Operation
Surround Mode Chart
MODE | FEATURES |
| DELAY TIME RANGE |
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DOLBY DIGITAL | Available only with digital input sources encoded with Dolby Digital data. It provides | Center: 0 - 30ft / 9m | |
| up to five separate main audio channels and a special dedicated Low Frequency Effects | Initial Setting: 12ft / 3.6m | |
| channel. |
| Surround: 0 - 30ft / 9m |
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| Initial Setting: 10ft / 3m |
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DOLBY DIGITAL EX | Available when the receiver is configured for 6.1/7.1 channel operation, Dolby Digital EX is the | Center: 0 - 30ft / 9m | |
| latest version of Dolby Digital. When used with movies or other programs that have special | Initial Setting: 12ft / 3.6m | |
| encoding, Dolby Digital EX reproduces specially encoded soundtracks so that a full 6.1/7.1 | Surround: 0 - 30ft / 9m | |
| soundfield is available. When the receiver is set for 6.1/7.1 operation and a Dolby Digital signal is | Initial Setting: 10ft / 3m | |
| present, the EX mode is automatically selected. Even if specific EX encoding is not available to | Surround Back: 0 - 30ft / 9m | |
| provide the additional channel, the special algorithms will derive a 6.1/7.1 output. | Initial Setting: 10ft / 3m | |
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DTS 5.1 | When the speaker configuration is set for | Delay time not adjustable | |
| available when DVD, |
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| DTS 5.1 provides up to five separate main audio channels and a special dedicated |
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When the speaker configuration is set for 6.1/7.1 operation, playback of a | Delay time not adjustable | ||
source will automatically trigger the selection of one of the two |
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| special |
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| plus a separate |
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| mode, which creates a |
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DOLBY PRO LOGIC II | Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology | Center: 0 - 30ft / 9m | |
MOVIE | that decodes | Initial Setting: 12ft / 3.6m | |
MUSIC | from matrix surround encoded programs and conventional stereo sources when | Surround: 0 - 30ft / 9m | |
PRO LOGIC | an analog input or a digital input with PCM or Dolby Digital 2.0 recordings is in use. The | Initial Setting: 10ft / 3m | |
| Dolby Pro Logic II Movie mode is optimized for movie soundtracks that are recorded with matrix |
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| surround, by creating separate center, rear left and rear right signals. while the Pro Logic II Music |
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| mode should be used with musical selections that are recorded with matrix surround or even with |
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| normal stereo mode, creating separate rear left and rear right signals |
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| in any case. The Pro Logic mode creates compelling |
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| conventional stereo recordings. |
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DOLBY PRO LOGIC IIx | Dolby Pro Logic IIx is the latest extension of Dolby Pro Logic II technology that creates a discrete | Center: 0 - 30ft / 9m | |
MUSIC | 6.1 and 7.1 sound field from matrix surround or | Initial Setting: 12ft / 3.6m | |
MOVIE | configured for surround back speakers. Both Movie and Music versions of Pro Logic IIx are | Surround: 0 - 30ft / 9m | |
| available. These modes may also be applied to a | Initial Setting: 10ft / 3m | |
| so that the sound field is enhanced by adding back surround |
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| channels. |
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Logic 7 Cinema | Exclusive to Harman Kardon for AV receivers, Logic 7 is an advanced mode that extracts the | Delay time not adjustable | |
Logic 7 Music | maximum surround information from either |
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Logic 7 Enhance | material. Depending on the number of speakers in use and the selection made in the SURROUND |
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| SELECT menu, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen, |
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| while the “7.1” versions of Logic 7 produce a full sound field presentation, including back surround |
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| speakers when the “6.1/7.1” option is chosen. The Logic 7 C (or Cinema) mode should be used |
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| with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers |
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| increased |
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that are much smoother and more realistic than with former decoding techniques. The Logic 7 M or Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening experience by presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes also direct
OPERATION 33