Editing the voice
SOUND
The explanations here apply to step #3 on page 87.
|
|
|
|
|
|
|
| Determines the filter, EG, and |
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | vibrato settings (see below). |
■FILTER
FILTER settings determine the overall timbre of the sound by boosting or cutting a
certain frequency range. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| In addition to making the | ||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| sound either brighter or | |
• BRIGHTNESS | Volume |
| Cutoff frequency |
| more mellow, Filter can be | ||||||||||||
|
| used to produce electronic, | |||||||||||||||
Determines the cutoff frequency or |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
effective frequency (resonance) range of |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
the filter (see diagram). Higher values |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
result in a brighter sound. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Frequency |
|
| ||
|
|
|
|
|
|
|
|
|
| ||||||||
|
|
|
|
|
|
|
|
|
|
|
|
| (pitch) |
|
| ||
| These frequencies are |
|
|
| |||||||||||||
|
| Cutoff range |
|
| |||||||||||||
| “passed” by the filter. |
|
|
|
|
|
|
|
|
|
| ||||||
• Harmonic Content | Volume |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
Determines the emphasis given to the |
|
|
|
|
|
|
|
|
|
|
|
| ResonanceResonance |
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
cutoff frequency, set in BRIGHTNESS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
above (see diagram). Higher values result |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
in a more pronounced effect. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
| Frequency |
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
| (pitch) |
|
| ||
■EG
The EG (Envelope Generator) settings determine how the level of the sound changes in time. This lets you reproduce many sound characteristics of natural acoustic instruments — such as the quick attack and decay of percussion sounds, or the long release of a sustained piano tone.
•ATTACK ...... Determines how quickly the sound reaches its maximum level after the key is played. The higher the value, the slower the attack.
•DECAY........ Determines how quickly the sound reaches its sustain level (a slightly lower level than maximum). The higher the value, the slower the decay.
Level
ATTACK DECAY | RELEASE | Time |
Key on | Key off |
•RELEASE ..... Determines how quickly the sound decays to silence after
the key is released. The higher the value, the slower the release.
If RELEASE is set to a large value, the sustain becomes long.