Applying an effect
Changing the effect type
Each effect provides several variations, which allow it to be controlled by the step sequencer or by external synchronization. These are called effect types. You can select the effect type that is most suitable for your performance situation.
Effect type | Parameters that | Smoothing | Synchroni- |
| can be controlled |
| zation |
| Cutoff frequency | On | — |
| Cutoff frequency | Off | — |
| Resonance | On | ❍ |
Filter | Resonance | Off | ❍ |
| — | — | ❍ |
| Resonance | On | — |
| Resonance | Off | — |
| — | — | — |
| Low gain | On | — |
| Low gain | Off | — |
| Middle gain | On | — |
Isolator | Middle gain | Off | — |
| High gain | On | — |
| High gain | Off | — |
| — | — | — |
| Modulation depth | On | — |
| Modulation depth | Off | — |
| Resonance | On | ❍ |
Phaser | Resonance | Off | ❍ |
| — | — | ❍ |
| Resonance | On | — |
| Resonance | Off | — |
| — | — | — |
| Slice level | Off | — |
| Pan | On | ❍ |
| Pan | Off | ❍ |
Slicer | — | — | ❍ |
| Pan | On | — |
| Pan | Off | — |
| — | — | — |
Smoothing: When using the step sequencer to control the effect (p. 45), this creates smooth changes between each step.
Synchronization: The rate of the filter, phaser, or slicer will be synchronized to the standard tempo. Use the C1 knob to choose the note value for synchronization (16th note, 8th note, quarter note, half note, whole note, whole note x2, whole note x4).
If you want only Pan to change for
44
