Distortion Models
7•4
Buzz Saw
Based on the Maestro® Fuzz Tone. Legend has it that the sound of this pedal was inspired
by a broken and buzzing mixer channel heard in Nashville in 1961.
Facial Fuzz
Based on the Arbiter® Fuzz Face, the infamous circular stompbox that hit the London
music scene in 1966. It’s best known for its association with guitar legend Jimi Hendrix.
Jumbo Fuzz
Based on the Vox® Tone Bender. The classic Tone Bender sound can be heard all over the
early Led Zeppelin albums, and is especially apparent on “Communication Breakdown.”
Buzz Saw
MID TREBLE OUTPUT
DIST BASS
A
DRIVE
Facial Fuzz
MID TREBLE OUTPUT
DIST BASS
A
DRIVE
Jumbo Fuzz
A
MID TREBLE OUTPUT
DIST BASS
DRIVE
Fuzz Pi
Based on the Electro-Harmonix® Big Muff π®. America’s answer to the British fuzz
pedals, the Big Muff π® was known more for its sweet sustain than for its buzz.
Fuzz Pi
A
MID TREBLE OUTPUT
DIST BASS
DRIVE
* All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were
studied during Line 6’s sound model development. Maestro® is a registered trademark of Gibson Guitar Corp. Arbiter® is a registered trademark of Arbiter Group PLC. Vox® is a registered trademark of Vox R&D Limited. Electro-Harmonix® and Big Muff Pi® are
registered trademarks of New Sensor Corp.