60
Chapter 2 Using the XV-5080 Effects
28: OVERDRIVE→DELAY
This effect connects an overdrive and a delay in series.
fig.2-34
Overdrive
Drive
Adjust the degree of overdrive distortion. The volume will
change together with the degree of distortion.
Pan (Overdrive Pan) #
Adjust the stereo location of the overdrive sound. L64 is far
left, 0 is center, and 63R is far right.
Delay
Time (Delay Time)
Adjust the time delay from when the direct sound begins
until the delay sound is heard.
Feedback (Delay Feedback)
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
HF Damp (Delay HF Damp)
Adjust the frequency above which delayed sound fed back to
the effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
Balance (Delay Balance) #
Adjust the volume balance between the overdrive sound that
is sent through the delay and the overdrive sound that is not
sent through the delay. With a setting of “D100: 0W,” only
the overdrive sound will be output. With a setting of “D0:
100W,” only the overdrive sound that is sent through the
delay will be output.
Output
Level (Output Level)
Adjust the output level.
29: DISTORTION→CHORUS
This effect connects distortion and chorus in series. The
parameters are essentially the same as “26:
OVERDRIVE?CHORUS,” with the exception of the following
two.
Drive → Specify the amount of distortion.
Pan → Specify the stereo location of the distortion sound.
fig.2-35
30: DISTORTION→FLANGER
This effect connects distortion and flanger in series. The
parameters are essentially the same as in “27:
OVERDRIVE?FLANGER,” with the exception of the
following two.
Drive → Specify the amount of distortion.
Pan → Specify the stereo location of the distortion sound.
fig.2-36
31: DISTORTION→DELAY
This effect connects distortion and delay in series. The
parameters are essentially the same as in “28:
OVERDRIVE?DELAY,” with the exception of the following
two.
Drive → Specify the amount of distortion.
Pan → Specify the stereo location of the distortion sound.
fig.2-37
L in
R in
Delay
Overdrive
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback
L in
R in
Chorus
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
L in
R in
Flanger
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback
L in
R in
Delay
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback