7
Signal (PART) Flow ....................................................................................................................117
Parameters.................................................................................................................................... 117
Digital Connections Using R-BUS........................................................................................................ 119
Settings for the Digital Interface ([SYSTEM/UTILITY] - [F2 (Output)]) ............................119
Eight-Channel R-BUS Digital Connection............................................................................... 120
Converting to the Various Digital Formats ........................................................................................121
Digital Output to an ADAT....................................................................................................... 121
Digital Output to a TASCAM DA Series................................................................................. 122
Digital Output to an AES/EBU Device....................................................................................123
Synchronizing the XV-5080 to the Word Clock arriving at WORD CLOCK IN........................... 124
Chapter 4 Creating Patches...............................................................125
Types of Patches and Their Composition........................................................................................... 125
Four-Tone Patch.......................................................................................................................... 125
How a Tone Is Organized.......................................................................................................... 125
Multi-partial Patch...................................................................................................................... 126
How a Partial Is Organized .......................................................................................................126
Selecting the Tones That Will Sound (Tone On/Off)........................................................................ 126
Settings Common to the Entire Patch.................................................................................................. 127
Common (Patch Common)........................................................................................................ 127
Control (Patch Control).............................................................................................................. 129
Structure (Patch Structure) ........................................................................................................131
K. Range (Patch Key Range)...................................................................................................... 132
V. Range (Patch Velocity Range) ..............................................................................................133
Creating Four-Tone Patches..................................................................................................................134
Tips for Creating a Patch............................................................................................................ 134
More Advanced Editing of Tones............................................................................................. 134
Tips for Selecting a Waveform.................................................................................................. 135
Modifying the Waveform and Pitch ([F2] (WG)) ...................................................................136
Using the Filter to Modify the Brightness ([F3 (TVF)]).......................................................... 140
Changing the Volume and Stereo Location ([F4 (TVA)])...................................................... 143
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])................................................................... 145
Creating Multi-Partial Patches .............................................................................................................148
Assigning Partials .......................................................................................................................148
Editing Partials ............................................................................................................................149
Editing Samples........................................................................................................................... 150
Using the Filter to Modify the Brightness ([F3 (TVF)]).......................................................... 152
Making the Volume Change ([F4 (TVA)])............................................................................... 155
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])................................................................... 156
Making Effect Settings........................................................................................................................... 158
Saving Patches You Create.................................................................................................................... 158
Copying the Settings of Another Patch (Patch Tone Copy)............................................................. 158
Chapter 5 Creating a Performance....................................................159
How a Performance Is Organized........................................................................................................ 159
Basic Ways to Use Performances ......................................................................................................... 159
Choosing the Parts to Play.................................................................................................................... 159
Establishing Settings for an Entire Performance (COMMON)........................................................ 160
Settings for Each Part............................................................................................................................. 160
Comparing the Settings of Each Part as You Make Settings.................................................161
Setting the Keyboard Range...................................................................................................... 161
Selecting the Patch, and Setting the Volume, Pan, Pitch, and Polyphony.......................... 162
Editing the Attack and Release of the Sound and Changing the Way the Sound is Played..
163
Establishing a Part’s MIDI Settings.......................................................................................... 164
Confirming MIDI Information for Each MIDI Channel........................................................ 166
Making Effect Settings........................................................................................................................... 166
Saving Performances You Create......................................................................................................... 166
Copying the Settings of Another Part (Performance Part Copy) ....................................................166