Using the Listening Modes
Before Using Listening Mode
Listening Modes |
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The | Lively sounds with a powerful acoustic image will make you | ||||||||||||||||||||||
feel as if you are in a club. |
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ence of a movie theater or concert hall in your room. |
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5CH STEREO : This mode is useful for background music. The | |||||||||||||||||||||||
Before using a listening mode, make sure the Speaker Setup param- | |||||||||||||||||||||||
front and surround channels will create a stereo image. | |||||||||||||||||||||||
eters have been set (refer to page 18 ~ 23). Once the parameters have | |||||||||||||||||||||||
TV LOGIC : This mode offers a realistic acoustics of a TV pro- | |||||||||||||||||||||||
been set, it is not necessary to set them again. |
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| gram being aired in the TV studio. It enhances the entire sur- | ||||||||||||||||||||||
The configuration of the speakers are very important for the sur- | |||||||||||||||||||||||
round sound and clarity of conversation. |
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round sound. Refer to “connecting speakers” on page 10. |
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DIRECT : This mode delivers pure sound with the minimum sound | |||||||||||||||||||||||
DOLBY DIGITAL Surround, |
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| quality adjustment and filtration. To attain it, the sound recorded | ||||||||||||||||||||||
DTS (Digital Theater System) |
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This | Left front speakers only and not output to the subwoofer. | ||||||||||||||||||||||
STEREO |
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ally record and play five |
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Select this mode when you do not wish to use the surround | |||||||||||||||||||||||
and right front, center, two surround channels) plus an LFE channel | |||||||||||||||||||||||
mode. All input sound is output from the front speakers. | |||||||||||||||||||||||
(Low Frequency Effect) for the | |||||||||||||||||||||||
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ate a realistic sound that could be heard in the theaters and concert |
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halls. |
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DOLBY DIGITAL: Select this option when you play a DVD video |
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that has a |
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DTS: Select this option when you play a DVD player, video disc, or | |||||||||||||||||||||||
The following modes are available: |
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CD that has a | mark. |
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| DOLBY 3 STEREO |
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DOLBY PRO LOGIC Surround |
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| The surround channel sound is output from the left and right | ||||||||||||||||||||||
This surround format consists of four channels (left and right front, | front speakers. |
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center, and monaural surround channels) and emphasizes the center | STEREO |
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channel. This format is very effective for panning music, conversa- | This is a normal stereo mode. Surround mode is cancelled. | ||||||||||||||||||||||
tion, and | DIRECT |
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front channels. It also simulates the atmosphere and surround ef- | See the description above. |
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fects of the sound reflected from the side and rear walls of the the- | • A system with L/R front speakers |
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ater. Select this option when you play a VHS, VHS |
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The following mode is available: |
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disc, or DVD video that has a |
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Home THX Cinema Surround |
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This is a normal stereo mode. |
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DOLBY DIGITAL/DTS/DOLBY PRO LOGIC/THX CINEMA | DIRECT |
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In these modes, Dolby Digital, Dolby Pro Logic or DTS Surround is | See the description above. |
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reprocessed using a technique called “Home THX processing.” |
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Home THX processing was developed by the surround engineers at |
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Lucasfilm Ltd. for accurate reproduction of soundfields in the home |
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DSP (Digital Signal Processor) |
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environment as the filmmaker intended, equivalent to those ob- |
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tained in a |
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The DSP converts the audio signals into digital audio format to cre- | |||||||||||||||||||||||
Surround playback, we recommend that you use a THX speaker sys- | |||||||||||||||||||||||
ate sound reflection. This yields an effect that makes you feel like | |||||||||||||||||||||||
tem certified by Lucasfilm Ltd. (such as Onkyo's THX speaker sys- | |||||||||||||||||||||||
listening to a live performance. |
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tem HTS |
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| The following illustration shows how reflected sound reaches the | ||||||||||||||||||||||
Surround modes incorporating Integra's original | |||||||||||||||||||||||
audience in a concert hall. Integra's DSP and advanced technologies | |||||||||||||||||||||||
Surround processing |
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Surround mode suitable for movie soundtracks | Note: |
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In the following surround modes, additional processing is applied to |
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The concert hall effect is produced from the reflections and rever- | |||||||||||||||||||||||
the Dolby Digital, Dolby Pro Logic or DTS Surround. | |||||||||||||||||||||||
berations contained in the original recording. These are converted | |||||||||||||||||||||||
ACTION |
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| into reflected sound that is reproduced from four directions. Thus, in | |||||||||||||||||
Suitable for movie soundtracks involving a lot of special effect | |||||||||||||||||||||||
some cases an unnatural impression can be conveyed if there are too | |||||||||||||||||||||||
sounds. |
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| few reflections in the recording or if the effects in the original re- | |||||||||||||||||
MUSICAL |
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Suitable for musical film soundtracks, where importance is placed |
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on the music, environmental sound, and front image. | Example: Sound reflection in a concert hall |
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Integra’s listening modes |
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MONO MOVIE |
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back monaural recordings such as old movie soundtracks. The |
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center channel delivers unprocessed original sound, whereas the |
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other channels delivers processed | Stage |
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propriate reverberation. Thus, you can enjoy monaural sound | Wall | ||||||||||||||||||||||
reflections | |||||||||||||||||||||||
with the atmosphere of a movie theater. |
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ORCHESTRA : This mode is suitable for classics and opera music. |
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The center channel is cut and the surround channels are empha- |
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sized to widen the stereo image. It will simulate a natural rever- |
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beration that can be created in a large hall. |
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| Direct sound |
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UNPLUGGED : This mode is suitable for acoustic instrumental |
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sounds, vocals, and jazz music. By emphasizing the front stereo |
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| Wall reflections |
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image, it will simulate the acoustics in front of the stage. |
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