DTS 96/24
The sampling frequency, number of bits and number of channels used for recording of music, etc., in studios has been increasing in recent years, and there are a growing number of high quality signal sources, including 96 kHz/24 bit
For example, there are high picture/sound quality DVD video sources with 96 kHz/24 bit stereo PCM audio tracks. However, because the data rate for these audio tracks is extremely high, there are limits to recording them on two channels only, and since the quality of the pictures must be restricted it is common to only include still pictures.
In addition, 96 kHz/24 bit
DTS 96/24 is a
Conventional surround formats used sampling frequencies of 48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz.
In addition, DTS 96/24 has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96 kHz/24 bit PCM.
As with conventional DTS Surround, DTS 96/24 is compatible with a maximum of 5.1 channels, so sources recorded using DTS 96/24 can be played in high sampling frequency, multiple channel audio with such normal media as DVD videos and CDs.
Thus, with DTS 96/24, the same 96 kHz/24 bit
Even with the high quality
What’s more, DTS 96/24 is fully compatible with the conventional DTS surround format, so DTS 96/24 signal sources can be played with a sampling frequency of 48 kHz or 44.1 kHz on conventional DTS or
1 A DVD player with DTS digital output capabilities (for CD/LD players, a player with digital outputs for conventional DTS CDs/LDs) and a disc recorded in DTS 96/24 are required.
2 The resolution is 24 or 20 bits, depending on the decoder.
AL24 Processing
2Pure Direct Mode/AL24 Processing
The
ENGLISH
System setup items and default values (set upon shipment from the factory)
1. Auto Setup/Room EQ
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1 |
| Power Amp |
| Set this to switch the surround |
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Auto Setup |
| back channel’s power amplifier |
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| SURROUND BACK |
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Assignment |
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| for use for zone2. |
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2 | Manual EQ | This parameter is for optimizing the Room EQ with |
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which the audio signals are produced | from the |
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| All Channel and Frequency=0 dB |
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Setup |
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speakers. |
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3 | Room EQ | Set the Room EQ setting with All or Assign for |
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| All |
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Setup | each surround mode. |
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4 | Direct Mode | Set the ON/OFF setting of Room EQ, in the case of |
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| OFF |
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Setup | the surround mode is in Direct or Pure Direct. |
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5 | Mic Input | Set this to switch the Mic Input jack for use for Mic |
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| Mic |
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Select | or V.Aux |
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2. Speaker Setup |
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| Speaker Setup |
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| Input the combination of speakers | in your | Front Sp. |
| Center Sp. |
| Subwoofer |
| Surround Sp. |
| Surround Back | ||||||||||||
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| Sp. | |||||||||||||||
| Speaker | regular speakers, LARGE for |
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1 |
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Configuration | automatically set the composition of the signals |
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| output from | the speakers | and the frequency | Large |
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| Yes |
| Small |
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| This parameter is for optimizing the timing with | Front L & R |
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| Center |
| Subwoofer |
| Surround L & R |
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| SBL & SBR | |||||||||||
2 | Delay Time | which the audio signals are produced | from the |
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speakers and subwoofer according to the listening | 3.6 m (12 ft) |
| 3.6 m (12 ft) |
| 3.6 m (12 ft) |
| 3.0 m (10 ft) |
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| 3.0 m (10 ft) | ||||||||||||||
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| Channel | This adjusts the volume of the signals output from | Front L | Front R | Center | Surround | Surround | Surround |
| Surround | Subwoofer | |||||||||||||
3 | the speakers and subwoofer for the | different |
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| L | R | Back L |
| Back R |
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Level |
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| channels in order to obtain optimum effects. | 0 dB | 0 dB |
| 0 dB |
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| 0 dB |
| 0 dB | |||||||||||
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4 | Crossover | Set the frequency (Hz) below which the bass so of |
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the various | speaker is to | be output | from the |
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| 80Hz |
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Frequency |
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| subwoofer. |
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5 | Subwoofer | This selects | the subwoofer | speaker for playing |
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| LFE |
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Mode | deep bass signals. |
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