Making Global and Other Important Settings — Function
Receiving MIDI Data — Receive
This determines which parts will receive MIDI data and over which MIDI channel the data will be received.
Determines the channel for 
changing receive settings.
The dots corresponding to each channel (1 - 32) flash briefly whenever any data is received on the channel(s).
A
B
C
D
E
The MIDI IN/OUT terminals and Port A of the TO HOST terminal (Port A of the CBX driver) correspond to channels 1 - 16. Port B of the TO HOST terminal (Port B of the CBX driver) corresponds to channels 17 - 32.
Determines the Part for the selected channel. See below for details about the receive parts.
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| Turns reception of the specified |
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| data type on or off. See page 146 |
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | for details on the data types. |
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MIDI Receive Parts
OFF | No MIDI data is received. |
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SONG | Normally, the part receiving the MIDI data corresponds to the part/voice used in playing back the song data. Channels 1 - 16 |
| correspond to song channels 1 - 16, respectively. |
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MAIN | The MAIN part is controlled by the MIDI data received on the corresponding channel. |
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LAYER | The LAYER part is controlled by the MIDI data received on the corresponding channel. |
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LEFT | The LEFT part is controlled by the MIDI data received on the corresponding channel. |
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KEYBOARD | MIDI note data received by the |
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ACMP | The received notes are used as the accompaniment RHYTHM 1 and RHYTHM 2. |
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ACMP BASS | The received notes are used as the accompaniment BASS. |
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ACMP | The received notes are used as the accompaniment CHORD 1 and CHORD 2. |
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ACMP PAD | The received notes are used as the accompaniment PAD. |
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ACMP | The received notes are used as the accompaniment PHRASE 1 and PHRASE 2. |
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EXTRA | There are five parts specially reserved for receiving and playing MIDI data. Normally, these parts are not used by the instrument |
| itself. When these five channels are enabled, you can use the instrument as a |
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Setting Root Note Channels — Root
The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the root notes in the accompaniment section. The root notes will be detected regardless of the accompaniment ON/OFF and split point settings.
Selects the channels in groups of eight: 1 - 8, 9 - 16, 17 - 24, and 25 - 32, respectively.
Sets the desired channel to ON or OFF.
A
B
C
D
E
The MIDI IN/OUT terminals and Port A of the TO HOST terminal (Port A of the CBX driver) correspond to channels 1 - 16. Port B of the TO HOST terminal (Port B of the CBX driver) corresponds to channels 17 - 32.
When several channels are simultaneously set to “ON,” the root note is detected from merged MIDI data received over the channels.
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 |
Sets all channels to OFF.
Setting Chord Channels — Chord Detect
The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the chord notes in the accompaniment section. The chords to be detected depend on the fingering type. The root notes will be detected regardless of the accompaniment ON/OFF and split point settings. The operation procedure is basically the same as that of the ROOT display above.