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| The ClipLink function can be used at every step from |
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| acquisition to editing. Information necessary for |
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| editing is recorded when shooting to ensure fast and | |
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| efficient editing operations. |
| When you set a recording start (Rec IN) point or when | |
Overview |
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| you press the TAKE button to set a Mark IN point, the | |
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| video image at that point is recorded on the tape in |
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| compressed form as an Index Picture. In addition, the |
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| time codes for such editing points (Mark IN/Mark |
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| OUT points or cue points) are recorded along with |
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| other editing point data (such as the cassette number |
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| and scene number) into cassette memory (as ClipLink |
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| log data). Unsuccessful scenes containing faults can |
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| also be marked in cassette memory as “NG”, so that |
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| only the good scenes are taken up from cassette |
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| memory when editing. |
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| Dockable with various types of VTRs |
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| the |
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| camcorder. It also docks with the |
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| SP VTR to configure a Betacam SP camcorder. In |
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| addition, the |
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| docks with the |
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| adaptor (not supplied), it is also able to dock with a |
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| variety of existing |
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| New Functions boost operability |
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| EZ (easy) mode function |
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| When there isn’t time to check the camera head |
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| settings, simply press the EZ mode button to start the |
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| auto adjustment function using standard settings. |
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| There is no need to lose a shot for lack of setup time. |
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| EZ (easy) focus |
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| Press the EZ focus button before shooting to ensure a |
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| quick and accurate focus. |
Programmable gain
The amount of gain relative to the GAIN switch setting (H, M, or L) can be programmed as
24 dB+DPR and hyper gain.
Hyper gain
Hyper gain (36 dB or 42dB, i.e. about 60 times or 120 times greater than
0 dB) can be easily set via one switch setting. This can also be done from remote equipment.
Auto tracing white balance
This function automatically traces the white balance, which constantly changes as lighting conditions change. Auto tracing white balance is especially useful when there is no time to manually adjust the white balance or when shooting moves between indoor and outdoor locations.
Total level control system (TLCS)
Even if the incoming light exceeds the range in which the standard auto iris can control exposure, the auto gain control (AGC) or auto exposure (AE) backs up to ensure proper exposure.
Dual pixel readout (DPR)
When the gain is set to either 18 dB or 24 dB, the gain setting can be doubled (6 dB up) without increasing the noise level.
Recording time display
Recording time can be displayed in either of the following modes.
•Total recording time for all cuts
•Total recording time for current cut
Viewfinder super detail
Video signals for the viewfinder are mixed with DTL signals to make focusing easier.
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1) DPR = Dual Pixel Readout
10 Chapter 1 Overview