3 Connections
TASCAM X-9 Owner’s Manual 11
When connecting an ampli-
fication system to the X-9,
check the inputs of the
amplifier. If they look like
either of the connectors shown here, they are XLR
connectors and are probably balanced.
Check the rear panel of the amplifier, or the ampli-
fier’s manual, to make sure. Amplifiers with bal-
anced inputs should be fed by the MASTER OUTPUT
(BALANCED) output connectors of the X-9.
All other connectors (mono 1/4” jack or RCA pin
jacks should be fed by the (UNBALANCED) RCA pin
outputs.
The level of the output
from the unbalanced
outputs can be set
using the PRE/POST
switch to be affected
by the master fader
(POST) or unaffected
by it (PRE).
WARNING
It is most important to make sure that you make the
correct connections. Connecting the wrong output of
the X-9 to the amplification system can result in over-
heating and possible damage to both the X-9 and to
the amplification system.
If you are in any doubt at all, we strongly suggest that
you consult your TASCAM dealer or other qualified
audio professional regarding the interconnection of
your system.
Use the trimmer potentiometers (LEVEL ATT) to
adjust the output level to the amplification systems.
Again, you may find it useful to consult the amplifi-
cation system documentation and/or consult a profes-
sional sound engineer.
Booth outputs
The booth outputs provide you with a sec-
ond mix where the level is not controlled
by the master fader, but by the BOOTH
LEVEL volume control .
Connect the unbalanced BOOTH
OUTPUT RCA jacks to the unbalanced
inputs of the booth amplification system.
Microphone (connection and use)
To input your voice through the X-9 sys-
tem, you need to connect a microphone
to the system. The X-9 provides an XLR
connector for connecting a standard
(dynamic) microphone.
Connect your favorite microphone to
this connector.
Use the TALK OVER key to “dim” all
the signals except the microphone by
20 dB (the key lights when active).
Adjust the level of the microphone sig-
nal sent to the master fader with the
LEVEL control.
Adjust the tone of the microphone signal
with the HI (treble) and LO (bass) EQ
controls.
Use the menu system (18bm) to change the left-right
balance of the microphone signal.
You can also select the microphone signal to be
passed through the internal or external effects, as
well as being used as a source for sampler 1.
The microphone signal can be cued (see “Cue (pre-
viewing sounds)” on page 16) in the same way as
program signals, using the CUE key (lights when
active).
or