Creating Accompaniment Styles — Style Creator
Making Style File Format Settings
This display provides a variety of style controls— such as determining how the pitch and sound of the recorded style change when playing the chords in the
When NTR is set to “Root Fixed” and NTT is set to
See the explanations below.“Bypass,” the “Source Root” and “Source Chord” parameters are changed to “Play Root” and “Play Chord,” respectively. In this case, you can change chords and hear the resulting sound for all channels.
■Source Root/Chord
These settings determine the original key of the source pattern (i.e., the key used when recording the pattern). The default setting of CM7 (with a Source Root of “C” and a Source Type of“M7”), is automatically selected whenever the preset data is deleted prior to recording a new style, regardless of the Source Root and Chord included in the preset data. When you change Source Root / Chord from the default CM7 to another chord, the chord notes and recommended notes will also change, depending on the newly selected chord type. For details on chord notes and recommended notes, see page 111.
When the Source Root is C: |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| CM711 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||||||||||||||||||||||||||||||
CMaj |
|
|
|
|
|
|
|
|
| C6 | CM7 |
|
|
|
|
|
|
|
|
|
|
|
| C9 |
|
|
|
|
|
|
|
|
|
|
|
|
| CM79 |
|
|
|
|
|
|
| C69 |
|
|
|
|
|
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
C |
| R | C |
|
| C | R |
| C | R | C |
|
|
|
| C | C | R | C | R | C |
|
|
| C | R | C | C | R | C |
|
|
| C | R | C | C | C | C |
|
|
|
| C | R |
|
| C | C | C | C | R | C | C | C | C |
| C | C |
| R | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Caug |
|
|
|
|
|
|
|
|
| Cm | Cm6 | Cm7 |
|
|
|
|
|
|
|
|
|
|
|
| Cm75 |
|
|
|
|
|
|
|
|
|
|
|
|
| Cm9 |
|
|
|
|
|
|
| Cm79 |
|
|
|
|
|
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
| R | C |
| R |
|
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
| C |
|
| R |
| C |
|
| C |
| R |
| C |
|
|
|
|
| C |
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
| C |
| ||||||||||||||||||||||||
C |
| R | C |
|
|
|
|
|
|
|
|
| C |
| R |
|
|
|
| R | C |
|
|
|
|
|
|
| C | R |
|
| R | C | C |
| C |
|
|
|
|
| R | C |
|
|
|
|
|
| C |
|
|
|
|
|
| R |
|
|
|
|
|
|
|
|
|
| C | C |
|
| R | C |
|
|
|
|
| C | C |
| R | C |
|
|
| |||||||||||||||||||||||||||||||||||
Cm711 |
|
|
|
|
|
|
|
|
| CmM7 | CmM79 | Cdim |
|
|
|
|
|
|
|
|
|
|
|
| Cdim7 |
|
|
|
|
|
|
|
|
|
|
|
|
| C7 |
|
|
|
|
|
|
| C7sus4 |
|
|
|
|
|
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
| C |
|
|
|
|
|
|
|
|
| C |
|
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
| C |
| R |
|
|
|
|
|
|
|
|
|
|
|
| C |
|
| C |
| R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
|
| C |
| ||||||||||||||||||
C | R |
|
|
| C | C |
|
|
|
| C |
| R |
|
|
| R |
| C |
|
|
|
|
| C | C | C |
|
| R | C |
|
|
| C | C |
|
|
|
|
| R |
|
|
|
|
|
|
|
|
| C |
| R |
|
| R |
|
|
|
| C | R | C |
|
|
| C |
| C |
|
|
|
|
| C |
|
| C | C |
|
| ||||||||||||||||||||||||||||||||||||||||
C7 5 |
|
|
|
|
|
|
|
|
| C79 | C7 | 11 |
|
|
|
|
|
|
|
|
|
|
|
| C713 |
|
|
|
|
|
|
|
|
|
|
|
| C79 |
|
|
|
|
|
|
|
|
|
|
|
|
| C713 |
|
|
|
|
|
|
| C7 | 9 |
|
|
|
|
|
|
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
| C |
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
|
| C |
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
| C |
|
|
|
|
|
|
|
|
|
|
|
| C |
|
| R |
|
|
|
|
| C |
| C |
|
|
| C |
|
| R |
|
| C |
| ||||||||||||||||||||
C | R | C |
|
|
|
|
|
|
|
|
|
| C | C |
| C |
|
|
| C |
|
|
|
|
|
| C | R | C |
|
| C | R |
|
| C | R | C |
|
| C | C |
|
| C |
|
|
|
|
| C |
|
|
| C |
|
|
|
|
| C |
|
|
|
| C | R | C |
|
|
|
|
|
| C |
| C |
| C |
|
|
| ||||||||||||||||||||||||||||||||||||||||
CM7aug |
|
|
|
|
|
|
|
|
| C7aug | C1+8 | C1+5 |
|
|
|
|
|
|
|
|
|
|
|
| Csus4 |
|
|
|
|
|
|
|
|
|
|
|
|
| Csus2 |
|
|
|
|
|
|
| C = | chord note | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
| R |
| C |
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C, R = | recommended | |||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| note | |||||||||||||||||
C | R | C | R |
|
|
| R | C | C | R |
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| C C |
|
|
|
|
|
|
|
|
| C |
|
|
|
|
|
|
|
| C |
|
| R |
|
|
| C |
| C |
|
|
|
|
|
| C | C | R |
| C | R |
|
|
|
|
|
| |||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
■NTR (Note Transposition Rule) and NTT (Note Transposition Table)
•NTR (Note Transposition Rule)
This determines the system for pitch conversion of the source pattern. Two settings are available.
Root Trans (Root Transpose)
When the root note is transposed, the pitch relationship between notes is maintained. For example, the notes C3, E3 and G3 in the key of C become F3, A3 and C4 when they are transposed to F. Use this setting for channels that contain melody lines.
Root Fixed
The note is kept as close as possible to the previous note range. For example, the notes C3, E3 and G3 in the key of C become C3, F3 and A3 when they are transposed to F. Use this setting for channels that contain chord parts.
116