Distortion Models

Buzz Saw

Based on the Maestro® Fuzz Tone. Legend has it that the sound of this pedal was inspired by a broken and buzzing mixer channel heard in Nashville in 1961.

ABuzz Saw

DIST

MID

Facial Fuzz

DRIVE

TREBLE

BASS

OUTPUT

Based on the Arbiter® Fuzz Face, the infamous circular stompbox that hit the London music scene in 1966. It’s best known for its association with guitar legend Jimi Hendrix.

A

DIST

MID

7•4 Jumbo Fuzz

Facial Fuzz

DRIVE

TREBLE

BASS

OUTPUT

Based on the Vox® Tone Bender. The classic Tone Bender sound can be heard all over the early Led Zeppelin albums, and is especially apparent on “Communication Breakdown.”

AJumbo Fuzz

DIST

MID

Fuzz Pi

DRIVE BASS

TREBLE OUTPUT

Based on the Electro-Harmonix® Big Muff π®. America’s answer to the British fuzz pedals, the Big Muff π® was known more for its sweet sustain than for its buzz.

A

DIST

MID

Fuzz Pi

DRIVE

TREBLE

BASS

OUTPUT

*All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development. Maestro® is a registered trademark of Gibson Guitar Corp. Arbiter® is a registered trademark of Arbiter Group PLC. Vox® is a registered trademark of Vox R&D Limited. Electro-Harmonix® and Big Muff Pi® are registered trademarks of New Sensor Corp.

Page 48
Image 48
Line 6 M13 manual Buzz Saw, Facial Fuzz, Jumbo Fuzz, Fuzz Pi