Roland XV-5080 81: GUITAR MULTI A

95

Chapter 2 Using the XV-5080 Effects

Chap.2

81: GUITAR MULTI A

Guitar Multi 1 connects Compressor (Cmp), Overdrive or

Distortion (ODDS), Amp Simulator (Amp), Delay (Dly), and

Chorus or Flanger (CF) effects in series.

* In this section, the Delay and Chorus/Flanger are depicted in

diagrams. When these same effects are discussed later, these

diagrams are used.

Sequence

Comp (Compressor Switch)

Turns the Compressor on/off.

OD/Dist (Overdrive/Distortion Switch)

Turns the Overdrive/Distortion on/off.

Amp Sim (Amp simulator Switch)

Turns the Compressor on/off.

Delay (Delay Switch)

Turns the Delay on/off.

Cho/Flg (Chorus/Flanger Switch)

Turns the Chorus/Flanger on/off.

Compressor

Attack (Compressor Attack)

Specifies the duration of the attack when sound is input.

Sustain (Compressor Sustain)

Specifies the time over which low-level sounds will be

boosted to reach the specified volume. Increasing the value

will shorten the time. When the value is modified, the level

will also change.

Level (Compressor Level) #

Sets the volume of the compressor sound.

Overdrive/Distortion

Type

Selects either Overdrive or Distortion.

Drive #

Adjusts the degree of distortion. The volume will change

together with the degree of distortion.

Tone (Overdrive/Distortion Tone)

Adjusts the sound quality of the Overdrive/Distortion effect.

Level

Adjusts the Overdrive/Distortion output level.

L in

R in

Compressor Amp

Simulator

Overdrive/

Distortion

R out

L out

Pan

Delay Chorus/

Flanger

R out

L out

Chorus/

Flanger

Chorus/

Flanger

Feedback

Delay

Feedback

Delay

Chorus/

Flanger

Contents

Main Notation Used in This Owners Manual OWNERS MANUAL CAUTION ATTENTION INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS. IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS Page Page IMPORTANT NOTES Power Supply Placement Maintenance Repairs and Data Contents Chapter 1 Selecting and Playing a Sound..........................................16 Chapter 2 Using the XV-5080 Effects..................................................24 Chapter 3 Selecting Output Jacks.....................................................107 Chapter 4 Creating Patches...............................................................125 Chapter 5 Creating a Performance....................................................159 Chapter 6 Creating Rhythm Sets.......................................................168 Chapter 7 Loading a Variety of Data .................................................181 Chapter 8 Saving Tones and Other Data Youve Created...............194 Chapter 9 Other Settings/Status Checks..........................................208 Chapter 10 Examples of Applications Using the XV-5080 ..............217 Troubleshooting..................................................................................232 Page Features Panel Descriptions Front Panel G J AAC E (MODE) F (SOUND LIBRARY) G H I Rear Panel K L (MIDI) M (OUTPUT) N (OUTPUT) Q Chapter 1 Auditioning Sounds on the XV-5080 (Phrase Preview) Setting the Way In Which Sounds Are Previewed Preview Mode Preview 14 Note Number Playing a Patch on the XV- 5080 from External MIDI Devices (MIDI Keyboard) Setting the XV-5080s MIDI Reception Channels In Patch mode Parts of a Performance Selecting a Mode (Patch, Performance, or Rhythm Set) Selecting Sound Libraries USER CARD PRESET EXP (Expansion) Selecting a Patch Basic Procedure for Selecting a Patch VALUE Dial [INC]/[DEC] Selecting Patches by Category (Patch Finder) Internal organization Selecting Patches and Rhythm Sets from an External MIDI In Patch or Rhythm Set modes Patches Rhythm Sets In Performance mode Performances Using MIDI to Switch between Patch, Performance and General MIDI 2 Modes Page Chapter 2 Using the XV-5080 Effects Turning Effects On/Off Patch Mode Settings Split Key Edit Mode Routing Tones to Effects Output Assign Dry Send Level Chorus Send Level 0127 Reverb Send Level 0127 MFX Dry Send Level 0127 MFX Chorus Send Level 0127 Page Reverb Type Reverb Level 0127 Reverb Output Assign AD Pre Delay (Pre Delay Time) 0.0100 ms Time (Reverb Time) 0127 LF Damp Gain -360 dB HF Damp Freq (LF Damp Frequency) *3 HF Damp Gain -360 dB Performance Mode Settings Routing Part Outputs Part Output MFX Select AC Part Chorus Send Level 0127 Part Reverb Send Level 0127 MFX Dry Send Level 0127 MFXAC Control 14 Source MFXAC Control Destination 14 MFXAC Control 14 Sens -63 +63 Chorus Source PRF/P132 Chorus Level 0127 Page Reverb Type Reverb Source Reverb Level 0127 Reverb Output Assign AD Page Rhythm Set Mode Settings Routing Tones to Effects Rhythm Tone Output Assign Rhythm Tone Dry Send Level Rhythm Tone Chorus Send Level 0127 Rhythm Tone Reverb Send Level 0127 Chorus Level 0127 Chorus Output Assign AD Rate (Chorus Rate) 0.0510.00 Hz Depth (Chorus Depth) 0127 Feedback (Chorus Feedback) 0127 Page Pre Delay (Pre Delay Time) 0.0100 ms Time (Reverb Time) 0127 Size 18 High Cut (High Cut Frequency) *1 Density (Reverb Density) 0127 Settings in General MIDI Mode Parameters for Each Multi- Effects Page Page 1: STEREO EQ (Stereo Equalizer) Freq/Gain 2: OVERDRIVE 3: DISTORTION 4: PHASER Manual # Resonance Mix Level 5: SPECTRUM Gain 6: ENHANCER 7: AUTO WAH Auto Wah 8: ROTARY Separation 9: COMPRESSOR 10: LIMITER Limiter 11: HEXA-CHORUS Hexa Chorus 12: TREMOLO CHORUS Tremolo Chapter 2 Using the XV-5080 Effects 13: SPACE-D 14: STEREO CHORUS Type (Filter Type) 15: STEREO FLANGER 16: STEP FLANGER Rate (LFO Rate) Depth (LFO Rate) Step Rate # Balance (Effect Balance) Phase Phase Left Phase Right 18: MODULATION DELAY Left (Delay Time Left) Modulation 19: TRIPLE TAP DELAY 20: QUADRUPLE TAP DELAY 21: TIME CONTROL DELAY Time (Delay time) # Acceleration Balance (Effect Balance) 22: 2VOICE PITCH SHIFTER Pitch B Level Balance 23: FBK PITCH SHIFTER Pitch 24: REVERB Reverb Type (Reverb Type) Time (Reverb Time) # 25: GATED REVERB 26: OVERDRIVECHORUS Depth (Depth Rate) 27: OVERDRIVEFLANGER Feedback (Flanger Feedback) 28: OVERDRIVEDELAY 29: DISTORTIONCHORUS 30: DISTORTIONFLANGER 31: DISTORTIONDELAY 32: ENHANCERCHORUS Sens (Enhancer Sens) # Balance (Chorus Balance) # 33: ENHANCERFLANGER Sens # 34: ENHANCERDELAY Sens # 35: CHORUSDELAY 36: FLANGERDELAY Feedback (Flanger Feedback) Balance # 37: CHORUSFLANGER Feedback (Flanger Feedback Level) 38: CHORUS/DELAY 39: FLANGER/DELAY 40: CHORUS/FLANGER 41:STEREO PHASER Type (Phaser Type) Polarity Manual # Rate (Phaser Rate) # 43:FORMANT FILTER 44:RING MODULATOR Ring Modulator 45:MULTI TAP DELAY 46:REVERSE DELAY 1 (Delay Time 1) 2 (Delay Time 2) 3 (Delay Time 3) 4 (Delay Time 4) 47:SHUFFLE DELAY 48:3D DELAY 49:3VOICE PITCH SHIFTER Pch Coarse Pch Fine Pitch Shift Pan 1:2:3 (Output Pan 1:2:3) 50:LOFI COMPRESS Type (LoFi Type) Pre Filter Type (Pre Filter Type) Post Filter 1 Radio Noise Detune # Level Disc Noise Type (Disc Noise Type) 53:OVERDRIVE 2 Switch Type (Amp Simulator Type) Level (Output Level) 54:DISTORTION 2 55:STEREO COMPRESSOR 56:STEREO LIMITER Limiter 57:GATE Gate Attack Time Hold Time Release Time Beat Change Shuffle # 59:ISOLATOR Boost/Cut Anti Phase Low 61:3D FLANGER Switch (Step Rate Switct) Step Rate (Step Rate) # Balance # Output (Output Mode) 62:TREMOLO Tremolo Mod Wave (Modulation Wave) Depth # 63:AUTO PAN Chapter 2 Using the XV-5080 Effects 64: STEREO PHASER 2 65: STEREO AUTO WAH Auto Wah 66: ST FORMANT FILTER (Stereo Formant Filter) Phase # Switch (Keysync Switch) 67: MULTI TAP DELAY 2 14 (Delay Time 14) 14 (Delay Level 14) 14 (Output Pan 14) 68: REVERSE DELAY 2 14 (Delay Time 14) Feedback 1, 4 (Feedback 1, 4) # HF Damp 70: 3D DELAY 2 71: ROTARY 2 Spread 72: ROTARY MULTI 73: KEYBOARD MULTI Ring Modulator Pitch Shifter 74: RHODES MULTI Tremolo/Pan 75: JD MULTI Spectrum 76: STEREO LOFI COMPRESS Pre Filter Post Filter 1 Post Filter 2 77: STEREO LO-FI NOISE Hum Disc Noise Radio Noise Noise 78: GUITAR AMP SIMULATOR Amp Level Amp Tone Speaker Mic 79: STEREO OVERDRIVE Switch (Amp Simulator Switch) 80: STEREO DISTORTION Switch (Amp Simulator Switch) 81: GUITAR MULTI A 82: GUITAR MULTI B Page 83: GUITAR MULTI C Wah 84: CLEAN GUITAR MULTI A Page 85: CLEAN GUITAR MULTI B Seqeuence Wah 86: BASS MULTI 3 Band EQ 87: ISOLATOR 2 Boost/Cut Anti Phase Low Anti Phase Mid Low Boost 89: 3D AUTO SPIN Auto Spin 90: 3D MANUAL Auto Spin Copying Effect Settings Copy Type Chapter 3 Selecting Output Jacks Patch Mode Settings Signal (TONE) Flow TONE PATCH Effects General page ([PATCH] - [F6 (Effects)] - [F1 (General)]) Tone Output Assign Tone Dry Send Level Tone Chorus Send Level Tone Reverb Send Level Page Example of Settings Assigning Different Output Destinations for the Tones in a Patch Performance Mode Settings Signal (PART) Flow PERFORMANCE Effects General page ([PERFORM] - [F6 (Effects)] - [F1 (General)]) Part Output MFX Select PAR T SYSTEM Output page ([SYSTEM] - [F2 (OutP&EQ)]) Output Mix/Parallel SYSTEM General #1 page ([SYSTEM] - [F1 (General)]) Example of Settings Selecting Different Output Destinations for Parts in a Performance Rhythm Set Mode Settings Signal (RHYTHM TONE) Flow RHYTHM Effects General page ([RHYTHM] - [F6 (Effects)] - [F1 (General)]) Rhythm Tone Output Assign Rhythm Tone Dry Send Level RHYTHM Common page ([RHYTHM] - [F1 (Common)]) Level (Rhythm Level) Output Assign (Rhythm Set Output Assign) SYSTEM Output page ([SYSTEM] - [F2 (OutP&EQ)]) Output Mix/Parallel SYSTEM General #1 page ([SYSTEM] - [F1 (General)]) Settings in General MIDI Mode Signal (PART) Flow GM Effects General page ([GM] - [F6 (Effects)] - [F1 (General)]) Part Chorus Send Level Part Reverb Send Level Page Digital Connections Using R- BUS SYSTEM Output page ([SYSTEM] - [F2 (Outp&EQ)]) Digital Interface Master Clock Master Freq (Master Frequency) Eight-Channel R-BUS Digital Connection Converting to the Various Digital Formats Digital Output to an ADAT When Making the XV-5080 the Word Clock Master Settings When Making the XV-5080 the Word Clock Slave Settings Digital Output to a TASCAM DA Series Digital Output to an AES/EBU Device When Making the XV-5080 the Word Clock Slave Settings When Making the XV-5080 the Word Clock Master Settings Page Page Multi-partial Patch How a Partial Is Organized Selecting the Tones That Will Sound (Tone On/Off) Partial Settings Common to the Entire Patch Common (Patch Common) PATCH Common General #1 page ([PATCH] - [F1 (General)]) name (Patch Name) Category (Patch Category) Octave&Tune (Patch Octave & Tune) Octave Shift Coarse Tune Fine Tune Stretch Tune Depth Control (Patch Control) PATCH Common Control page ([PATCH] - [F2 (Control)]) Key Mode (Key Assign Mode) Key Assign (Patch Key Assign) Legato Switch Bender Bend Range Up Bend Range Down Portament (Patch Portamento) Switch (Portamento Switch) Structure (Patch Structure) PATCH Common Structure page ([PATCH] - [F3 (Struct)]) Tone 1&2/Tone 3&4 Type (Structure Type) Booster (Booster Gain) K. Range (Patch Key Range) PATCH Common TMT Key Range page ([PATCH] - [F4 (K.Range)]) L.F (TMT Keyboard Fade Width Lower) K.L (TMT Keyboard Range Lower) K.U (TMT Keyboard Range Upper) V. Range (Patch Velocity Range) U.F (TMT Velocity Fade Width Upper) Creating Four-Tone Patches Tips for Creating a Patch More Advanced Editing of Tones [F2 (WG)] [F3 (TVF)] Tips for Selecting a Waveform Notes for Editing One-Shot Waveforms Notes for Editing Looped Waveforms Modifying the Waveform and Pitch ([F2] (WG)) PATCH WG Parameter page ([PATCH] - [F2 (WG)] - [F1 (WG Prm)]) WAVE Group (Wave Group) L (Wave Number L) FXM (Frequency Cross Modulation) Switch (Wave FXM Switch) Color (Wave FXM Color) Depth (Wave FXM Depth) Tone Delay PATCH WG Pitch page ([PATCH] - [F2 (WG)] - [F2 (Pitch)]) Pitch Coarse Tune (Tone Coarse Tune) Fine Tune (Tone Fine Tune) Random Pitch (Tone Random Pitch) Velocity Sens (Pitch Envelope Velocity Amount (Pitch Envelope Time Amount Time1 (Pitch Envelope Time 1 Velocity Time4 (Pitch Envelope Time 4 Velocity PATCH WG Sample page ([PATCH] - [F2 (WG)] - [F4 (Sample)]) Using the Filter to Modify the Brightness ([F3 (TVF)]) PATCH TVF Parameter page ([PATCH] - [F3 (TVF)] - [F1 (TVF Prm)]) Resonance Velo (TVF Resonance Velocity) Sens (TVF Resonance Velocity Sens) Cutoff Keyfollow (TVF Cutoff Keyfollow) Cutoff Velo (TVF Cutoff Velocity) Curv (TVF Cutoff Velocity Curve) PATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)]) Time Keyfollow (TVF Envelope Time Time14 (TVF Envelope Time 14) Level14 (TVF Envelope Level 14) Velo Sens (TVF Envelope Velocity Changing the Volume and Stereo Location ([F4 (TVA)]) PATCH TVA Parameter page ([PATCH] - [F4 (TVA)] - [F1 (TVA Prm)]) Level (Tone Level) V-Curve (TVA Level Velocity Curve) V-Sens (TVA Level Velocity Sens) PATCH TVA Envelope page ([PATCH] - [F4 (TVA)] - [F2 (TVA Env)]) Time Keyfollow (TVA Envelope Time Time (TVA Envelope Time 14) Level (TVA Envelope Level 13) Velocity Sens (TVA Envelope Velocity Applying Vibrato or Tremolo ([F5 (LFO&CTL)]) PATCH LFO&Ctrl LFO1/2 page ([PATCH] - [F5 (LFO&CTL)] - [F1 (LFO 1)]/[F2 (LFO 2)]) Wave (LFO Wave) Form (LFO Form) Offset (LFO Offset) Fade (LFO Fade) Mode (LFO Fade Mode) Time (LFO Fade Time) Key Sync (LFO Key Sync) Depth (LFO Depth) PATCH LFO&Ctrl Control Sw page ([PATCH] - [F5 (LFO&CTL)] - [F4 (Ctrl Sw)]) MIDI Rx Switch (MIDI Receive Switch) Bender Sw (Tone Receive Bender) Expression Sw (Tone Receive Expression) Hold-1 Sw (Tone Receive Hold 1) Creating Multi-Partial Patches Assigning Partials PATCH Common Split page ([PATCH] - [F2 (WG)] - [F3 (Split)]) Note (Note Number) No. (Partial Number) Editing Partials PATCH WG Parameter page ([PATCH] - [F2 (WG)] - [F1 (WG Prm)]) Partial Name (Partial Name) Coarse Tune (Partial Coarse Tune) Editing Samples PATCH WG SMT#1 page ([PATCH] - [F2 (WG)] - [F2 (SMT)]) Original Key SMT (Sample Mix Table) No. (Sample Number) Page Using the Filter to Modify the Brightness ([F3 (TVF)]) PATCH TVF Parameter page ([PATCH] - [F3 (TVF)] - [F1 (TVF Prm)]) Cutoff Keyfollow Point Keyfollow (Cutoff Frequency Keyfollow) TVF Velo (TVF Velocity) PATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)]) Time Keyfollow (Envelope Time Keyfollow) Time (TVF Envelope Time 14) Level (TVF Envelope Level 03) Velo Sens Making the Volume Change ([F4 (TVA)]) PATCH TVA Parameter page (PATCH] - [F4 (TVA)] - [F1 (TVF Prm)]) Level (Partial Level) Pan (Partial Pan) Keyfollow Point Applying Vibrato or Tremolo ([F5 (LFO&CTL)]) PATCH LFO&Ctrl LFO page ([PATCH] - [F5 (LFO&Ctl)] - [F1 (LFO)]) Wave (LFO Wave) Form (LFO Form) Rate (LFO Rate) Detune (LFO Rate Detune) Delay (LFO Delay) Time (LFO Delay Time) Keyfolw (LFO Delay Keyfollow) Saving Patches You Create Copying the Settings of Another Patch (Patch Tone Copy) Chapter 5 Creating a Performance How a Performance Is Organized Basic Ways to Use Performances Playing Multiple Patches Together (Layer) Playing Separate Patches in Different Areas of the Keyboard (Split) Establishing Settings for an Entire Performance (COMMON) PERFORMANCE Common page ([PERFORM] - [F1 (Common)]) Name (Performance Name) Solo Part Select Settings for Each Part Comparing the Settings of Each Part as You Make Settings Setting the Keyboard Range PERFORMANCE Key Range page ([PERFORM] - [F2 (K.Range)]) F.L (Part Keyboard Fade Width Lower) K.L (Part Keyboard Range Lower) Selecting the Patch, and Setting the Volume, Pan, Pitch, and Polyphony PERFORMANCE Part #1 page ([PERFORM] - [F3 (Part)]) Patch (Part Patch) Type (Part Type) Group (Part Group) Editing the Attack and Release of the Sound and Changing the Way the Sound is Played PERFORMANCE Part #2 page ([PERFORM] - [F3 (Part)]) Modify (Part Modify) Cutoff Offset (Part Cutoff Offset) Resonance Offset (Part Resonance Offset) Establishing a Parts MIDI PERFORMANCE MIDI #1 page ([PERFORM] - [F4 (MIDI)]) Part MIDI Receive Channel (Part Receive Channel) Part MIDI Receive Switch Page Expression (Receive Expression Switch) Hold-1 (Receive Hold 1 Switch) Phase Lock Velocity Curve Saving Performances You Create Copying the Settings of Another Part (Performance Part Copy) Editing a Patch or Rhythm Set in the Performance Mode Palette Function Chapter 6 Creating Rhythm Sets How Percussion Instruments Are Organized Using a MIDI Keyboard to Select a Percussion Instrument for Editing Settings Common to an Entire Rhythm Set RHYTHM Common page ([RHYTHM] - [F1 (Common)]) Name (Rhythm Name) Level (Rhythm Level) Output Assign (Rhythm Output Assign) Setting up Individual Rhythm Tones Tips for Selecting a Waveform [F2 (Key WG)] [F3 (Key TVF)] [F4 (Key TVA)] Modifying the Waveform, Pan and Pitch ([F2 (Key WG)]) RHYTHM WG Parameter page ([RHYTHM] - [F2 (WG)] - [F1 (WG Prm)]) Rhythm Tone Name (Tone Name) += Tune Coarse (Wave Coarse Tune) Fine (Wave Fine Tune) FXM Switch (Wave FXM Switch) RHYTHM WG Pitch page ([RHYTHM] - [F2 (WG)] - [F2 (Pitch)]) Pitch (Rhythm Tone Pitch) Coarse Tune (Rhythm Tone Coarse Tune) Fine Tune (Rhythm Tone Fine Tune) Random Pitch (Rhythm Tone Random Pitch) Page Loop Mode (Loop Mode) Start-Fine (Start Point - Start Point Loop Point Start-Fine (Loop Start Point Using the Filter to Modify the Brightness ([F3 (Key TVF)]) RHYTHM TVF Parameter page ([RHYTHM] - [F3 (Key TVF)] - [F1 (TVF Prm)]) Resonance Velo (TVF Resonance Velocity) Sens (TVF Resonance Velocity Sens) Cutoff Velo (TVF Cutoff Velocity) Curv (TVF Cutoff Velocity Curve) Sens (TVF Cutoff Velocity Sens) Making the Volume Change ([F4 (Key TVA)]) RHYTHM TVA Parameter page ([RHYTHM] - [F4 (Key TVA)] - [F1 (TVA Prm)]) Level (Tone Level) V-Curve (TVA Level Velocity Curve) V-Sens (TVA Level Velocity Sens) RHYTHM TVA Envelope page ([RHYTHM] - [F4 (Key TVA)] - [F2 (TVA Env)]) Time 14 (TVA Envelope Time 14) Level 13 (TVA Envelope Level 13) Velocity Sens Time1 (TVA Envelope Time 1 Velocity Saving the Rhythm Set You Create Copying Settings from Some Other Rhythm Tone Chapter 7 Loading a Variety of Data Loading Sampler Libraries (CD-ROM) Installing the SIMM (Memory Module) Cautions When Installing SIMM Removing SIMMs Confirming That the SIMM Is Properly Installed Installation de la carte d'extension Wave Enlever une carte mmoire Wave Assurez-vous que les modules SIMM sont installs correctement Connecting a CD-ROM Drive With Sampler Libraries XV-5080 SCSI Cable Page About Each Sampler Library Folder Type (Display) In the case of the S-700 series When Loading Libraries for the AKAI S1000/3000 When Loading AIFF/WAV Libraries About the Display of Folder Categories in Sampler Libraries Sample Load Total Auto Load Total Target Playing Back Loaded Sampler Libraries Loading Data Saved on a Zip Disk Loading Data Stored on Memory Cards Sample-Related Utilities Sending and Receiving Samples (Sample Dump) Transmitting Samples Receiving Samples Emphasizing and Suppressing the High End of Loaded Samples (Emphasis) Processing Automatically Creating Multi- Partial Patches (Create Patch) Chapter 8 Saving Edits to the XV- 5080s Internal Memory (Write) Compare Function (Patch/Rhythm Set) When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance Saving All Data to Memory Card ([DISK] - [F2 (SAVE)]) Before Using a Memory Card Formatting a Memory Card Saving Data Organizing the Contents of Memory Cards <Renaming a File (RENAME)> Deleting Files (Delete) <Copying/Moving Files (Cp/Move)> <Registering to Banks (Regstry)> Copying Files on One Memory Card to Another Card (CardCpy) Saving All Data to Zip Disk ([DISK] - [F2 (SAVE)]) Formatting a Zip Disk/Hard Disk (Format) Saving Data Organizing a Zip Disk <Renaming a File/Folder (RENAME)> <Deleting a File/Folder (Delete)> <Copying/Moving a File/Folder (Cp/ Move)> Initializing a Sound Type (Initialize Type) For Patches or Performances For Rhythm Sets Changing the Way MIDI Signals Arriving at MIDI IN 2 Are Handled Transmitting Data to an External MIDI Device (Data Transfer) Transmitting to an External MIDI Source Destination Transmitting to User Memory Protecting the Internal Memory (Protect) Internal Write Protect Exclusive Protect Resetting All Settings to Default Factory Settings (Factory) Registering Favorite Patches in the FAVORITE LIST Selecting Patches from the FAVORITE LIST Directly registering to the list on the PATCH/RHYTHM PLAY page Chapter 9 Settings Common to the Entire XV-5080 ([SYSTEM/ UTILITY] - [F1 (General)]) Making Overall Settings Setup LCD Contrast Making Scale Tune Settings ([SYSTEM/UTILITY] - [F1 (General)]) The Setting In Performance/GM mode (Key Scale) Making the Equalizer Settings ([SYSTEM/UTILITY] - [F2 (Outp&EQ)] - [F2 (EQ)]) Output-A (1/2)D (7/8) L.F (Low Frequency) L.G (Low Gain) H.F (High Frequency) H.G (High Gain) Setting the MIDI Channel MIDI Receive Ch (MIDI Receive Channel) Setting the MIDI Transmit/ Receive Switch MIDI Tx (MIDI Transmit) Rx Switch (Receive Switch) MIDI IN connectors In Performance Mode GM Mode GM2 16partGM2 16part Connecting Two or More XV- 5080s to Increase Polyphony Stack Mode (Stack Mode) Number (Stack Number) GM2 16partPatch Selecting Common Controllers ([SYSTEM/ UTILITY] - [F4 (Control)]) System Control 14 (System Control Source 14) Confirming the Current Status ([SYSTEM/UTILITY] - [F6 (Info)]) Wave Expansion AD (Wave Expansion Board Name AD) SRX (SRX Board Name EH) Page Chapter 10 Controlling the XV-5080 in Real Time Using an External MIDI Device Changing the Multi-Effects Settings From an External MIDI MFX Control Source MFX Control Sens -63 +63 Modifying Tone Settings Selecting the MIDI Messages Used for Control and the Parameters to Be Changed Sens Applications for Patches Syncing the LFO Cycle to System Tempo Modifying Multi-Effects to Match the Systems Tempo Making a Tones Delay Time Match the System Tempo Using a Pedal Switch to Modify the Rotary Speed of the Rotary Effect Playing Phrase Loops at a Systems Tempo Changing the Part Settings from an External MIDI Device Page Applications for Matrix Control Controlling the TMT with the LFO and Changing the Tones Cycle Time Plays Using the XV-5080 as a General MIDI Sound Module Entering GM Mode Initializing the Sound Generator for General MIDI System Basic Settings Playing Back a GM Score Turning Effects On/Off EQ Chorus Reverb Modifying GM Mode Settings Key Mode Mono/Poly (Part Mono/Poly) Portament (Portamento) Switch (Portamento Switch) Time (Portamento Time) Page GM Effects Reverb page ([F5 (Effects)] - [F3 (Reverb)]) Type (Reverb Type) Time (Reverb Time) Checking MIDI Information for Each Part ([F6 (Info)]) Utility Functions in GM Mode Initializing GM Settings (Init) Initializing the GM Sound Generator Used in GM Mode (F1 (GM)] Initializing the GM Sound Generator Used Only for MIDI IN 2 (F2 (MIDI In2)] Transmitting GM Mode Settings (XFER) Protecting the Internal Memory (PROTECT) Internal (Internal Write Protect) Exclusive (Exclusive Protect) Page Page Troubleshooting No sound Cant select Performances Cant select the Part for which to make settings Pitch is wrong Effects do not apply MIDI messages are not received correctly Memory Card cannot be used Song data does not playback correctly The SCSI device is not being recognized. Page Error Messages Page Page Page About SCSI Connecting a SCSI device SCSI Devices That Can Be Used What you need to know before making connections Types of SCSI cables and SCSI connectors About SCSI ID Numbers Making Connections Connection Examples Connecting one SCSI device Connecting two or more SCSI devices Page PATCH Common TMT Vel Range ([PATCH]-[F1(Common)]-[F5(V.Range)])(p. 133) PATCH WG Sample ([PATCH]-[F2(WG)]-[F4(Sample)])(p. 139) PATCH WG Pitch Envelope ([PATCH]-[F2(WG)]-[F3(Pch Env)])(p. 138) PATCH WG Pitch ([PATCH]-[F2(WG)]-[F2(Pitch)])(p. 138) PATCH TVF Parameter ([PATCH]-[F3(TVF)]-[F1(TVF Prm)])(p. 140) PATCH TVF Envelope ([PATCH]-[F3(TVF)]-[F2(TVF Env)])(p. 142) PATCH TVA Parameter ([PATCH]-[F4(TVA)]-[F1(TVA Prm)])(p. 143) PATCH TVA Envelope ([PATCH]-[F4(TVA)]-[F2(TVA Env)])(p. 144) PATCH LFO&Ctrl LFO1, LFO2 ([PATCH]-[F5(LFO&CTL)]-[F1(LFO1)])(p. 145) PATCH LFO&Ctrl Control Sw ([PATCH]-[F5(LFO&CTL)]-[F4(Ctrl Sw)])(p. 147) PATCH LFO&Ctrl #2 ([PATCH]-[F5(LFO&CTL)]-[F3(Control)])(p. 146) PATCH LFO&Ctrl #1 ([PATCH]-[F5(LFO&CTL)]-[F3(Control)])(p. 146) Page Multi Partial Patch Parameters PATCH Common Split ([PATCH]-[F1(Common)]-[F3(Split)])(p. 148) PATCH WG Partial ([PATCH]-[F2(WG)]-[F1(WG Prm)])(p. 149) PATCH WG SMT #1 ([PATCH]-[F2(WG)]-[F2(SMT)])(p. 150) PATCH WG SMT #2 ([PATCH]-[F2(WG)]-[F2(SMT)])(p. 151) PATCH TVF Envelope ([PATCH]-[F3(TVF)]-[F2(TVF Env)])(p. 154) PATCH TVA Parameter ([PATCH]-[F4(TVA)]-[F1(TVA Prm)])(p. 155) PATCH TVA Envelope ([PATCH]-[F4(TVA)]-[F2(TVA Env)])(p. 155) PATCH LFO&Ctrl LFO ([PATCH]-[F5(LFO&Ctl)]-[F1(LFO1)])(p. 156) PATCH LFO&Ctrl Control #1 ([PATCH]-[F5(LFO&Ctl)]-[F2(Control)])(p. 157) Page Performance Parameters PERFORMANCE Common ([PERFORMANCE]-[F1(Common)])(p. 160) PERFORMANCE Key Range ([PERFORMANCE]-[F2(K.Range)])(p. 161) PERFORMANCE Part #1 ([PERFORMANCE]-[F3(Part)])(p. 162) PERFORMANCE Part # 2 ([PERFORMANCE]-[F3(Part)])(p. 163) PERFORMANCE MIDI #2 MIDI Filter ([PERFORMANCE]-[F4(MIDI)])(p. 165) PERFORMANCE MIDI #3 MIDI Filter ([PERFORMANCE]-[F4(MIDI)])(p. 165) PERFORMANCE Effects General #1 ([PERFORMANCE]-[F5(Effects)]-[F1(General)])(p. 31) PERFORMANCE Effects General #2 ([PERFORMANCE]-[F5(Effects)]-[F1(General)])(p. 31) PERFORMANCE Effects MFX Control #2 ([PERFORMANCE]-[F5(Effects)]-[F3(MFX Ctl)])(p. 31) PERFORMANCE Effects Chorus ([PERFORMANCE]-[F5(Effect)]-[F4(Chorus)])(p. 33) PERFORMANCE Effects Reverb ([PERFORMANCE]-[F5(Effect)]-[F5(Reverb)])(p. 34) PERFORMANCE Part Information ([PERFORMANCE]-[F6 (Info)])(P. 166) Rhythm Set Parameters RHYTHM Common ([RHYTHM]-[F1(Common)])(p. 169) RHYTHM WG Parameter ([RHYTHM]-[F2(Key WG)]-[F1(WG Prm)])(p. 171) RHYTHM WG Pitch ([RHYTHM]-[F2(Key WG)]-[F2(Pitch)])(p. 173) RHYTHM WG Pitch Envelope ([RHYTHM]-[F2(Key WG)]-[F3(Pch Env)])(p. 173) RHYTHM WG WMT Vel Range ([RHYTHM]-[F2(Key WG)]-[F4(V.Range)])(p. 174) RHYTHM WG Sample ([RHYTHM]-[F2(Key WG)]-[F5(Sample)])(p. 174) RHYTHM TVF Parameter ([RHYTHM]-[F3(Key TVF)]-[F1(TVF Prm)])(p. 175) RHYTHM TVF Envelope ([RHYTHM]-[F3(Key TVF)]-[F2(TVF Env)])(p. 177) RHYTHM TVA Parameter ([RHYTHM]-[F4(Key TVA)]-[F1(TVA Prm)])(p. 177) RHYTHM Key Control ([RHYTHM]-[F5(Key Ctl)])(p. 179) RHYTHM Effects General ([RHYTHM]-[F6(Effects)]-[F1(General)])(p. 37) RHYTHM Effects MFX ([RHYTHM]-[F6(Effects)]-[F2(MFX Prm)])(p. 37) RHYTHM Effects MFX Control ([RHYTHM]-[F6(Effects)]-[F3(MFX Ctl)])(p. 37) RHYTHM Effects Chorus ([RHYTHM]-[F6(Effects)]-[F3(Chorus)])(p. 38) GM Mode Parameters GM Control ([GM]-[F2(Control)])(p. 225) GM Part ([GM]-[F3(Part)])(p. 227) GM MIDI ([GM]-[F4(MIDI)])(p. 227) GM Effects General ([GM]-[F5(Effects)])(p. 227) Page MFX Prameters 1:STEREO EQ(p. 44) 2:OVERDRIVE(p. 44) 3:DISTORTION(p. 45) 4:PHASER(p. 45) 8:ROTARY(p. 47) 9:COMPRESSOR(p. 48) 10:LIMITER(p. 48) 11:HEXA-CHORUS(p. 49) 12:TREMOLO CHORUS(p. 49) 15:STEREO FLANGER(p. 51) 16:STEP FLANGER(p. 51) 17:STEREO DELAY(p. 52) 18:MODULATION DELAY(p. 53) 19:TRIPLE TAP DELAY(p. 54) 20:QUADRUPLE TAP DELAY(p. 55) 21:TIME CONTROL DELAY(p. 56) 22:2VOICE PITCH SHIFTER(p. 56) 23:FBK PITCH SHIFTER(p. 57) 24:REVERB(p. 58) 26:OVERDRIVECHORUS(p. 59) 27:OVERDRIVEFLANGER(p. 59) 28:OVERDRIVEDELAY(p. 60) 29:DISTORTIONCHORUS(p. 60) 30:DISTORTIONFLANGER(p. 60) 35:CHORUSDELAY(p. 62) Chorus 36:FLANGERDELAY(p. 63) 37:CHORUSFLANGER(p. 63) Chorus 43:FORMANT FILTER(p. 66) 44:RING MODULATOR(p. 67) 45:MULTI TAP DELAY(p. 68) 46:REVERSE DELAY(p. 69) 47:SHUFFLE DELAY(p. 70) 48:3D DELAY(p. 70) 49:3VOICE PITCH SHIFTER(p. 71) 50:LOFI COMPRESS(p. 72) 51:LOFI NOISE(p. 72) 52:SPEAKER SIMULATOR(p. 73) 53:OVERDRIVE 2(p. 74) 54:DISTORTION 2(p. 74) 55:STEREO COMPRESSOR(p. 75) 57:GATE(p. 76) 58:SLICER(p. 76) 59:ISOLATOR(p. 77) 60:3D CHORUS(p. 77) 61:3D FLANGER(p. 78) 62:TREMOLO(p. 79) 63:AUTO PAN(p. 79) 64:STEREO PHASER 2(p. 80) 65:STEREO AUTO WAH(p. 81) 66:ST FORMANT FILTER(p. 81) 68:REVERSE DELAY 2(p. 82) 69:SHUFFLE DELAY 2(p. 83) 70:3D DELAY 2(p. 83) 71:ROTARY 2(p. 85) 72:ROTARY MULTI(p. 86) 73:KEYBOARD MULTI(p. 87) 74:RHODES MULTI(p. 89) 75:JD MULTI(p. 90) 76:STEREO LOFI COMPRESS(p. 91) 77:STEREO LOFI NOISE(p. 92) 78:GUITAR AMP SIMULATOR(p. 93) 79:STEREO OVERDRIVE(p. 94) 80:STEREO DISTORTION(p. 94) 81:GUITAR MULTI A(p. 95) 82:GUITAR MULTI B(p. 96) Mid 83:GUITAR MULTI C(p. 98) Wah 84:CLEAN GUITAR MULTI A(p. 99) Mid 85:CLEAN GUITAR MULTI B(p. 101) 86:BASS MULTI(p. 102) 87:ISOLATOR 2(p. 104) 88:STEREO SPECTRUM(p. 104) Band Gain note *2: Band Width 89:3D AUTO SPIN(p. 105) System Parameters SYSTEM General #1 ([SYSTEM/UTILITY]-[F1(General)])(p. 209) SYSTEM General #2 ([SYSTEM/UTILITY]-[F1(General)])(p. 211) SYSTEM Output ([SYSTEM/UTILITY]-[F2(Outp&EQ)-[F2(Output)])(p. 211) SYSTEM EQ ([SYSTEM/UTILITY]-[F2(Outp&EQ)-[F2(EQ)])(p. 211) Waveform List Page Page Page Page MIDI Implementation 1. Receive data Channel Voice Messages Note off Note on Expression (Controller number 11) Hold 1 (Controller number 64) Portamento (Controller number 65) Sostenuto (Controller number 66) Soft (Controller number 67) Channel Mode Messages All Sounds Off (Controller number 120) Reset All Controllers (Controller number 121) All Notes Off (Controller number 123) OMNI OFF (Controller number 124) System Realtime Message Timing Clock Active Sensing System Exclusive Message Universal Non-realtime System Exclusive Messages Global Parameter Control Reverb Parameters Chorus Parameters Channel Pressure Controller Sample Dump Standard Dump Request Dump Header Data Packet ACK 2. Data transmission (sound source section) Channel Voice Messages Control Change Bank Select (Controller number 0, 32) Portamento Time (Controller number 5) System Exclusive messages Universal Non-realtime System Exclusive Message Identity Reply Message Sample Dump Standard Dump Header 3. Parameter address map 1. XV-5080 (Model ID: 00H 10H) Page Page Page Page Page Page Page Page Page 2. GS (Model ID: 42H) Page Decimal and Hexadecimal table Examples of actual MIDI messages Example of an Exclusive message and calculating a checksum How to calculate the checksum (hexadecimal numbers are indicated by "H") *GS ( ) is a registered trademark of Roland Corporation. ASCII code table Arabian Scale Just Temperament (Tonic of C) SYNTHESIZER MODULE Model XV-5080 Date : May. 20, 2000 Version : 1.00 MIDI Implementation Chart Specifications Index Numerics A B C M O P Q R Page Information Roland (Switzerland) AG As of August 1, 2002 (Roland) ARGENTINA Instrumentos Musicales S.A.