Creating Accompaniment Styles — Style Creator
This powerful feature lets you create your own original styles, which can then be used for auto accompaniment — just as with the preset styles.
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| DIGITAL RECORDING | LEFT | VOICE EFFECT | HARMONY/ | DSP |
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| REPEAT | NOME |
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| BACK | NEXT | HOLD | TOUCH SUSTAIN | ECHO | MONO | VARIATION |
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| (STYLE) | (L) | (R) |
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| VOICE |
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| TOP | START/STOP | REW | FF | DIGITAL |
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| E.PIANO |
| ORGAN & | PERCUSSION |
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| STUDIO |
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| PIANO & HARPSI. | ACCORDION |
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| SOUND CREATOR |
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| MAIN |
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| NEW SONG | SYNC. START |
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| DIGITAL RECORDING | A | F |
| GUITAR | BASS |
| BRASS | WOODWIND |
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| STYLE |
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| LAYER |
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| POP& ROCK | SWING& |
| MARCH& |
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| JAZZ |
| BALLROOM | WALTZ |
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| MIXING CONSOLE | C | H | LEFT | STRINGS | CHOIR & PAD | SYNTH. | XG |
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| BALLAD |
| DANCE |
| LATIN |
| USER |
| D | I |
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| PART |
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| MENU |
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| USER | ORGAN FLUTES | UPPER OCTAVE |
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| TAP TEMPO | DEMO |
| MUSIC |
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| TRANSPOSE |
| TEMPO |
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| FINDER | MIC. |
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| RESET |
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| HELP |
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| VH TYPE | MIC. | VOCAL | TALK | EFFECT |
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| OVER | SELECT | SETTING | HARMONY |
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| RESET |
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| RESET |
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| STYLE CONTROL |
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| MASTER VOLUME |
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| STOP |
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| SIGNAL |
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| FADE | MULTI PAD |
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| ACCESS | BALANCE | EXIT |
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| ONE TOUCH SETTING | MAIN | ENDING | SYNC. | SYNC. |
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| DIRECT | ACMP | BREAK | INTRO | ENTER |
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| IN/OUT |
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| MIN | MAX |
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| CHANNEL ON/OFF 1 2 3 | 4 5 6 7 8 |
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| AUTO | OTS |
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STYLE CONTROL |
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| PART |
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| REGISTRATION MEMORY |
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ACMP | MAIN | ENDING |
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| SYNC. | SYNC. | START/STOP |
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| MEMORY |
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BREAK INTRO | / rit. |
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| DATA ENTRY | FREEZE |
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STANDBY |
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| FILL IN | LINK |
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ON |
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About Creating Accompaniment Styles |
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The chart at right shows the basic parts (or “channels”) that make up each section |
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of an accompaniment style. To create an accompaniment style, record patterns to | Section |
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the various channels one by one, for each of the sections you want to create. | INTRO A - D |
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■ Realtime Recording (page 110) | MAIN A - D |
| RHYTHM 1, RHYTHM 2, |
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FILL IN A - D | BASS, CHORD 1, |
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You can record accompaniment styles by simply playing the parts from the |
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| CHORD 2, PAD, |
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BREAK |
| PHRASE 1, PHRASE 2 |
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keyboard in real time. However, you don’t have to record every part yourself |
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ENDING A - D |
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— you can choose an existing preset accompaniment style that is close to the |
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style you want, then add or replace parts in that style as needed to create your |
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| For information on the part |
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own custom style. |
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| structure of accompaniment |
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Realtime Recording Characteristics |
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| styles, see page 94. |
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•Loop recording
Since auto accompaniment playback repeats the accompaniment patterns of several measures in a “loop,” you can also record patterns in a loop. For example, if you start recording with a
•Overdub recording
This feature lets you record new material to a track already containing recorded data, without deleting the original data. In style recording, the recorded data remains intact, unless you specifically delete it yourself. For example, if you start recording with a
This method is like writing music notation on paper, since it allows |
you to enter each note or individually, and specify its length. This is |
ideal for making precise recordings, or for recording parts that are |
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Rhythm 1
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
difficult to play. |
■ Assembling an Accompaniment Style (page 112) |
This convenient feature lets you create composite styles by combining |
various patterns from the internal preset accompaniment styles. For |
example, if you want to create your own original |
could take rhythm patterns from the “8 Beat 1” style, use the bass |
pattern from “8 Beat 2,” and import the chord patterns from the “60’s 8 |
Beat” style — combining the various elements to create one |
accompaniment style. |
Pad
Phrase 1
Phrase 2
8Beat 2
Rhythm 1 Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
Rhythm 2 |
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Bass |
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Chord 1 |
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Chord 2 |
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Pad |
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Phrase 1 |
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Phrase 2 |
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Any voice can be selected for the RHY1 channel, with the
■Editing the created Accompaniment Style (page 113)
With the editing features, you can custom edit the styles you’ve
created by real time recording, step recording, and assembling from other styles.
exception of Organ Flutes.
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