Main
Notation Used in This Owners Manual
OWNERS MANUAL
CAUTION
ATTENTION
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS
Page
Page
IMPORTANT NOTES
Power Supply
Placement
Maintenance
Repairs and Data
Contents
Chapter 1 Selecting and Playing a Sound..........................................16
Chapter 2 Using the XV-5080 Effects..................................................24
Chapter 3 Selecting Output Jacks.....................................................107
Chapter 4 Creating Patches...............................................................125
Chapter 5 Creating a Performance....................................................159
Chapter 6 Creating Rhythm Sets.......................................................168
Chapter 7 Loading a Variety of Data .................................................181
Chapter 8 Saving Tones and Other Data Youve Created...............194
Chapter 9 Other Settings/Status Checks..........................................208
Chapter 10 Examples of Applications Using the XV-5080 ..............217
Troubleshooting..................................................................................232
Page
Features
Panel Descriptions
Front Panel
G
J
AAC
E (MODE)
F (SOUND LIBRARY)
G
H
I
Rear Panel
K
L (MIDI)
M (OUTPUT)
N (OUTPUT)
Q
Chapter 1
Auditioning Sounds on the XV-5080 (Phrase Preview)
Setting the Way In Which Sounds Are Previewed
Preview Mode
Preview 14 Note Number
Playing a Patch on the XV- 5080 from External MIDI Devices (MIDI Keyboard)
Setting the XV-5080s MIDI Reception Channels
In Patch mode
Parts of a Performance
Selecting a Mode (Patch, Performance, or Rhythm Set)
Selecting Sound Libraries
USER
CARD
PRESET
EXP (Expansion)
Selecting a Patch
Basic Procedure for Selecting a Patch
VALUE Dial
[INC]/[DEC]
Selecting Patches by Category (Patch Finder)
Internal organization
Selecting Patches and Rhythm Sets from an External MIDI
In Patch or Rhythm Set modes
Patches
Rhythm Sets
In Performance mode
Performances
Using MIDI to Switch between Patch, Performance and General MIDI 2 Modes
Page
Chapter 2 Using the XV-5080 Effects
Turning Effects On/Off
Patch Mode Settings
Split Key Edit Mode
Routing Tones to Effects
Output Assign
Dry Send Level
Chorus Send Level 0127
Reverb Send Level 0127
MFX Dry Send Level 0127
MFX Chorus Send Level 0127
Page
Reverb Type
Reverb Level 0127
Reverb Output Assign AD
Pre Delay (Pre Delay Time) 0.0100 ms
Time (Reverb Time) 0127
LF Damp Gain -360 dB
HF Damp Freq (LF Damp Frequency) *3
HF Damp Gain -360 dB
Performance Mode Settings
Routing Part Outputs
Part Output MFX Select AC
Part Chorus Send Level 0127
Part Reverb Send Level 0127
MFX Dry Send Level 0127
MFXAC Control 14 Source
MFXAC Control Destination 14
MFXAC Control 14 Sens -63 +63
Chorus Source PRF/P132
Chorus Level 0127
Page
Reverb Type
Reverb Source
Reverb Level 0127
Reverb Output Assign AD
Page
Rhythm Set Mode Settings
Routing Tones to Effects
Rhythm Tone Output Assign
Rhythm Tone Dry Send Level
Rhythm Tone Chorus Send Level 0127
Rhythm Tone Reverb Send Level 0127
Chorus Level 0127
Chorus Output Assign AD
Rate (Chorus Rate) 0.0510.00 Hz
Depth (Chorus Depth) 0127
Feedback (Chorus Feedback) 0127
Page
Pre Delay (Pre Delay Time) 0.0100 ms
Time (Reverb Time) 0127
Size 18
High Cut (High Cut Frequency) *1
Density (Reverb Density) 0127
Settings in General MIDI Mode
Parameters for Each Multi- Effects
Page
Page
1: STEREO EQ (Stereo Equalizer)
Freq/Gain
2: OVERDRIVE
3: DISTORTION
4: PHASER
Manual #
Resonance
Mix Level
5: SPECTRUM
Gain
6: ENHANCER
7: AUTO WAH
Auto Wah
8: ROTARY
Separation
9: COMPRESSOR
10: LIMITER
Limiter
11: HEXA-CHORUS
Hexa Chorus
12: TREMOLO CHORUS
Tremolo
Chapter 2 Using the XV-5080 Effects 13: SPACE-D
14: STEREO CHORUS
Type (Filter Type)
15: STEREO FLANGER
16: STEP FLANGER
Rate (LFO Rate)
Depth (LFO Rate)
Step Rate #
Balance (Effect Balance)
Phase
Phase Left
Phase Right
18: MODULATION DELAY
Left (Delay Time Left)
Modulation
19: TRIPLE TAP DELAY
20: QUADRUPLE TAP DELAY
21: TIME CONTROL DELAY
Time (Delay time) #
Acceleration
Balance (Effect Balance)
22: 2VOICE PITCH SHIFTER
Pitch B
Level Balance
23: FBK PITCH SHIFTER
Pitch
24: REVERB
Reverb
Type (Reverb Type)
Time (Reverb Time) #
25: GATED REVERB
26: OVERDRIVECHORUS
Depth (Depth Rate)
27: OVERDRIVEFLANGER
Feedback (Flanger Feedback)
28: OVERDRIVEDELAY
29: DISTORTIONCHORUS
30: DISTORTIONFLANGER
31: DISTORTIONDELAY
32: ENHANCERCHORUS
Sens (Enhancer Sens) #
Balance (Chorus Balance) #
33: ENHANCERFLANGER
Sens #
34: ENHANCERDELAY
Sens #
35: CHORUSDELAY
36: FLANGERDELAY
Feedback (Flanger Feedback)
Balance #
37: CHORUSFLANGER
Feedback (Flanger Feedback Level)
38: CHORUS/DELAY
39: FLANGER/DELAY
40: CHORUS/FLANGER
41:STEREO PHASER
Type (Phaser Type)
Polarity
Manual #
Rate (Phaser Rate) #
43:FORMANT FILTER
44:RING MODULATOR
Ring Modulator
45:MULTI TAP DELAY
46:REVERSE DELAY
1 (Delay Time 1)
2 (Delay Time 2)
3 (Delay Time 3)
4 (Delay Time 4)
47:SHUFFLE DELAY
48:3D DELAY
49:3VOICE PITCH SHIFTER
Pch Coarse
Pch Fine
Pitch Shift
Pan 1:2:3 (Output Pan 1:2:3)
50:LOFI COMPRESS
Type (LoFi Type)
Pre Filter
Type (Pre Filter Type)
Post Filter 1
Radio Noise
Detune #
Level
Disc Noise
Type (Disc Noise Type)
53:OVERDRIVE 2
Switch
Type (Amp Simulator Type)
Level (Output Level)
54:DISTORTION 2
55:STEREO COMPRESSOR
56:STEREO LIMITER
Limiter
57:GATE
Gate
Attack Time
Hold Time
Release Time
Beat Change
Shuffle #
59:ISOLATOR
Boost/Cut
Anti Phase Low
61:3D FLANGER
Switch (Step Rate Switct)
Step Rate (Step Rate) #
Balance #
Output (Output Mode)
62:TREMOLO
Tremolo
Mod Wave (Modulation Wave)
Depth #
63:AUTO PAN
Chapter 2 Using the XV-5080 Effects
64: STEREO PHASER 2
65: STEREO AUTO WAH
Auto Wah
66: ST FORMANT FILTER (Stereo Formant Filter)
Phase #
Switch (Keysync Switch)
67: MULTI TAP DELAY 2
14 (Delay Time 14)
14 (Delay Level 14)
14 (Output Pan 14)
68: REVERSE DELAY 2
14 (Delay Time 14)
Feedback
1, 4 (Feedback 1, 4) #
HF Damp
70: 3D DELAY 2
71: ROTARY 2
Spread
72: ROTARY MULTI
73: KEYBOARD MULTI
Ring Modulator
Pitch Shifter
74: RHODES MULTI
Tremolo/Pan
75: JD MULTI
Spectrum
76: STEREO LOFI COMPRESS
Pre Filter
Post Filter 1
Post Filter 2
77: STEREO LO-FI NOISE
Hum
Disc Noise
Radio Noise
Noise
78: GUITAR AMP SIMULATOR
Amp Level
Amp Tone
Speaker
Mic
79: STEREO OVERDRIVE
Switch (Amp Simulator Switch)
80: STEREO DISTORTION
Switch (Amp Simulator Switch)
81: GUITAR MULTI A
82: GUITAR MULTI B
Page
83: GUITAR MULTI C
Wah
84: CLEAN GUITAR MULTI A
Page
85: CLEAN GUITAR MULTI B
Seqeuence
Wah
86: BASS MULTI
3 Band EQ
87: ISOLATOR 2
Boost/Cut
Anti Phase Low
Anti Phase Mid
Low Boost
89: 3D AUTO SPIN
Auto Spin
90: 3D MANUAL
Auto Spin
Copying Effect Settings
Copy Type
Chapter 3 Selecting Output Jacks
Patch Mode Settings
Signal (TONE) Flow
TONE
PATCH Effects General page ([PATCH] - [F6 (Effects)] - [F1 (General)])
Tone Output Assign
Tone Dry Send Level
Tone Chorus Send Level
Tone Reverb Send Level
Page
Example of Settings
Assigning Different Output Destinations for the Tones in a Patch
Performance Mode Settings
Signal (PART) Flow
PERFORMANCE Effects General page ([PERFORM] - [F6 (Effects)] - [F1 (General)])
Part Output MFX Select
PAR T
SYSTEM Output page ([SYSTEM] - [F2 (OutP&EQ)]) Output Mix/Parallel
SYSTEM General #1 page ([SYSTEM] - [F1 (General)])
Example of Settings
Selecting Different Output Destinations for Parts in a Performance
Rhythm Set Mode Settings
Signal (RHYTHM TONE) Flow
RHYTHM Effects General page ([RHYTHM] - [F6 (Effects)] - [F1 (General)])
Rhythm Tone Output Assign
Rhythm Tone Dry Send Level
RHYTHM Common page ([RHYTHM] - [F1 (Common)])
Level (Rhythm Level)
Output Assign (Rhythm Set Output Assign)
SYSTEM Output page ([SYSTEM] - [F2 (OutP&EQ)]) Output Mix/Parallel
SYSTEM General #1 page ([SYSTEM] - [F1 (General)])
Settings in General MIDI Mode
Signal (PART) Flow
GM Effects General page ([GM] - [F6 (Effects)] - [F1 (General)])
Part Chorus Send Level
Part Reverb Send Level
Page
Digital Connections Using R- BUS
SYSTEM Output page ([SYSTEM] - [F2 (Outp&EQ)])
Digital Interface
Master Clock
Master Freq (Master Frequency)
Eight-Channel R-BUS Digital Connection
Converting to the Various Digital Formats
Digital Output to an ADAT
When Making the XV-5080 the Word Clock Master
Settings
When Making the XV-5080 the Word Clock Slave Settings
Digital Output to a TASCAM DA Series
Digital Output to an AES/EBU Device
When Making the XV-5080 the Word Clock Slave Settings
When Making the XV-5080 the Word Clock Master
Settings
Page
Page
Multi-partial Patch
How a Partial Is Organized
Selecting the Tones That Will
Sound (Tone On/Off)
Partial
Settings Common to the Entire Patch
Common (Patch Common)
PATCH Common General #1 page ([PATCH] - [F1 (General)])
name (Patch Name)
Category (Patch Category)
Octave&Tune (Patch Octave & Tune)
Octave Shift
Coarse Tune
Fine Tune
Stretch Tune Depth
Control (Patch Control)
PATCH Common Control page ([PATCH] - [F2 (Control)])
Key Mode (Key Assign Mode)
Key Assign (Patch Key Assign)
Legato Switch
Bender
Bend Range Up
Bend Range Down
Portament (Patch Portamento)
Switch (Portamento Switch)
Structure (Patch Structure)
PATCH Common Structure page ([PATCH] - [F3 (Struct)])
Tone 1&2/Tone 3&4
Type (Structure Type)
Booster (Booster Gain)
K. Range (Patch Key Range)
PATCH Common TMT Key Range page ([PATCH] - [F4 (K.Range)])
L.F (TMT Keyboard Fade Width Lower)
K.L (TMT Keyboard Range Lower)
K.U (TMT Keyboard Range Upper)
V. Range (Patch Velocity Range)
U.F (TMT Velocity Fade Width Upper)
Creating Four-Tone Patches
Tips for Creating a Patch
More Advanced Editing of Tones
[F2 (WG)]
[F3 (TVF)]
Tips for Selecting a Waveform
Notes for Editing One-Shot Waveforms
Notes for Editing Looped Waveforms
Modifying the Waveform and Pitch ([F2] (WG))
PATCH WG Parameter page ([PATCH] - [F2 (WG)] - [F1 (WG Prm)])
WAVE
Group (Wave Group)
L (Wave Number L)
FXM (Frequency Cross Modulation)
Switch (Wave FXM Switch)
Color (Wave FXM Color)
Depth (Wave FXM Depth)
Tone Delay
PATCH WG Pitch page ([PATCH] - [F2 (WG)] - [F2 (Pitch)])
Pitch
Coarse Tune (Tone Coarse Tune)
Fine Tune (Tone Fine Tune)
Random Pitch (Tone Random Pitch)
Velocity Sens (Pitch Envelope Velocity
Amount (Pitch Envelope Time Amount
Time1 (Pitch Envelope Time 1 Velocity
Time4 (Pitch Envelope Time 4 Velocity
PATCH WG Sample page ([PATCH] - [F2 (WG)] - [F4 (Sample)])
Using the Filter to Modify the Brightness ([F3 (TVF)])
PATCH TVF Parameter page ([PATCH] - [F3 (TVF)] - [F1 (TVF Prm)])
Resonance Velo (TVF Resonance Velocity)
Sens (TVF Resonance Velocity Sens)
Cutoff Keyfollow (TVF Cutoff Keyfollow)
Cutoff Velo (TVF Cutoff Velocity)
Curv (TVF Cutoff Velocity Curve)
PATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)])
Time Keyfollow (TVF Envelope Time
Time14 (TVF Envelope Time 14)
Level14 (TVF Envelope Level 14)
Velo Sens (TVF Envelope Velocity
Changing the Volume and Stereo Location ([F4 (TVA)])
PATCH TVA Parameter page ([PATCH] - [F4 (TVA)] - [F1 (TVA Prm)])
Level (Tone Level)
V-Curve (TVA Level Velocity Curve)
V-Sens (TVA Level Velocity Sens)
PATCH TVA Envelope page ([PATCH] - [F4 (TVA)] - [F2 (TVA Env)])
Time Keyfollow (TVA Envelope Time
Time (TVA Envelope Time 14)
Level (TVA Envelope Level 13)
Velocity Sens (TVA Envelope Velocity
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])
PATCH LFO&Ctrl LFO1/2 page ([PATCH] - [F5 (LFO&CTL)] - [F1 (LFO 1)]/[F2 (LFO 2)])
Wave (LFO Wave)
Form (LFO Form)
Offset (LFO Offset)
Fade (LFO Fade)
Mode (LFO Fade Mode)
Time (LFO Fade Time)
Key Sync (LFO Key Sync)
Depth (LFO Depth)
PATCH LFO&Ctrl Control Sw page ([PATCH] - [F5 (LFO&CTL)] - [F4 (Ctrl Sw)])
MIDI Rx Switch (MIDI Receive Switch)
Bender Sw (Tone Receive Bender)
Expression Sw (Tone Receive Expression)
Hold-1 Sw (Tone Receive Hold 1)
Creating Multi-Partial Patches
Assigning Partials
PATCH Common Split page ([PATCH] - [F2 (WG)] - [F3 (Split)])
Note (Note Number)
No. (Partial Number)
Editing Partials
PATCH WG Parameter page ([PATCH] - [F2 (WG)] - [F1 (WG Prm)])
Partial
Name (Partial Name)
Coarse Tune (Partial Coarse Tune)
Editing Samples
PATCH WG SMT#1 page ([PATCH] - [F2 (WG)] - [F2 (SMT)])
Original Key
SMT (Sample Mix Table)
No. (Sample Number)
Page
Using the Filter to Modify the Brightness ([F3 (TVF)])
PATCH TVF Parameter page ([PATCH] - [F3 (TVF)] - [F1 (TVF Prm)])
Cutoff
Keyfollow Point
Keyfollow (Cutoff Frequency Keyfollow)
TVF Velo (TVF Velocity)
PATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)])
Time Keyfollow (Envelope Time Keyfollow)
Time (TVF Envelope Time 14)
Level (TVF Envelope Level 03)
Velo Sens
Making the Volume Change ([F4 (TVA)])
PATCH TVA Parameter page (PATCH] - [F4 (TVA)] - [F1 (TVF Prm)])
Level (Partial Level)
Pan (Partial Pan)
Keyfollow Point
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])
PATCH LFO&Ctrl LFO page ([PATCH] - [F5 (LFO&Ctl)] - [F1 (LFO)])
Wave (LFO Wave)
Form (LFO Form)
Rate (LFO Rate)
Detune (LFO Rate Detune)
Delay (LFO Delay)
Time (LFO Delay Time)
Keyfolw (LFO Delay Keyfollow)
Saving Patches You Create
Copying the Settings of Another Patch (Patch Tone Copy)
Chapter 5 Creating a Performance
How a Performance Is Organized
Basic Ways to Use Performances
Playing Multiple Patches Together (Layer)
Playing Separate Patches in Different Areas of the Keyboard (Split)
Establishing Settings for an Entire Performance (COMMON)
PERFORMANCE Common page ([PERFORM] - [F1 (Common)])
Name (Performance Name)
Solo Part Select
Settings for Each Part
Comparing the Settings of Each Part as You Make Settings
Setting the Keyboard Range
PERFORMANCE Key Range page ([PERFORM] - [F2 (K.Range)])
F.L (Part Keyboard Fade Width Lower)
K.L (Part Keyboard Range Lower)
Selecting the Patch, and Setting the Volume, Pan, Pitch, and Polyphony
PERFORMANCE Part #1 page ([PERFORM] - [F3 (Part)])
Patch (Part Patch)
Type (Part Type)
Group (Part Group)
Editing the Attack and Release of the Sound and Changing the Way the Sound is Played
PERFORMANCE Part #2 page ([PERFORM] - [F3 (Part)])
Modify (Part Modify)
Cutoff Offset (Part Cutoff Offset)
Resonance Offset (Part Resonance Offset)
Establishing a Parts MIDI
PERFORMANCE MIDI #1 page ([PERFORM] - [F4 (MIDI)])
Part MIDI
Receive Channel (Part Receive Channel)
Part MIDI Receive Switch
Page
Expression (Receive Expression Switch)
Hold-1 (Receive Hold 1 Switch)
Phase Lock
Velocity Curve
Saving Performances You Create
Copying the Settings of Another Part (Performance Part Copy)
Editing a Patch or Rhythm Set in the Performance Mode
Palette Function
Chapter 6 Creating Rhythm Sets
How Percussion Instruments Are Organized
Using a MIDI Keyboard to Select a Percussion Instrument for Editing
Settings Common to an Entire Rhythm Set
RHYTHM Common page ([RHYTHM] - [F1 (Common)])
Name (Rhythm Name)
Level (Rhythm Level)
Output Assign (Rhythm Output Assign)
Setting up Individual Rhythm Tones
Tips for Selecting a Waveform
[F2 (Key WG)]
[F3 (Key TVF)]
[F4 (Key TVA)]
Modifying the Waveform, Pan and Pitch ([F2 (Key WG)])
RHYTHM WG Parameter page ([RHYTHM] - [F2 (WG)] - [F1 (WG Prm)])
Rhythm Tone
Name (Tone Name)
+=
Tune
Coarse (Wave Coarse Tune)
Fine (Wave Fine Tune)
FXM
Switch (Wave FXM Switch)
RHYTHM WG Pitch page ([RHYTHM] - [F2 (WG)] - [F2 (Pitch)])
Pitch (Rhythm Tone Pitch)
Coarse Tune (Rhythm Tone Coarse Tune)
Fine Tune (Rhythm Tone Fine Tune)
Random Pitch (Rhythm Tone Random Pitch)
Page
Loop
Mode (Loop Mode)
Start-Fine (Start Point - Start Point
Loop Point Start-Fine (Loop Start Point
Using the Filter to Modify the Brightness ([F3 (Key TVF)])
RHYTHM TVF Parameter page ([RHYTHM] - [F3 (Key TVF)] - [F1 (TVF Prm)])
Resonance Velo (TVF Resonance Velocity)
Sens (TVF Resonance Velocity Sens)
Cutoff Velo (TVF Cutoff Velocity)
Curv (TVF Cutoff Velocity Curve)
Sens (TVF Cutoff Velocity Sens)
Making the Volume Change ([F4 (Key TVA)])
RHYTHM TVA Parameter page ([RHYTHM] - [F4 (Key TVA)] - [F1 (TVA Prm)])
Level (Tone Level)
V-Curve (TVA Level Velocity Curve)
V-Sens (TVA Level Velocity Sens)
RHYTHM TVA Envelope page ([RHYTHM] - [F4 (Key TVA)] - [F2 (TVA Env)])
Time 14 (TVA Envelope Time 14)
Level 13 (TVA Envelope Level 13)
Velocity Sens
Time1 (TVA Envelope Time 1 Velocity
Saving the Rhythm Set You Create
Copying Settings from Some Other Rhythm Tone
Chapter 7 Loading a Variety of Data
Loading Sampler Libraries (CD-ROM)
Installing the SIMM (Memory Module)
Cautions When Installing SIMM
Removing SIMMs
Confirming That the SIMM Is Properly Installed
Installation de la carte d'extension Wave
Enlever une carte mmoire Wave
Assurez-vous que les modules SIMM sont installs correctement
Connecting a CD-ROM Drive
With Sampler Libraries
XV-5080 SCSI Cable
Page
About Each Sampler Library Folder Type (Display)
In the case of the S-700 series
When Loading Libraries for the AKAI S1000/3000
When Loading AIFF/WAV Libraries
About the Display of Folder Categories in Sampler Libraries
Sample Load
Total
Auto Load
Total
Target
Playing Back Loaded Sampler Libraries
Loading Data Saved on a Zip Disk
Loading Data Stored on Memory Cards
Sample-Related Utilities
Sending and Receiving Samples (Sample Dump)
Transmitting Samples
Receiving Samples
Emphasizing and Suppressing the High End of Loaded Samples (Emphasis)
Processing
Automatically Creating Multi- Partial Patches (Create Patch)
Chapter 8
Saving Edits to the XV- 5080s Internal Memory (Write)
Compare Function (Patch/Rhythm Set)
When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance
Saving All Data to Memory Card ([DISK] - [F2 (SAVE)])
Before Using a Memory Card
Formatting a Memory Card
Saving Data
Organizing the Contents of Memory Cards
<Renaming a File (RENAME)>
Deleting Files (Delete)
<Copying/Moving Files (Cp/Move)>
<Registering to Banks (Regstry)>
Copying Files on One Memory Card to Another Card (CardCpy)
Saving All Data to Zip Disk ([DISK] - [F2 (SAVE)])
Formatting a Zip Disk/Hard Disk (Format)
Saving Data
Organizing a Zip Disk
<Renaming a File/Folder (RENAME)>
<Deleting a File/Folder (Delete)>
<Copying/Moving a File/Folder (Cp/ Move)>
Initializing a Sound
Type (Initialize Type)
For Patches or Performances
For Rhythm Sets
Changing the Way MIDI Signals Arriving at MIDI IN 2 Are Handled
Transmitting Data to an External MIDI Device (Data Transfer)
Transmitting to an External MIDI
Source
Destination
Transmitting to User Memory
Protecting the Internal Memory (Protect)
Internal Write Protect
Exclusive Protect
Resetting All Settings to Default Factory Settings (Factory)
Registering Favorite Patches in the FAVORITE LIST
Selecting Patches from the FAVORITE LIST
Directly registering to the list on the PATCH/RHYTHM PLAY page
Chapter 9
Settings Common to the Entire XV-5080 ([SYSTEM/ UTILITY] - [F1 (General)])
Making Overall Settings
Setup
LCD Contrast
Making Scale Tune Settings ([SYSTEM/UTILITY] - [F1
(General)])
The Setting In Performance/GM mode (Key Scale)
Making the Equalizer Settings ([SYSTEM/UTILITY] - [F2 (Outp&EQ)] - [F2 (EQ)])
Output-A (1/2)D (7/8) L.F (Low Frequency)
L.G (Low Gain)
H.F (High Frequency)
H.G (High Gain)
Setting the MIDI Channel
MIDI Receive Ch (MIDI Receive Channel)
Setting the MIDI Transmit/ Receive Switch
MIDI Tx (MIDI Transmit)
Rx Switch (Receive Switch)
MIDI IN connectors
In Performance Mode
GM Mode
GM2 16partGM2 16part
Connecting Two or More XV- 5080s to Increase Polyphony
Stack
Mode (Stack Mode)
Number (Stack Number)
GM2 16partPatch
Selecting Common Controllers ([SYSTEM/ UTILITY] - [F4 (Control)])
System Control 14 (System Control Source 14)
Confirming the Current Status ([SYSTEM/UTILITY] - [F6 (Info)])
Wave Expansion AD (Wave Expansion Board Name AD)
SRX (SRX Board Name EH)
Page
Chapter 10
Controlling the XV-5080 in Real Time Using an External MIDI Device
Changing the Multi-Effects Settings From an External MIDI
MFX Control Source
MFX Control Sens -63 +63
Modifying Tone Settings
Selecting the MIDI Messages Used for Control and the Parameters to Be Changed
Sens
Applications for Patches
Syncing the LFO Cycle to System Tempo
Modifying Multi-Effects to Match the Systems Tempo
Making a Tones Delay Time Match the System Tempo
Using a Pedal Switch to Modify the Rotary Speed of the Rotary Effect
Playing Phrase Loops at a Systems Tempo
Changing the Part Settings from an External MIDI Device
Page
Applications for Matrix Control
Controlling the TMT with the LFO and Changing the Tones Cycle Time Plays
Using the XV-5080 as a General MIDI Sound Module
Entering GM Mode
Initializing the Sound Generator for General MIDI System Basic Settings
Playing Back a GM Score
Turning Effects On/Off
EQ
Chorus
Reverb
Modifying GM Mode Settings
Key Mode
Mono/Poly (Part Mono/Poly)
Portament (Portamento)
Switch (Portamento Switch)
Time (Portamento Time)
Page
GM Effects Reverb page ([F5 (Effects)] - [F3 (Reverb)])
Type (Reverb Type)
Time (Reverb Time)
Checking MIDI Information for Each Part ([F6 (Info)])
Utility Functions in GM Mode
Initializing GM Settings (Init)
Initializing the GM Sound Generator Used in GM Mode (F1 (GM)]
Initializing the GM Sound Generator Used Only for MIDI IN 2 (F2 (MIDI In2)]
Transmitting GM Mode Settings (XFER)
Protecting the Internal Memory (PROTECT)
Internal (Internal Write Protect)
Exclusive (Exclusive Protect)
Page
Page
Troubleshooting
No sound
Cant select Performances
Cant select the Part for which to make settings
Pitch is wrong
Effects do not apply
MIDI messages are not received correctly
Memory Card cannot be used
Song data does not playback correctly
The SCSI device is not being recognized.
Page
Error Messages
Page
Page
Page
About SCSI
Connecting a SCSI device
SCSI Devices That Can Be Used
What you need to know before making connections
Types of SCSI cables and SCSI connectors
About SCSI ID Numbers
Making Connections
Connection Examples
Connecting one SCSI device
Connecting two or more SCSI devices
Page
PATCH Common TMT Vel Range ([PATCH]-[F1(Common)]-[F5(V.Range)])(p. 133)
PATCH WG Sample ([PATCH]-[F2(WG)]-[F4(Sample)])(p. 139)
PATCH WG Pitch Envelope ([PATCH]-[F2(WG)]-[F3(Pch Env)])(p. 138)
PATCH WG Pitch ([PATCH]-[F2(WG)]-[F2(Pitch)])(p. 138)
PATCH TVF Parameter ([PATCH]-[F3(TVF)]-[F1(TVF Prm)])(p. 140)
PATCH TVF Envelope ([PATCH]-[F3(TVF)]-[F2(TVF Env)])(p. 142)
PATCH TVA Parameter ([PATCH]-[F4(TVA)]-[F1(TVA Prm)])(p. 143)
PATCH TVA Envelope ([PATCH]-[F4(TVA)]-[F2(TVA Env)])(p. 144)
PATCH LFO&Ctrl LFO1, LFO2 ([PATCH]-[F5(LFO&CTL)]-[F1(LFO1)])(p. 145)
PATCH LFO&Ctrl Control Sw ([PATCH]-[F5(LFO&CTL)]-[F4(Ctrl Sw)])(p. 147)
PATCH LFO&Ctrl #2 ([PATCH]-[F5(LFO&CTL)]-[F3(Control)])(p. 146)
PATCH LFO&Ctrl #1 ([PATCH]-[F5(LFO&CTL)]-[F3(Control)])(p. 146)
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Multi Partial Patch Parameters
PATCH Common Split ([PATCH]-[F1(Common)]-[F3(Split)])(p. 148)
PATCH WG Partial ([PATCH]-[F2(WG)]-[F1(WG Prm)])(p. 149)
PATCH WG SMT #1 ([PATCH]-[F2(WG)]-[F2(SMT)])(p. 150)
PATCH WG SMT #2 ([PATCH]-[F2(WG)]-[F2(SMT)])(p. 151)
PATCH TVF Envelope ([PATCH]-[F3(TVF)]-[F2(TVF Env)])(p. 154)
PATCH TVA Parameter ([PATCH]-[F4(TVA)]-[F1(TVA Prm)])(p. 155)
PATCH TVA Envelope ([PATCH]-[F4(TVA)]-[F2(TVA Env)])(p. 155)
PATCH LFO&Ctrl LFO ([PATCH]-[F5(LFO&Ctl)]-[F1(LFO1)])(p. 156)
PATCH LFO&Ctrl Control #1 ([PATCH]-[F5(LFO&Ctl)]-[F2(Control)])(p. 157)
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Performance Parameters
PERFORMANCE Common ([PERFORMANCE]-[F1(Common)])(p. 160)
PERFORMANCE Key Range ([PERFORMANCE]-[F2(K.Range)])(p. 161)
PERFORMANCE Part #1 ([PERFORMANCE]-[F3(Part)])(p. 162)
PERFORMANCE Part # 2 ([PERFORMANCE]-[F3(Part)])(p. 163)
PERFORMANCE MIDI #2 MIDI Filter ([PERFORMANCE]-[F4(MIDI)])(p. 165)
PERFORMANCE MIDI #3 MIDI Filter ([PERFORMANCE]-[F4(MIDI)])(p. 165)
PERFORMANCE Effects General #1 ([PERFORMANCE]-[F5(Effects)]-[F1(General)])(p. 31)
PERFORMANCE Effects General #2 ([PERFORMANCE]-[F5(Effects)]-[F1(General)])(p. 31)
PERFORMANCE Effects MFX Control #2 ([PERFORMANCE]-[F5(Effects)]-[F3(MFX Ctl)])(p. 31)
PERFORMANCE Effects Chorus ([PERFORMANCE]-[F5(Effect)]-[F4(Chorus)])(p. 33)
PERFORMANCE Effects Reverb ([PERFORMANCE]-[F5(Effect)]-[F5(Reverb)])(p. 34)
PERFORMANCE Part Information ([PERFORMANCE]-[F6 (Info)])(P. 166)
Rhythm Set Parameters
RHYTHM Common ([RHYTHM]-[F1(Common)])(p. 169)
RHYTHM WG Parameter ([RHYTHM]-[F2(Key WG)]-[F1(WG Prm)])(p. 171)
RHYTHM WG Pitch ([RHYTHM]-[F2(Key WG)]-[F2(Pitch)])(p. 173)
RHYTHM WG Pitch Envelope ([RHYTHM]-[F2(Key WG)]-[F3(Pch Env)])(p. 173)
RHYTHM WG WMT Vel Range ([RHYTHM]-[F2(Key WG)]-[F4(V.Range)])(p. 174)
RHYTHM WG Sample ([RHYTHM]-[F2(Key WG)]-[F5(Sample)])(p. 174)
RHYTHM TVF Parameter ([RHYTHM]-[F3(Key TVF)]-[F1(TVF Prm)])(p. 175)
RHYTHM TVF Envelope ([RHYTHM]-[F3(Key TVF)]-[F2(TVF Env)])(p. 177)
RHYTHM TVA Parameter ([RHYTHM]-[F4(Key TVA)]-[F1(TVA Prm)])(p. 177)
RHYTHM Key Control ([RHYTHM]-[F5(Key Ctl)])(p. 179)
RHYTHM Effects General ([RHYTHM]-[F6(Effects)]-[F1(General)])(p. 37)
RHYTHM Effects MFX ([RHYTHM]-[F6(Effects)]-[F2(MFX Prm)])(p. 37)
RHYTHM Effects MFX Control ([RHYTHM]-[F6(Effects)]-[F3(MFX Ctl)])(p. 37)
RHYTHM Effects Chorus ([RHYTHM]-[F6(Effects)]-[F3(Chorus)])(p. 38)
GM Mode Parameters
GM Control ([GM]-[F2(Control)])(p. 225)
GM Part ([GM]-[F3(Part)])(p. 227)
GM MIDI ([GM]-[F4(MIDI)])(p. 227)
GM Effects General ([GM]-[F5(Effects)])(p. 227)
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MFX Prameters
1:STEREO EQ(p. 44)
2:OVERDRIVE(p. 44)
3:DISTORTION(p. 45)
4:PHASER(p. 45)
8:ROTARY(p. 47)
9:COMPRESSOR(p. 48)
10:LIMITER(p. 48)
11:HEXA-CHORUS(p. 49)
12:TREMOLO CHORUS(p. 49)
15:STEREO FLANGER(p. 51)
16:STEP FLANGER(p. 51)
17:STEREO DELAY(p. 52)
18:MODULATION DELAY(p. 53)
19:TRIPLE TAP DELAY(p. 54)
20:QUADRUPLE TAP DELAY(p. 55)
21:TIME CONTROL DELAY(p. 56)
22:2VOICE PITCH SHIFTER(p. 56)
23:FBK PITCH SHIFTER(p. 57)
24:REVERB(p. 58)
26:OVERDRIVECHORUS(p. 59)
27:OVERDRIVEFLANGER(p. 59)
28:OVERDRIVEDELAY(p. 60)
29:DISTORTIONCHORUS(p. 60)
30:DISTORTIONFLANGER(p. 60)
35:CHORUSDELAY(p. 62)
Chorus
36:FLANGERDELAY(p. 63)
37:CHORUSFLANGER(p. 63)
Chorus
43:FORMANT FILTER(p. 66)
44:RING MODULATOR(p. 67)
45:MULTI TAP DELAY(p. 68)
46:REVERSE DELAY(p. 69)
47:SHUFFLE DELAY(p. 70)
48:3D DELAY(p. 70)
49:3VOICE PITCH SHIFTER(p. 71)
50:LOFI COMPRESS(p. 72)
51:LOFI NOISE(p. 72)
52:SPEAKER SIMULATOR(p. 73)
53:OVERDRIVE 2(p. 74)
54:DISTORTION 2(p. 74)
55:STEREO COMPRESSOR(p. 75)
57:GATE(p. 76)
58:SLICER(p. 76)
59:ISOLATOR(p. 77)
60:3D CHORUS(p. 77)
61:3D FLANGER(p. 78)
62:TREMOLO(p. 79)
63:AUTO PAN(p. 79)
64:STEREO PHASER 2(p. 80)
65:STEREO AUTO WAH(p. 81)
66:ST FORMANT FILTER(p. 81)
68:REVERSE DELAY 2(p. 82)
69:SHUFFLE DELAY 2(p. 83)
70:3D DELAY 2(p. 83)
71:ROTARY 2(p. 85)
72:ROTARY MULTI(p. 86)
73:KEYBOARD MULTI(p. 87)
74:RHODES MULTI(p. 89)
75:JD MULTI(p. 90)
76:STEREO LOFI COMPRESS(p. 91)
77:STEREO LOFI NOISE(p. 92)
78:GUITAR AMP SIMULATOR(p. 93)
79:STEREO OVERDRIVE(p. 94)
80:STEREO DISTORTION(p. 94)
81:GUITAR MULTI A(p. 95)
82:GUITAR MULTI B(p. 96)
Mid
83:GUITAR MULTI C(p. 98)
Wah
84:CLEAN GUITAR MULTI A(p. 99)
Mid
85:CLEAN GUITAR MULTI B(p. 101)
86:BASS MULTI(p. 102)
87:ISOLATOR 2(p. 104)
88:STEREO SPECTRUM(p. 104)
Band Gain
note *2:
Band Width
89:3D AUTO SPIN(p. 105)
System Parameters
SYSTEM General #1 ([SYSTEM/UTILITY]-[F1(General)])(p. 209)
SYSTEM General #2 ([SYSTEM/UTILITY]-[F1(General)])(p. 211)
SYSTEM Output ([SYSTEM/UTILITY]-[F2(Outp&EQ)-[F2(Output)])(p. 211)
SYSTEM EQ ([SYSTEM/UTILITY]-[F2(Outp&EQ)-[F2(EQ)])(p. 211)
Waveform List
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MIDI Implementation
1. Receive data
Channel Voice Messages
Note off
Note on
Expression (Controller number 11)
Hold 1 (Controller number 64)
Portamento (Controller number 65)
Sostenuto (Controller number 66)
Soft (Controller number 67)
Channel Mode Messages
All Sounds Off (Controller number 120)
Reset All Controllers (Controller number 121)
All Notes Off (Controller number 123)
OMNI OFF (Controller number 124)
System Realtime Message
Timing Clock
Active Sensing
System Exclusive Message
Universal Non-realtime System Exclusive Messages
Global Parameter Control
Reverb Parameters
Chorus Parameters
Channel Pressure
Controller
Sample Dump Standard
Dump Request
Dump Header
Data Packet
ACK
2. Data transmission (sound source section)
Channel Voice Messages
Control Change
Bank Select (Controller number 0, 32)
Portamento Time (Controller number 5)
System Exclusive messages
Universal Non-realtime System Exclusive Message
Identity Reply Message
Sample Dump Standard
Dump Header
3. Parameter address map
1. XV-5080 (Model ID: 00H 10H)
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2. GS (Model ID: 42H)
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Decimal and Hexadecimal table
Examples of actual MIDI messages
Example of an Exclusive message and calculating a checksum
How to calculate the checksum (hexadecimal numbers are indicated by "H")
*GS ( ) is a registered trademark of Roland Corporation.
ASCII code table
Arabian Scale
Just Temperament (Tonic of C)
SYNTHESIZER MODULE Model XV-5080
Date : May. 20, 2000 Version : 1.00
MIDI Implementation Chart
Specifications
Index
Numerics
A
B
C
M
O
P
Q
R
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Information
Roland (Switzerland) AG
As of August 1, 2002 (Roland)
ARGENTINA
Instrumentos Musicales S.A.