
Using a Microphone — MIC. (PSR-2000)
This extraordinarily powerful feature uses advanced
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| MIC. | VH TYPE | MIC. | VOCAL |
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| For details about connecting |
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| TALK |
| EFFECT | a microphone, see | ||||||
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| OVER | SELECT | SETTING | HARMONY |
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| page 152. | |
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| SIGNAL |
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SONG | EXTRA | TRACK TRACK |
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| METRO- |
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| LEFT | VOICE EFFECT | HARMONY/ | DSP | ||||
| TRACKS | 2 | 1 |
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| REPEAT | NOME |
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| BACK | NEXT | HOLD | TOUCH SUSTAIN | ECHO | MONO | VARIATION | |
| (STYLE) | (L) | (R) |
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| VOICE |
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| REC |
| TOP | START/STOP | REW | FF | DIGITAL |
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| E.PIANO |
| ORGAN & | PERCUSSION | |||
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| STUDIO |
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| PIANO & HARPSI. | ACCORDION | ||||
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| SOUND CREATOR |
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| MAIN |
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| NEW SONG | SYNC. START |
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| A |
| F |
| GUITAR | BASS |
| BRASS | WOODWIND | |||
STYLE |
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| DIGITAL RECORDING |
| LAYER |
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| SWING& |
| MARCH& |
| B |
| G |
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| POP& ROCK | JAZZ |
| BALLROOM | WALTZ |
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| MIXING CONSOLE | C |
| H | LEFT | STRINGS | CHOIR & PAD | SYNTH. | XG | ||
| BALLAD |
| DANCE |
| LATIN |
| USER |
| D |
| I |
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| PART |
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| MENU |
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| USER | ORGAN FLUTES | UPPER OCTAVE | |||
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| DEMO |
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| MUSIC |
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| TAP TEMPO |
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| FINDER |
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| TRANSPOSE |
| TEMPO |
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| MIC. |
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| RESET | ||||
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| HELP |
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| VH TYPE | MIC. | VOCAL | TALK | EFFECT | |
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| OVER | SELECT | SETTING | HARMONY | ||
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| RESET |
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| RESET |
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MASTER VOLUME |
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| STOP |
| FUNCTION |
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| SIGNAL |
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| MULTI PAD |
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| BALANCE |
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| ONE TOUCH SETTING |
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| DIRECT |
| EXIT |
| ENTER |
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| FADE |
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| ACCESS |
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| IN/OUT |
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MIN | MAX |
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| CHANNEL ON/OFF 1 | 2 3 4 5 6 7 | 8 |
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STYLE CONTROL |
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| PART |
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| REGISTRATION MEMORY |
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MAIN | ENDING |
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| SYNC. SYNC. | START/STOP |
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| MEMORY | ||||||
ACMPBREAK INTRO | / rit. |
| AUTO | OTS | STOP | START |
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| DATA ENTRY | FREEZE |
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STANDBY |
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| FILL IN | LINK |
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ON |
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Use the SIGNAL and OVER indicators to determine the appropriate setting (page 152).
MIC. VH TYPE | MIC. |
SELECT | SETTING |
OVER |
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SIGNAL |
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This calls up the VOCAL HARMONY TYPE display (page 129) and lets you set the desired harmony type.
This calls up the MICROPHONE SETTING display (page 130) and lets you adjust the level of the microphone and vocal harmony effect.
VOCAL
HARMONY TALK EFFECT
Determines the on/off setting of the effect applied to the microphone, set in the MIXING CONSOLE display (page 124).
This convenient function lets you temporarily cancel the vocal harmony or other microphone effects when using a connected microphone. This is especially useful when you talk between songs during a performance.
If you connect a microphone to the
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