Making Global and Other Important Settings — Function
Clock, Transmit Clock, Receive Transpose, Start/Stop
■Clock
Determines whether the
■Transmit Clock
Turns MIDI clock transmission on or off. When this is set to “OFF,” no MIDI clock or START/STOP data is transmitted.
■Receive Transpose
When this parameter is set to “OFF,” note data received by the
(page 141) setting.
■Start/Stop
Determines whether incoming FA (start) and FC (stop) messages affect song or style playback.
Message Switch
FA, FC
MIDI messages for starting/stop- ping the song or style. The “FA” message corresponds to start, and “FC” corresponds to stop.
SYS/EX. Tx (TRANSMIT)..................... | Turns MIDI transmission of MIDI system exclusive message data ON or OFF. |
SYS/EX. Rx (RECEIVE) ........................ | Turns MIDI reception of MIDI exclusive data generated by external equipment |
| ON or OFF. |
CHORD SYS/EX. Tx (TRANSMIT) ...... | Turns MIDI transmission of MIDI chord exclusive data (chord detect — root and |
| type) ON or OFF. |
CHORD SYS/EX. Rx (RECEIVE).......... | Turns MIDI reception of MIDI chord exclusive data generated by external |
| equipment ON or OFF. |
Transmitting MIDI Data — Transmit
This determines which parts will send MIDI data and over which MIDI channel the data will be sent.
Determines the channel for changing transmit settings.
A
B
C
D
E
The dots corresponding to each channel
Determines the Part for the selected channel.
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1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | specified data type on or off. |
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Data Types in the MIDI TRANSMIT/RECEIVE Display
Note | Messages which are generated when the keyboard is played. Each message includes a specific note number which |
| corresponds to the key which is pressed, plus a velocity value based on how hard the key is played. |
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Control Change (CC) | Control change data includes pedal and any other controller data. |
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Program Change (PC) | Program change data corresponds to voice or “patch” numbers. |
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Pitch Bend (PB) | See page 140. |
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After Touch (AT)* | With this function, the |
| pressure to affect the sound in various ways, depending on the selected voice. This allows you to play with greater |
| expressiveness and add effects with your playing technique. |
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* Available in RECEIVE display only (page 147).
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