Yamaha DM2000 201, Selecting the Timecode Source & Frame Rate

Selecting the Timecode Source & Frame Rate

201

DM2000Version 2 Owner

’

sManual

Selecting the Timecode Source & Frame Rate

The timecode source and frame rate for Automix can be set as follows.

1

Use the DISPLAY ACCESS [SETUP] button to select the Time Reference page.

2

Use the cursor buttons to select the parameters, and use the Parameter

wheel, INC/DEC buttons, and [ENTER] button to set them.

TIME REFERENCE:

The following timecode sources can be selected.

For the USB and SERIAL sources, you must specify a port from 1–8.

FRAMES:

The frame rate can be set to: 30, 30D, 29.97, 29.97D, 25, or 24. An Automix will

playback correctly even if the frame rate is different to that which was used when the Auto-

mix was originally recorded.

The MIDI CLOCK source supports Song position Pointers, F8 TIMING CLOCK (timing

info), FA START (starts Automix from beginning), FB CONTINUE (starts Automix from

current position), and FC STOP (stops Automix).

Source Description

INTERNAL

Internally generated timecode

SMPTE

SMPTE timecode received via the SMPTE TIME CODE INPUT

MIDI CLOCK

MIDI Clock received via the MIDI IN port

MTC

MTC received via the MTC TIME CODE INPUT

USB

MTC received via the USB TO HOST port

SERIAL

MTC received via the SERIAL TO HOST port

SLOT1

MTC received via Slot #1 (for use with an optional mLAN I/O Card installed in Slot #1)

MIDI

MTC received via the MIDI IN port

Contents

Main IMPORTANT FCC INFORMATION (U.S.A.) NEDERLAND THE NETHERLANDS Important Information Cautions Warnings 4 Operating Notes SmartMedia Handling Precautions Trademarks DM2000 Exclusion of Certain Responsibility Interference Page Installing the DM2000 New Functions in DM2000 Version 2 Control Surface Aux Sends Common Channel Functions Monitor Other Functions Remote Control Automix Page Contents 7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 11 Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 13 Monitoring & Talkback . . . . . . . . . . . . . . . . . . . . . 158 12 Common Channel Functions . . . . . . . . . . . . . . . . . 127 14 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 15 Internal Effects, Plug-Ins & GEQs . . . . . . . . . . . . . 174 16 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . 185 17 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193 18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 19 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 221 20 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . 253 21 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 16 Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . 283 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389 Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 341 Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352 1 Welcome Sonic Spec Channel Architecture I/O Architecture 18 I/O Patching EQ & GEQ Groups & Pairs Effects Surround Sound Remote Control MIDI Control Surface 20 2 Control Surface & Rear Panel CHANNEL COPY (p. 33) USER DEFINED (p. 36) AUTOMIX Page D E F G SmartMedia CARD Slot AUX SELECT A B ENCODER MODE A Page Page Page Page SELECTED CHANNEL Section The subsections of the SELECTED CHANNEL section are explained below. 3 4 ROUTING A Page AUX/MATRIX SEND A B 2 3 4 5 6 C A 14 B C 2 3 4 5 6 7 8 D E B C D E F G H A B C D E A B 32 54 67 LAYER A B C STEREO A Page Page Page Page Page H I J K L Page MONITOR Section STUDIO A B C Page Page Page Page B C D E F Page K L M N O Page 3 Operating Basics Connecting the Power Cord Turning On & Off the DM2000 52 About the Display Selecting Display Pages Display History 54 Display Page Controls Parameter Windows Conrmation Messages Title Edit Window CH01 Channel Strip Displays Selected Channel Fader Touch Sense Routing Indicators Encoder Displays Other Parameters No Assign Channel Names Channel Faders and Encoders CH01 58 Selecting Layers Selecting Channels 60 Stereo Out [SEL] Button Auto Channel Select & Touch Sense Select Selecting Fader Modes Selecting Encoder Modes 62 Assigning Parameters to the ENCODER MODE Assign Buttons Assigning Parameters to the ENCODER MODE Assign Buttons 63 Assignable Encoder Mode Parameter List 64 4 Analog I/O & the AD Input Section AD Input Section AD Input Connectors Phantom Power Pad Stereo Out Control Room Monitor Outs Studio Monitor Outs Omni Outs 2TR Analog INs 5 Digital I/O & Cascading Wordclocks Wordclock Connections Selecting the Wordclock Source 68 Terminating External Wordclocks Star Distribution Daisy Chain Distribution 2TR Digital Outs 2TR Digital Ins 2TR In/Out Sampling Rate Conversion Chapter 5Digital I/O & Cascading Available Cards Slot I/O Installing I/O Cards Setting the Transfer Format for Higher Sampling Rates Dithering Digital Outputs Monitoring Digital Input Channel Status 74 Cascading Consoles Linked Functions Cascading Consoles 75 Cascade Hookup Examples 02R DM2000 #1/2 DM2000 #3 DM2000 #1 DM2000 #2/3 DM2000 #4 DM2000 #1 DM2000 #2 Cascading Two DM2000s Attenuating Cascade Inputs Turning On & Off Cascade Outputs 6 Input & Output Patching Input Patching Patching Input Channels Patching Input Channel Insert Ins Patching Effects Inputs and Outputs Output Patching Patching Slot Outputs 80 Patching Omni Outs Output Channel Inserts Ins Patching Direct Outs Patching the 2TR Digital Outputs 82 Patching the GEQs Naming Input & Output Ports Patch Select Window Patching with the Encoders AD1 84 7 Input Channels Patching Input Channels Metering Input Channels Reversing the Signal Phase Using the SELECTED CHANNEL PHASE/INSERT [ ] Button Gating Input Channels Preset Gates & Types Using the SELECTED CHANNEL DYNAMICS Controls Gate Edit Page Page 88 Grouping Input Channel Compressors Delaying Input Channels Muting Input Channels (ON/OFF) Grouping Input Channel Mutes (ON/OFF) 90 Input Channel Mute Master Setting Input Channel Levels Grouping Input Channel Faders 92 Group Master for Input Channel Faders Routing Input Channels Using the SELECTED CHANNEL ROUTING Controls Routing Pages Panning Input Channels Using the SELECTED CHANNEL PAN/SURROUND Controls Pan Pages Using Surround Pan Selecting Surround Pan Modes Page Assigning Surround Channels to Buses Using the Joystick Selected Channel Surround Edit Page Input Channel Surround Pages Page Using the MS Stereo Microphone 8 Stereo Out Page Page 9 Bus Outs 108 Muting Bus Outs (ON/OFF) Setting Bus Out Levels Grouping Master Faders Sending Bus Outs to Matrix Sends Sending Bus Outs to the Stereo Out Viewing Bus Out Settings Copying Bus Out Settings Naming Bus Outs 110 10 Aux Sends Patching Aux Send Masters to Outputs Setting the Aux Send Mode Pre-Fader or Post-Fader Aux Sends Setting Aux Send Levels Using the SELECTED CHANNEL AUX/MATRIX SEND LEVEL Controls Using the Faders 112 Muting Aux Sends (ON/OFF) Aux Send Pages Variable Mode Fixed Mode 114 Viewing Aux Send Settings Level Parameters Pre/Post Parameters 116 Panning Aux Sends Excluding Certain Channels from Aux Sends (Mix Minus) 118 Copying Channel Fader Positions to Aux Sends Metering Aux Send Masters Monitoring Aux Send Masters Attenuating Aux Send Masters Aux Send Master Inserts Compressing Aux Send Masters Grouping Master Compressors Muting Aux Send Masters (ON/OFF) Settings Aux Send Master Levels Page 11 Matrix Sends Patching Matrix Send Masters to Outputs Pre-Fader or Post-Fader Matrix Sends Setting Matrix Send Levels Using the SELECTED CHANNEL AUX/MATRIX SEND LEVEL Controls 122 Muting Matrix Sends (ON/OFF) Matrix Send Pages Panning Matrix Sends 124 Viewing Matrix Send Settings Metering Matrix Send Masters Monitoring Matrix Send Masters Attenuating Matrix Send Masters EQing Matrix Send Masters Grouping Master EQs Matrix Send Master Inserts Compressing Matrix Send Masters Page 12 Common Channel Functions Metering Setting the Metering Position Metering Input Channels Page 130 Metering the Stereo out Attenuating Signals Using the SELECTED CHANNEL EQUALIZER ATT Control Attenuator Pages Using EQ Preset EQs The following table lists the preset EQs. See page 332 for detailed parameter information. Using the SELECTED CHANNEL EQUALIZER Controls EQ Edit Pages Grouping Output Channel EQs Using Inserts Using the SELECTED CHANNEL PHASE/INSERT [INSERT ON] Button Insert Pages Compressing Channels Preset Comps & Types Page Using the SELECTED CHANNEL DYNAMICS Controls Comp Edit Page 140 Grouping Output Channel Compressors Delaying Channel Signals Using the SELECTED CHANNEL DELAY Controls Delay Pages 142 Soloing Channels Conguring Solo 144 Pairing Channels Pairing Channels by Using the [SEL] Buttons Pairing Channels by Using the Pair Pages 146 Grouping Output Channel Faders Group Master for the Output Channel Faders Page Grouping Output Channel Mutes (ON/OFF) Output Channel Mute Master 150 Viewing Channel Parameter Settings Output Channels Viewing Channel Fader Settings Bus Outs Aux Sends Matrix Sends Stereo Out Copying Channel Settings Copying Channel Settings in the Same Scene Copying Channel Settings from the Current Scene to Other Scenes Copying Channel Settings from Other Scenes to the Current Scene 156 Copying Channel Settings Between Noncurrent Scenes Naming Channels Output Channels 158 13 Monitoring & Talkback Control Room Monitoring Control Room Setup Studio Monitoring 160 Surround Monitoring Conguring Surround Monitoring Page Patching Slot Inputs to Surround Channels Using Talkback & Slate Talkback Setup 14 Libraries About the Libraries General Library Operation 166 Channel Library Input Patch Library Output Patch Library 168 GEQ Library Effects Library Bus to Stereo Library 170 Gate Library Comp Library 172 EQ Library Automix Library Surround Monitor Library 174 15 Internal Effects, Plug-Ins & GEQs Delays About the Effects Patching Effects Processors Preset Effects & Types Modulation-based Effects Guitar Effects Dynamic Effects Combination Effects Others Editing Effects 178 Adding Optional Add-On Effects About Plug-Ins 180 Conguring Plug-Ins Editing Plug-Ins Page About the GEQs Editing GEQs 184 Editing the Graphic EQ Using the Channel Faders 16 Scene Memories About Scene Memories 02 02 Whats Stored in a Scene? Edit Buffer & Edit Indicator 186 Scene Memories #0 & #U Auto Scene Memory Update Storing & Recalling Scenes with the SCENE MEMORY Buttons Storing Scenes Recalling Scenes Using the Scene Memory Page Fading Scenes 190 Recalling Scenes Safely Sorting Scenes Copying and Pasting a Scene (Global Paste) Page 17 Automix About Automix Whats Recorded in an Automix? 194 Automix Main Page Automix Main Page 195 Page Page 198 AUTOMIX Section Channel Strip [AUTO] Buttons Automix Memory Page Fader Edit Pages Page 201 Selecting the Timecode Source & Frame Rate 202 Creating a Time Signature Map Recording an Automix Inserting Mix Parameters into Automix Page Rerecording Events 206 Parameter Recording Punching In & Out Individual Parameters 207 Punching In & Out Individual Parameters 208 Playing Back an Automix Editing Events Ofine Event Job Page Page Page These buttons correspond to the following parameters: 6Use the cursor buttons to select the EXEC button, then press [ENTER]. Event Edit Page Page 18 MIDI MIDI I/O MIDI & the DM2000 MIDI Port Setup MIDI Channel Setup CHANNEL PROGRAM CHANGE CONTROL CHANGE PARAMETER CHANGE 218 BULK OTHER COMMANDS Fader Resolution Assigning Scenes to Program Changes Assigning Parameters to Control Changes Controlling Parameters by Using Parameter Changes 220 Using Bulk Dump 19 Pro Tools Remote Layer Conguring Windows Computers Conguring Macintosh Computers (MacOS 8.6 to 9.2.2) Conguring Macintosh Computer (MacOS X) 222 Conguring the DM2000 Conguring Pro Tools Page 224 Control Surface Operation with the Pro Tools Remote Layer Display TARGET COUNTER Channel Strips Encoders & Push-Switches [AUTO] buttons [SEL] buttons [SOLO] buttons [ON] buttons Aud1 MATRIX SELECT Section [MATRIX 1] (DEFAULT) button [MATRIX 2] (SEND MUTE) button [MATRIX 4] (INSERT BYPASS) button AUX SELECT Section FADER MODE Section DISPLAY ACCESS Section EFFECTS/PLUG-INS Section SELECTED CHANNEL Section DYNAMICS [THRESHOLD] control [RANGE/RATIO] control [ATTACK] control [DECAY/RELEASE] control [HOLD/GAIN] control TRACK ARMING Section [124] (REC/RDY) buttons [MASTER] (REC/RDY ALL) button AUTOMIX Section [DISPLAY] (AUTO STATUS) button USER DEFINED KEYS Section [12] (CTRL/CLUTCH) & [13] (Command-ALT/FINE) buttons [14] (MONITOR) button [15] (UNDO) button [16] (SAVE) LOCATOR Section [DISPLAY] (MEM-LOC) button LOCATE MEMORY [18] buttons [AUDITION] button Page Data Entry & Transport Section 238 [SHUTTLE] & [SCRUB] buttons [ENTER] button [/DEC] (ESC) button [+INC] (CURSOR MODE) button Selecting Channels Assigning Inputs to Channels 240 Assigning Outputs to Channels Setting Channel Levels Muting Channels Panning Channels Soloing Channels 242 Assigning Send Destinations Conguring Sends as Pre or Post Setting Send Levels Muting Sends Panning Sends Flip Mode 244 Assigning Inserts/Plug-ins Editing Plug-ins 246 Bypassing Individual Plug-ins Bypassing all Plug-ins Resetting Faders, Sends, Panpots & Plug-ins Navigating the Edit Window 248 Zooming Making Fine Adjustments to the Selected Region Scrub & Shuttle 250 Automation Viewing the Automation Mode Setting the Automation Mode Trim Mode Arming Parameters for Automation 252 Panner Selecting a Track Stereo Track Link Panner Operation via the Joystick 20 Remote Control About Remote Layers Assigning Targets to Remote Layers Conguring User Dened Remote Layers Using User Dened Remote Layers GM01 About Machine Control (MMC & P2) Conguring Machines Conguring the REMOTE Port Transport Buttons [REW] button [FF] button [STOP] button Using Shuttle & Scrub Using the Locator LOCATE MEMORY [18] buttons [AUDITION] button [PRE] & [POST] buttons [IN] & [OUT] buttons [SET] button [RETURN TO ZERO] button [ONLINE] button [LOOP] button Setting the Locate Memories, Pre-roll, Post-roll & Roll-back Arming Machine Tracks [124] buttons TRACK ARMING GROUP [AD] buttons [ALL CLEAR] button [MASTER] button Conguring MTR Track Arming Conguring Master Track Arming Conguring Track Arming Groups 264 GPI (General Purpose Interface) Page Page Controlling AD8HR/AD824 A/D Converters Conguring the REMOTE Port & Assigning Slots to HA (AD8HR/AD824) IDs Controlling AD8HR/AD824s from the DM2000 21 Other Functions Using the User Assignable Layers 270 Using the User Dened Keys Saving DM2000 Data to SmartMedia Saving Loading Managing Files & SmartMedia 274 Setting Preferences Preferences 1 Page Preferences 2 Preferences 3 Page Using the Oscillator 280 Operation Lock Page Checking the Battery and the System Version Initializing the Password Initializing the DM2000 USER DEFINED KEYS 283 Appendix A: Parameter Lists USER DEFINED KEYS Page USER DEFINED KEYS Initial Assignments 285 USER DEFINED KEYS Initial Assignments 286 Input Patch Parameters Input Patch Parameters 287 Page Initial Input Patch Settings 289 Initial Input Patch Settings Input Channel Inputs Effects Processors inputs 290 Output Patch Parameters Output Patch Table 1 Page Page Page Output Patch Table 2 Page Page Initial Output Patch Settings 297 Initial Output Patch Settings 298 Initial Input Channel Names Initial Output Channel Names 299 Initial Output Channel Names 300 Initial Input Port Names Port PORT ID Short Name Long Name Initial Output Port Names 301 Initial Output Port Names Port Port ID Short Name Long Name 302 GPI Trigger Source & Target List INPUT GPI Trigger Source & Target List 303 OUTPUT GPI Trigger Source & Target List 305 306 User Dened Remote Layer Initial Bank Settings Bank 1 (GM Vol & Pan) User Defined Remote Layer Initial Bank Settings 307 Bank 2 (GM Vol & Effect 1) Bank 3 (XG Vol & Pan) User Defined Remote Layer Initial Bank Settings 309 Bank 4 (Nuendo VST Mixer) 310 Effects Parameters One input, two output early reections with gate, and early reections with reverse gate. REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all with gates. MONO DELAY One input, one output basic repeat delay. One input, two output basic repeat delay with modulation. STEREO DELAY Two input, two output basic stereo delay. DELAY LCR One input, two output 3-tap delay (left, center, right). Two input, two output stereo delay with crossed feedback loop. ECHO CHORUS Two input, two output chorus effect. Two input, two output ange effect. FLANGE SYMPHONIC Two input, two output symphonic effect. Two input, two output 16-stage phaser. PHASER AUTOPAN Two input, two output autopanner. One input, two output high-quality pitch shifter. TREMOLO Two input, two output tremolo effect. DUAL PITCH Two input, two output pitch shifter. Two input, two output ring modulator. ROTARY One input, two output rotary speaker simulator. MOD. FILTER Two input, two output modulation lter. One input, two output guitar amp simulator. DISTORTION One input, two output distortion effect. DYNA. FILTER Two input, two output dynamically controlled lter. Two input, two output dynamically controlled phaser. DYNA. FLANGE Two input, two output dynamically controlled anger. REV+CHORUS One input, two output reverb and chorus effects in parallel. One input, two output reverb and chorus effects in series. REV->CHORUS REV+FLANGE One input, two output reverb and anger effects in parallel. One input, two output reverb and anger effects in series. REV->FLANGE REV+SYMPHO. One input, two output reverb and symphonic effects in parallel. One input, two output reverb and symphonic effects in series. REV->SYMPHO. REV->PAN One input, two output reverb and autopan effects in parallel. One input, two output delay and early reections effects in parallel. DELAY+ER. DELAY->ER. One input, two output delay and early reections effects in series. One input, two output delay and reverb effects in parallel. DELAY+REV DELAY->REV One input, two output delay and reverb effects in series. One input, two output distortion and delay effects in series. DIST->DELAY MULTI FILTER Two input, two output 3-band multi-lter (24 dB/octave). One input, one output basic sampler. FREEZE ST REVERB Two input, two output stereo reverb. One input, six output reverb for 5.1 surround, with surround panning. REVERB 5.1 OCTA REVERB Eight input, eight output reverb. Six input, six output chorus for 5.1 surround. AUTO PAN 5.1 CHORUS 5.1 FLANGE 5.1 Six input, six output anger for 5.1 surround. Six input, six output symphonic effect for 5.1 surround. SYMPHO 5.1 M. BAND DYNA. COMP 5.1 COMPAND 5.1 Effects and tempo synchronization 331 Effects and tempo synchronization 332 DM2000Owners Manual Preset EQ Parameters #Title Parameter LOW L-MID H-MID HIGH Preset Gate Parameters (fs = 44.1 kHz) 333 Preset Gate Parameters (fs = 44.1 kHz) 334 Preset Compressor Parameters Preset Compressor Parameters (fs = 44.1 kHz) 335 336 Dynamics Parameters GATE Section (Only for Input Channels) GATE A gate attenuates signals below a set THRESHOLD level by a specied amount (RANGE). DUCKING COMP Section COMP Dynamics Parameters 339 EXPAND An expander attenuates signals below a specied THRESHOLD by a specied RATIO. COMPANDER HARD (H) COMPANDER SOFT (S) 1 2 3 Appendix B: Specications General Spec Input Gain=Min. Rs=150 Input Gain=Max. Input Pad =0 dB Page Page Page EQ Parameters Gate Parameters Comp Parameters 346 Libraries Analog Input Spec 347 Analog Input Spec Analog Output Spec 348 Digital Input Spec Digital Output Spec I/O Slot Spec I/O Slot Spec Control I/O Spec Each I/O SLOT accepts a digital interface card. Only SLOT #1 has a serial interface. 350 Connector Pin Assignments REMOTE Port CONTROL Port CASCADE IN CASCADE OUT Dimensions 351 Dimensions 10.04.001.00125 HIGHMIDLOWMID 87654321 910111213141516 1718192021222324 AUXSELECT Appendix C: MIDI Scene Memory to Program Change Table Initial Parameter to Control Change Table 353 Initial Parameter to Control Change Table CHANNEL1 CHANNEL2 Initial Parameter to Control Change Table 355 CHANNEL3 CHANNEL4 Initial Parameter to Control Change Table 357 CHANNEL5 CHANNEL6 Initial Parameter to Control Change Table 359 CHANNEL7 CHANNEL8 Initial Parameter to Control Change Table 361 CHANNEL9 CHANNEL10 Initial Parameter to Control Change Table 363 CHANNEL11 CHANNEL12 Initial Parameter to Control Change Table 365 CHANNEL13 CHANNEL14 Initial Parameter to Control Change Table 367 CHANNEL15 CHANNEL16 MIDI Data Format 369 MIDI Data Format 1. CHANNEL MESSAGE 2. SYSTEM COMMON MESSAGE 3. SYSTEM REALTIME MESSAGE 4. EXCLUSIVE MESSAGE 4.1 Real Time System Exclusive 4.2 System Exclusive Message 4. PROGRAM CHANGE (Cn) 5 MIDI TIME CODE QUARTER FRAME(F1) 6. SONG POSITION POINTER (F2) 7. TIMING CLOCK (F8) 8. START (FA) Format Details 371 11. ACTIVE SENSING (FE) 12. SYSTEM RESET (FF) 13. SYSTEM EXCLUSIVE MESSAGE (F0) 13.1 MIDI TIME CODE (FULL MESSAGE) 13.3.3 Setup memory bulk dump format 13.3.4 Setup memory bulk dump request format 13.3.5 User dened layer bulk dump format 13.3.6 User dened layer bulk dump request format 13.3.7 User dened plug-in bulk dump format 13.3.8 User dened plug-in bulk dump request format 13.3.9 User dened keys bulk dump format 13.3.13 Control change table bulk dump format 13.3.10 User dened keys bulk dump request format 13.3.11 User assignable layer bulk dump format 13.3.14 Control change table bulk dump request 13.3.15 Program change table bulk dump format 13.3.16 Program change table bulk dump request 13.3.17 Equalizer library bulk dump format 13.3.18 Equalizer library bulk dump request format 13.3.19 Compressor library bulk dump format 13.3.20 Compressor library bulk dump request format 13.3.21 Gate library bulk dump format 13.3.22 Gate library bulk dump request format 13.3.23 Effect library bulk dump format 13.3.24 Effect library bulk dump request format 13.3.25 GEQ library bulk dump format 13.3.26 GEQ library bulk dump request format 13.3.27 Channel library bulk dump format 13.3.28 Channel library bulk dump request format 13.3.29 Input patch library bulk dump format 13.3.30 Input patch library bulk dump request format 13.3.31 Output patch library bulk dump format 13.3.32 Output patch library bulk dump request format 13.3.33 Bus to stereo library bulk dump format 13.3.34 Bus to stereo library bulk dump request format 13.3.35 Surround monitor library bulk dump format 13.3.36 Surround monitor library bulk dump request 13.3.37 Automix bulk dump format 13.3.38 Automix bulk dump request format 13.4 PARAMETER CHANGE 13.4.1 Parameter change basic format (DM2000-specic) 13.4.2 Parameter Change basic format (Universal format) 13.4.3 Parameter request basic format (DM2000-specic) 13.4.4 Parameter request basic format (Universal format) 13.4.6 Parameter change (Edit buffer) 13.4.7 Parameter request (Edit buffer) 13.4.8 Parameter change (Patch data) 13.4.9 Parameter request (Patch data) 13.4.10 Parameter change (Setup memory) 13.4.16 Parameter request (Function call: title) 13.4.15 Parameter change (Function call: title) 13.4.13 Parameter request (Backup memory) 13.4.14 Parameter change (Function call Library: store / recall) 13.4.20 Parameter Change (Sort table data) 13.4.19 Parameter change (Function call: effect) 13.4.18 Parameter change (Function call: pair) 13.4.17 Parameter change (Function call: scene/library clear) 13.4.21 Parameter Request (Sort table data) 13.4.22 Parameter change (Function call: attribute) 13.4.23 Parameter request (Function call: attribute) 13.4.24 Parameter change (Function call: link) 13.4.25 Parameter request (Function call: link) 13.4.27 Parameter change (Remote meter) 13.4.28 Parameter request (Remote meter) 13.4.29 Parameter change (Remote time counter) 13.4.30 Parameter request (Remote time counter) 13.4.31 Parameter change (Automix status) 13.4.32 Parameter request (Automix status) Appendix D: Options Meter Bridge Controls A B 3 2 7 Page Index Symbols Numerics A 390 B C D E 392 F G H I J K L M 394 N O P 396 Q R S T 398 U V W X DM2000 Block Diagram Mono in x 96 INPUT 1(...96) x 24 AD IN 1(...24) DM2000 Level Diagram Analog Digital Analog DigitalAnalog MIDI Implementation Chart CANADA U.S.A. MEXICO BRAZIL NORTH AMERICA CENTRAL & SOUTH AMERICA EUROPE AFRICA MIDDLE EAST ASIA OCEANIA