00 03 0aaa aaaa (reserved) —————————————+———————————+————————————————————————————————————————————————————

00 04

0aaa aaaa Performance Bank Select MSB (CC# 0)

(0 — 127)

00 05

0aaa aaaa Performance Bank Select LSB (CC# 32)

(0 —

127)

00 06

0aaa aaaa Performance Program Number (PC)

(0 —

127)

—————————————+———————————+————————————————————————————————————————————————————

00 07

0aaa aaaa Patch Bank Select MSB (CC# 0)

(0 — 127)

00 08

0aaa aaaa Patch Bank Select LSB (CC# 32)

(0 —

127)

00 09

0aaa aaaa Patch Program Number (PC)

(0 —

127)

—————————————+———————————+————————————————————————————————————————————————————

00

0A

0000

000a

MFX Switch

(0 — 1)

 

 

 

 

BYPASS, ON

00

0B

0000

000a

Chorus Switch

(0 — 1)

 

 

 

 

OFF, ON

00

0C

0000

000a

Reverb Switch

(0 — 1)

 

 

 

 

OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

00

0D

0000

aaaa Transpose Value

(59

70)

 

 

 

—5

+6

00

0E

0000

0aaa Octave Shift

(61

67)

 

 

 

—3

+3

—————————————+————————————————————————————————————————————————————————————————

00 00 00 0F Total Size +——————————————————————————————————————————————————————————————————————————————+

1-2-1 System Common

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

#

00 00

0000

aaaa

 

 

 

0000

bbbb

 

 

 

0000

cccc

 

 

 

0000

dddd Master Tune

(24

— 2024)

 

 

 

—100.0 — 100.0

[cent]

00 04

00aa aaaa Master Key Shift

(40 — 88)

 

 

 

—24 — +24

00 05

0aaa aaaa Master Level

(0 — 127)

00 06

0000

000a

Scale Tune Switch

 

(0 — 1)

 

 

 

 

OFF, ON

00 07

0000

000a

Patch Remain

 

(0 — 1)

 

 

 

 

OFF, ON

00 08

0000

000a

Mix/Parallel<*>

 

(0 — 1)

 

 

 

MIX, PARALLEL

—————————————+———————————+————————————————————————————————————————————————————

00

09

000a

aaaa Performance Control Channel

(0 —

16)

 

 

 

1 — 16, OFF

00

0A

000a

aaaa (reserved)

 

 

00

0B

0000

aaaa Patch Receive Channel

(0 —

15)

 

 

 

1 —

16

—————————————+———————————+————————————————————————————————————————————————————

00 0C

0aaa aaaa Patch Scale Tune for C

(0

— 127)

 

—64

— +63

00 0D

0aaa aaaa Patch Scale Tune for C#

(0

— 127)

 

—64

— +63

00 0E

0aaa aaaa Patch Scale Tune for D

(0

— 127)

 

—64

— +63

00 0F

0aaa aaaa Patch Scale Tune for D#

(0

— 127)

 

—64

— +63

00 10

0aaa aaaa Patch Scale Tune for E

(0

— 127)

 

—64

— +63

00 11

0aaa aaaa Patch Scale Tune for F

(0

— 127)

 

—64

— +63

00 12

0aaa aaaa Patch Scale Tune for F#

(0

— 127)

 

—64

— +63

00 13

0aaa aaaa Patch Scale Tune for G

(0

— 127)

 

—64

— +63

00 14

0aaa aaaa Patch Scale Tune for G#

(0

— 127)

 

—64

— +63

00 15

0aaa aaaa Patch Scale Tune for A

(0

— 127)

 

—64

— +63

00 16

0aaa aaaa Patch Scale Tune for A#

(0

— 127)

 

—64

— +63

00 17

0aaa aaaa Patch Scale Tune for B

(0

— 127)

 

—64

— +63

—————————————+———————————+————————————————————————————————————————————————————

00

18

0aaa aaaa System Control 1 Source

(0 — 97)

 

 

OFF, CC01 — CC31, CC33 — CC95,

 

 

 

BEND, AFT

00

19

0aaa aaaa System Control 2 Source

(0 — 97)

 

 

OFF, CC01 — CC31, CC33 — CC95,

 

 

 

BEND, AFT

00

1A

0aaa aaaa System Control 3 Source

(0 — 97)

 

 

OFF, CC01 — CC31, CC33 — CC95,

 

 

 

BEND, AFT

00

1B

0aaa aaaa System Control 4 Source

(0 — 97)

 

 

OFF, CC01 — CC31, CC33 — CC95,

 

 

 

BEND, AFT

—————————————+———————————+————————————————————————————————————————————————————

00

1C

0000

000a

Receive Program Change

(0

— 1)

 

 

 

OFF, ON

00

1D

0000

000a

Receive Bank Select

(0

— 1)

 

 

 

OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

00

1E

0000

000a

System Clock Source

(0

— 2)

 

 

 

 

INT, MIDI, USB

#

00

1F

0000

aaaa

 

 

 

 

0000

bbbb System Tempo

(20 —

250)

—————————————+————————————————————————————————————————————————————————————————

00 00 00 21 Total Size +——————————————————————————————————————————————————————————————————————————————+

1-3-1 Performance Common

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

00 00

0aaa aaaa Performance Name 1

 

(32

— 127)

 

32

— 127 [ASCII]

00 01

0aaa aaaa Performance Name 2

 

(32

— 127)

 

32

— 127 [ASCII]

00 02

0aaa aaaa Performance Name 3

 

(32

— 127)

 

32

— 127 [ASCII]

00 03

0aaa aaaa Performance Name 4

 

(32

— 127)

 

32

— 127 [ASCII]

00 04

0aaa aaaa Performance Name 5

 

(32

— 127)

 

32

— 127 [ASCII]

00 05

0aaa aaaa Performance Name 6

 

(32

— 127)

 

32

— 127 [ASCII]

00 06

0aaa aaaa Performance Name 7

 

(32

— 127)

 

32

— 127 [ASCII]

00 07

0aaa aaaa Performance Name 8

 

(32

— 127)

 

32

— 127 [ASCII]

00 08

0aaa aaaa Performance Name 9

 

(32

— 127)

 

32

— 127 [ASCII]

00 09

0aaa aaaa Performance Name 10

 

(32

— 127)

 

32

— 127 [ASCII]

00 0A

0aaa aaaa Performance Name 11

 

(32

— 127)

 

32

— 127 [ASCII]

00 0B

0aaa aaaa Performance Name 12

 

(32

— 127)

 

32

— 127 [ASCII]

—————————————+———————————+————————————————————————————————————————————————————

00

0C

00aa aaaa Solo Part Select

(0 —

32)

 

 

OFF, 1 — 16, 17 — 32<*>

00

0D

000a aaaa MFX Control Channel

(0 —

16)

MIDI Implementation

 

 

1 — 16,

OFF

00

0E

0000 000a MFX Control MIDI1<*>

(0

— 1)

 

 

OFF, ON

00

0F

0000 000a MFX Control MIDI2<*>

(0 — 1)

 

 

OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

00 10

0aaa aaaa Voice Reserve 1

 

(0

— 64)

 

0

— 63,

FULL

00 11

0aaa aaaa Voice Reserve 2

 

(0

— 64)

 

0

— 63,

FULL

00 12

0aaa aaaa Voice Reserve 3

 

(0

— 64)

 

0

— 63,

FULL

00 13

0aaa aaaa Voice Reserve 4

 

(0

— 64)

 

0

— 63,

FULL

00 14

0aaa aaaa Voice Reserve 5

 

(0

— 64)

 

0

— 63,

FULL

00 15

0aaa aaaa Voice Reserve 6

 

(0

— 64)

 

0

— 63,

FULL

00 16

0aaa aaaa Voice Reserve 7

 

(0

— 64)

 

0

— 63,

FULL

00 17

0aaa aaaa Voice Reserve 8

 

(0

— 64)

 

0

— 63,

FULL

00 18

0aaa aaaa Voice Reserve 9

 

(0

— 64)

 

0

— 63,

FULL

00 19

0aaa aaaa Voice Reserve 10

 

(0

— 64)

 

0

— 63,

FULL

00 1A

0aaa aaaa Voice Reserve 11

 

(0

— 64)

 

0

— 63,

FULL

00 1B

0aaa aaaa Voice Reserve 12

 

(0

— 64)

 

0

— 63,

FULL

00 1C

0aaa aaaa Voice Reserve 13

 

(0

— 64)

 

0

— 63,

FULL

00 1D

0aaa aaaa Voice Reserve 14

 

(0

— 64)

 

0

— 63,

FULL

00 1E

0aaa aaaa Voice Reserve 15

 

(0

— 64)

 

0

— 63,

FULL

00 1F

0aaa aaaa Voice Reserve 16

 

(0

— 64)

 

0

— 63,

FULL

00 20

0aaa aaaa Voice Reserve 17<*>

 

(0

— 64)

 

0

— 63,

FULL

00 21

0aaa aaaa Voice Reserve 18<*>

 

(0

— 64)

 

0

— 63,

FULL

00 22

0aaa aaaa Voice Reserve 19<*>

 

(0

— 64)

 

0

— 63,

FULL

00 23

0aaa aaaa Voice Reserve 20<*>

 

(0

— 64)

 

0

— 63,

FULL

00 24

0aaa aaaa Voice Reserve 21<*>

 

(0

— 64)

 

0

— 63,

FULL

00 25

0aaa aaaa Voice Reserve 22<*>

 

(0

— 64)

 

0

— 63,

FULL

00 26

0aaa aaaa Voice Reserve 23<*>

 

(0

— 64)

 

0

— 63,

FULL

00 27

0aaa aaaa Voice Reserve 24<*>

 

(0

— 64)

 

0

— 63,

FULL

00 28

0aaa aaaa Voice Reserve 25<*>

 

(0

— 64)

 

0

— 63,

FULL

00 29

0aaa aaaa Voice Reserve 26<*>

 

(0

— 64)

 

0

— 63,

FULL

00 2A

0aaa aaaa Voice Reserve 27<*>

 

(0

— 64)

 

0

— 63,

FULL

00 2B

0aaa aaaa Voice Reserve 28<*>

 

(0

— 64)

 

0

— 63,

FULL

00 2C

0aaa aaaa Voice Reserve 29<*>

 

(0

— 64)

 

0

— 63,

FULL

00 2D

0aaa aaaa Voice Reserve 30<*>

 

(0

— 64)

 

0

— 63,

FULL

00 2E

0aaa aaaa Voice Reserve 31<*>

 

(0

— 64)

 

0

— 63,

FULL

00 2F

0aaa aaaa Voice Reserve 32<*>

 

(0

— 64)

 

0

— 63,

FULL

—————————————+———————————+————————————————————————————————————————————————————

00 30

00aa aaaa MFX Source

 

 

(0 —

32)

 

PERFORM, 1

— 16, 17

— 32<*>

00 31

00aa aaaa MFXB Source<*>

 

 

(0 —

32)

 

 

PERFORM, 1 —

32

00 32

00aa aaaa MFXC Source<*>

 

 

(0 —

32)

 

 

PERFORM, 1 —

32

00 33

00aa aaaa Chorus Source

 

 

(0 —

32)

 

PERFORM, 1

— 16, 17

— 32<*>

00 34

00aa aaaa Reverb Source

 

 

(0 —

32)

 

PERFORM, 1

— 16, 17

— 32<*>

—————————————+————————————————————————————————————————————————————————————————

00 00 00 35 Total Size +——————————————————————————————————————————————————————————————————————————————+

1-3-2 Performance Common MFX

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

00 00

0aaa aaaa MFX Type

(0 — 40)

00 01

0aaa aaaa MFX Dry Send Level

(0 — 127)

00 02

0aaa aaaa MFX Chorus Send Level

(0 —

127)

00 03

0aaa aaaa MFX Reverb Send Level

(0 —

127)

00 04

0000 00aa MFX Output Assign

(0 — 3)

A, B<*>, C<*>, D<*>

—————————————+———————————+————————————————————————————————————————————————————

00 05

0aaa aaaa MFX Control 1 Source

(0 —

101)

 

OFF, CC01 — CC31, CC33 — CC95,

 

BEND, AFT, SYS1 — SYS4

00 06

0aaa aaaa MFX Control 1 Sens

(1 —

127)

 

—63

+63

00 07

0aaa aaaa MFX Control 2 Source

(0 —

101)

 

OFF, CC01 — CC31, CC33 — CC95,

 

BEND, AFT, SYS1 — SYS4

00 08

0aaa aaaa MFX Control 2 Sens

(1 —

127)

 

—63

+63

00 09

0aaa aaaa MFX Control 3 Source

(0 —

101)

 

OFF, CC01 — CC31, CC33 — CC95,

 

BEND, AFT, SYS1 — SYS4

00 0A

0aaa aaaa MFX Control 3 Sens

(1 —

127)

 

—63

+63

00 0B

0aaa aaaa MFX Control 4 Source

(0 —

101)

 

OFF, CC01 — CC31, CC33 — CC95,

 

BEND, AFT, SYS1 — SYS4

00 0C

0aaa aaaa MFX Control 4 Sens

(1 —

127)

 

—63

+63

—————————————+———————————+————————————————————————————————————————————————————

00

0D

000a

aaaa MFX Control Assign 1

(0

— 16)

 

 

 

OFF, 1

— 16

00

0E

000a

aaaa MFX Control Assign 2

(0

— 16)

 

 

 

OFF, 1

— 16

00

0F

000a

aaaa MFX Control Assign 3

(0

— 16)

 

 

 

OFF, 1

— 16

00

10

000a

aaaa MFX Control Assign 4

(0

— 16)

 

 

 

OFF, 1

— 16

#

00

11

0000

aaaa

 

 

 

 

0000

bbbb

 

 

 

 

0000

cccc

 

 

 

 

0000

dddd MFX Parameter 1

(12768 — 52768)

 

 

 

—20000 — +20000

#

00

15

0000

aaaa

 

 

 

 

0000

bbbb

 

 

 

 

0000

cccc

 

 

 

 

0000

dddd MFX Parameter 2

(12768 — 52768)

 

 

 

—20000 — +20000

MIDI Implementation

147

Page 147
Image 147
Kenwood XV-2020 owner manual 147, System Common, Performance Common MFX

XV-2020 specifications

The Kenwood XV-2020 is a distinguished model in the realm of high-fidelity audio equipment, offering a blend of vintage charm and modern technology. Renowned for its powerful performance and exquisite sound quality, the XV-2020 appeals to audiophiles and casual listeners alike, making it a sought-after choice in the used market.

At the heart of the Kenwood XV-2020 is its robust amplifier section, delivering a significant output power that allows it to drive a variety of speakers effortlessly. With a power rating typically around 50 watts per channel (into 8 ohms), this receiver provides a rich, dynamic sound suitable for a wide range of musical genres. The amplifier is designed with a low total harmonic distortion, ensuring that the audio output remains clean and free from undesirable artifacts, even at high volumes.

The XV-2020 features a multi-source input configuration, allowing users to connect various audio sources such as CD players, turntables, and cassette decks. This versatility is complemented by its built-in phono stage, which means vinyl enthusiasts can connect their turntables directly without needing a separate preamp. The receiver also supports AM/FM radio, featuring a reliable tuner section that ensures excellent reception, allowing users to enjoy their favorite radio stations with clarity.

One of the standout features of the Kenwood XV-2020 is its tone control options. Users can fine-tune their listening experience with adjustable bass, midrange, and treble controls. This capability allows for customization according to individual preferences or room acoustics, making it easier to achieve the ideal sound profile.

Additionally, the XV-2020 incorporates a decoder for various surround sound formats, enhancing the listening experience for movies and music encoded in surround formats. This feature reflects Kenwood’s commitment to evolving audio technology, providing users with an immersive experience that traditional stereo systems often lack.

The build quality of the XV-2020 is another characteristic that sets it apart. Housed in a sturdy chassis with a minimalist aesthetic, it is not only functional but also an attractive piece of equipment that fits well in any home audio setup. With its user-friendly interface and comprehensive features, the Kenwood XV-2020 remains a popular choice for those looking to experience rich audio performance without compromising on style. Its combination of power, flexibility, and classic design solidifies its status as a beloved component in the world of audio receivers.