0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 7

(12768 — 52768)

 

—20000 — +20000

#

00 1F

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 8

(12768 — 52768)

 

—20000 — +20000

#

00 23

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 9

(12768 — 52768)

 

—20000 — +20000

#

00 27

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 10

(12768 — 52768)

 

—20000 — +20000

#

00 2B

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 11

(12768 — 52768)

 

—20000 — +20000

#

00 2F

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 12

(12768 — 52768)

 

—20000 — +20000

#

00 33

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 13

(12768 — 52768)

 

—20000 — +20000

#

00 37

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 14

(12768 — 52768)

 

—20000 — +20000

#

00 3B

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 15

(12768 — 52768)

 

—20000 — +20000

#

00 3F

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 16

(12768 — 52768)

 

—20000 — +20000

#

00 43

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 17

(12768 — 52768)

 

—20000 — +20000

#

00 47

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 18

(12768 — 52768)

 

—20000 — +20000

#

00 4B

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 19

(12768 — 52768)

 

—20000 — +20000

#

00 4F

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 20

(12768 — 52768)

 

—20000 — +20000

—————————————+————————————————————————————————————————————————————————————————

00 00 00 53 Total Size +——————————————————————————————————————————————————————————————————————————————+

1-3-5 Performance MIDI

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

00 00

0000 000a Receive Program Change

(0 — 1)

 

OFF, ON

00 01

0000 000a Receive Bank Select

(0 — 1)

 

OFF, ON

00 02

0000 000a Receive Bender

(0 — 1)

 

OFF, ON

00 03

0000 000a Receive Polyphonic Key Pressure

(0 — 1)

 

OFF, ON

00 04

0000 000a Receive Channel Pressure

(0 — 1)

 

OFF, ON

00 05

0000 000a Receive Modulation

(0 — 1)

 

OFF, ON

00 06

0000 000a Receive Volume

(0 — 1)

 

OFF, ON

00 07

0000 000a Receive Pan

(0 — 1)

 

OFF, ON

00 08

0000 000a Receive Expression

(0 — 1)

 

OFF, ON

00 09

0000 000a Receive Hold—1

(0 — 1)

 

OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

00

0A

0000

000a

Phase Lock

(0 —

1)

 

 

 

 

OFF, ON

00

0B

0000

0aaa

Velocity Curve Type

(0

4)

 

 

 

 

OFF, 1

4

—————————————+————————————————————————————————————————————————————————————————

00 00 00 0C Total Size

+——————————————————————————————————————————————————————————————————————————————+

1-3-6 Performance Part

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

00 00

0000 aaaa Receive Channel

(0 —

15)

 

1 —

16

00 01

0000 000a Receive Switch

(0 — 1)

 

OFF, ON

00 02

0000 000a Receive MIDI1<*>

(0 — 1)

 

OFF, ON

00 03

0000 000a Receive MIDI2<*>

(0 — 1)

 

OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

00 04

0aaa aaaa Patch Bank Select MSB (CC# 0)

(0 — 127)

00 05

0aaa aaaa Patch Bank Select LSB (CC# 32)

(0 —

127)

00 06

0aaa aaaa Patch Program Number (PC)

(0 —

127)

—————————————+———————————+————————————————————————————————————————————————————

00

07

0aaa aaaa

Part

Level (CC# 7)

(0

127)

00

08

0aaa aaaa Part Pan (CC# 10)

(0

127)

 

 

 

 

L64

63R

00

09

0aaa aaaa Part Coarse Tune (RPN# 2)

(16

112)

 

 

 

 

—48

+48

00

0A

0aaa aaaa Part Fine Tune (RPN# 1)

(14

114)

 

 

 

 

—50

+50

00

0B

0000 00aa Part Mono/Poly (MONO ON/POLY ON)

 

(0 — 2)

 

 

 

 

MONO, POLY, PATCH

00

0C

0000 00aa Part Legato Switch (CC# 68)

 

(0 — 2)

MIDI Implementation

 

 

 

OFF, ON,

PATCH

00

0D

000a

aaaa Part Pitch Bend Range (RPN# 0)

(0 — 25)

 

 

 

0 — 24, PATCH

00

0E

0000

00aa Part Portamento Switch (CC# 65)

(0 — 2)

 

 

 

OFF, ON, PATCH

#

00

0F

0000

aaaa

 

 

 

 

 

0000

bbbb Part Portamento Time (CC# 5)

(0 —

128)

 

 

 

0 — 127,

PATCH

00

11

0aaa aaaa Part Cutoff Offset (CC# 74)

(0

127)

 

 

 

—64

+63

00

12

0aaa aaaa Part Resonance Offset (CC# 71)

(0

127)

 

 

 

—64

+63

00

13

0aaa aaaa Part Attack Time Offset (CC# 73)

(0

127)

 

 

 

—64

+63

00

14

0aaa aaaa Part Release Time Offset (CC# 72)

(0

127)

 

 

 

—64

+63

—————————————+———————————+————————————————————————————————————————————————————

00 15

0000

0aaa Part Octave Shift

(61 —

67)

 

 

—3

+3

00 16

0aaa aaaa Part Velocity Sens Offset

(1 —

127)

 

 

—63

+63

00 17

0aaa aaaa Keyboard Range Lower

(0

127)

 

 

C—1

UPPER

00 18

0aaa aaaa Keyboard Range Upper

(0

127)

 

 

LOWER —

G9

00 19

0aaa aaaa Keyboard Fade Width Lower

(0 —

127)

00 1A

0aaa aaaa Keyboard Fade Width Upper

(0 —

127)

00 1B

0000 000a Mute Switch

(0

— 1)

 

 

OFF, MUTE

—————————————+———————————+————————————————————————————————————————————————————

00

1C

0aaa aaaa

Part Dry Send Level

(0 — 127)

00

1D

0aaa aaaa

Part Chorus Send Level (CC# 93)

(0 — 127)

00

1E

0aaa aaaa

Part Reverb Send Level (CC# 91)

(0 — 127)

00

1F

0000 aaaa

Part Output Assign

(0 — 13)

 

 

MFX, A, B<*>, C<*>, D<*>,

 

 

1, 2, 3<*>, 4<*>, 5<*>, 6<*>, 7<*>, 8<*>,

 

 

 

PATCH

00

20

0000 00aa

Part Output MFX Select

(0 — 2)

 

 

MFXA, MFXB<*>, MFXC<*>

—————————————+———————————+————————————————————————————————————————————————————

00 21

0aaa aaaa Part Decay Time Offset (CC# 75)

(0

127)

—64

+63

—————————————+———————————+————————————————————————————————————————————————————

00 22

0aaa aaaa Part Vibrato Rate (CC# 76)

(0

— 127)

 

—64

— +63

00 23

0aaa aaaa Part Vibrato Depth (CC# 77)

(0

— 127)

 

—64

— +63

00 24

0aaa aaaa Part Vibrato Delay (CC# 78)

(0

— 127)

 

—64

— +63

—————————————+———————————+————————————————————————————————————————————————————

00

25

0aaa aaaa Part Scale Tune for C

(0

— 127)

 

 

—64

— +63

00

26

0aaa aaaa Part Scale Tune for C#

(0

— 127)

 

 

—64

— +63

00

27

0aaa aaaa Part Scale Tune for D

(0

— 127)

 

 

—64

— +63

00

28

0aaa aaaa Part Scale Tune for D#

(0

— 127)

 

 

—64

— +63

00

29

0aaa aaaa Part Scale Tune for E

(0

— 127)

 

 

—64

— +63

00

2A

0aaa aaaa Part Scale Tune for F

(0

— 127)

 

 

—64

— +63

00

2B

0aaa aaaa Part Scale Tune for F#

(0

— 127)

 

 

—64

— +63

00

2C

0aaa aaaa Part Scale Tune for G

(0

— 127)

 

 

—64

— +63

00

2D

0aaa aaaa Part Scale Tune for G#

(0

— 127)

 

 

—64

— +63

00

2E

0aaa aaaa Part Scale Tune for A

(0

— 127)

 

 

—64

— +63

00

2F

0aaa aaaa Part Scale Tune for A#

(0

— 127)

 

 

—64

— +63

00

30

0aaa aaaa Part Scale Tune for B

(0

— 127)

 

 

—64

— +63

—————————————+————————————————————————————————————————————————————————————————

00 00 00 31 Total Size +——————————————————————————————————————————————————————————————————————————————+

1-4-1-1 Patch Common

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

00 00

0aaa aaaa Patch Name 1

 

(32

— 127)

 

32

— 127 [ASCII]

00 01

0aaa aaaa Patch Name 2

 

(32

— 127)

 

32

— 127 [ASCII]

00 02

0aaa aaaa Patch Name 3

 

(32

— 127)

 

32

— 127 [ASCII]

00 03

0aaa aaaa Patch Name 4

 

(32

— 127)

 

32

— 127 [ASCII]

00 04

0aaa aaaa Patch Name 5

 

(32

— 127)

 

32

— 127 [ASCII]

00 05

0aaa aaaa Patch Name 6

 

(32

— 127)

 

32

— 127 [ASCII]

00 06

0aaa aaaa Patch Name 7

 

(32

— 127)

 

32

— 127 [ASCII]

00 07

0aaa aaaa Patch Name 8

 

(32

— 127)

 

32

— 127 [ASCII]

00 08

0aaa aaaa Patch Name 9

 

(32

— 127)

 

32

— 127 [ASCII]

00 09

0aaa aaaa Patch Name 10

 

(32

— 127)

 

32

— 127 [ASCII]

00 0A

0aaa aaaa Patch Name 11

 

(32

— 127)

 

32

— 127 [ASCII]

00 0B

0aaa aaaa Patch Name 12

 

(32

— 127)

 

32

— 127 [ASCII]

00 0C

0aaa aaaa Patch Category

 

(0 — 127)

—————————————+———————————+————————————————————————————————————————————————————

00 0D

0000 000a Tone Type<*>

(0 — 1)

4TONES, MULTI—PARTIAL

—————————————+———————————+————————————————————————————————————————————————————

00 0E

0aaa aaaa

Patch Level

(0 —

127)

00 0F

0aaa aaaa Patch Pan

(0 —

127)

 

 

 

 

L64 —

63R

00 10

0000

000a

Patch Priority

(0 —

1)

 

 

 

 

LAST, LOUDEST

00 11

0aaa aaaa Patch Coarse Tune

(16 —

112)

 

 

 

 

—48

+48

00 12

0aaa aaaa Patch Fine Tune

(14 —

114)

 

 

 

 

—50

+50

00 13

0000

0aaa Octave Shift

(61 — 67)

 

 

 

 

—3 — +3

00 14

0000

00aa Stretch Tune Depth

(0 —

3)

 

 

 

 

OFF, 1

3

00 15

0aaa aaaa Analog Feel

(0 —

127)

00 16

0000

000a

Mono/Poly

(0

1)

 

 

 

 

MONO, POLY

00 17

0000

000a

Legato Switch

(0 —

1)

 

 

 

 

OFF, ON

00 18

0000

000a

Legato Retrigger

(0 —

1)

 

 

 

 

OFF, ON

00 19

0000

000a

Portamento Switch

(0 —

1)

 

 

 

 

OFF, ON

00 1A

0000

000a

Portamento Mode

(0 —

1)

 

 

 

 

NORMAL, LEGATO

MIDI Implementation

149

Page 149
Image 149
Kenwood XV-2020 owner manual 149, Performance Midi, Performance Part, Patch Common

XV-2020 specifications

The Kenwood XV-2020 is a distinguished model in the realm of high-fidelity audio equipment, offering a blend of vintage charm and modern technology. Renowned for its powerful performance and exquisite sound quality, the XV-2020 appeals to audiophiles and casual listeners alike, making it a sought-after choice in the used market.

At the heart of the Kenwood XV-2020 is its robust amplifier section, delivering a significant output power that allows it to drive a variety of speakers effortlessly. With a power rating typically around 50 watts per channel (into 8 ohms), this receiver provides a rich, dynamic sound suitable for a wide range of musical genres. The amplifier is designed with a low total harmonic distortion, ensuring that the audio output remains clean and free from undesirable artifacts, even at high volumes.

The XV-2020 features a multi-source input configuration, allowing users to connect various audio sources such as CD players, turntables, and cassette decks. This versatility is complemented by its built-in phono stage, which means vinyl enthusiasts can connect their turntables directly without needing a separate preamp. The receiver also supports AM/FM radio, featuring a reliable tuner section that ensures excellent reception, allowing users to enjoy their favorite radio stations with clarity.

One of the standout features of the Kenwood XV-2020 is its tone control options. Users can fine-tune their listening experience with adjustable bass, midrange, and treble controls. This capability allows for customization according to individual preferences or room acoustics, making it easier to achieve the ideal sound profile.

Additionally, the XV-2020 incorporates a decoder for various surround sound formats, enhancing the listening experience for movies and music encoded in surround formats. This feature reflects Kenwood’s commitment to evolving audio technology, providing users with an immersive experience that traditional stereo systems often lack.

The build quality of the XV-2020 is another characteristic that sets it apart. Housed in a sturdy chassis with a minimalist aesthetic, it is not only functional but also an attractive piece of equipment that fits well in any home audio setup. With its user-friendly interface and comprehensive features, the Kenwood XV-2020 remains a popular choice for those looking to experience rich audio performance without compromising on style. Its combination of power, flexibility, and classic design solidifies its status as a beloved component in the world of audio receivers.