correct the timing as shown in figure 2.

Realtime recording to a pattern

Before you begin recording a pattern, turn off the protect setting in Global mode (☞p.37).

When realtime-recording a pattern, a pattern of the specified number of measures will playback repeat- edly, allowing you to continue adding musical data to it.

1In Sequencer mode P6: Pattern/RPPR, select the Pattern Edit tab.

Track Select

Metronome

2Use “Track Select” to select the track.

The pattern will sound with the program and set- tings of that track.

3In “Pattern,” select the user pattern number U00– U99 that you wish to record.

4If necessary, set “Metronome” and “Reso” (resolu- tion).

5Select the “Pattern Parameter” page menu com- mand.

A dialog box will appear.

6In “Length,” specify the length of the pattern. In “Meter,” specify the time signature.

7Press the OK button.

This completes preparations for recording.

8Press the [REC/WRITE] key, and then press the [START/STOP] key.

Pattern recording will begin. Play the keyboard and operate the joystick or other controllers to record your performance.

If arpeggiator A or B is assigned to the track selected in “Track Select” and the arpeggiator is running, the performance of the arpeggiator will be recorded in the pattern. For details on arpeggiator settings (☞p.98, ☞p.105). (☞p.73 in the Parameter Guide)

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