0000

cccc

 

0000

dddd Reverb Parameter 9

(12768 — 52768)

 

—20000 — +20000

#

00 27

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 10

(12768 — 52768)

 

—20000 — +20000

#

00 2B

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 11

(12768 — 52768)

 

—20000 — +20000

#

00 2F

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 12

(12768 — 52768)

 

—20000 — +20000

#

00 33

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 13

(12768 — 52768)

 

—20000 — +20000

#

00 37

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 14

(12768 — 52768)

 

—20000 — +20000

#

00 3B

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 15

(12768 — 52768)

 

—20000 — +20000

#

00 3F

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 16

(12768 — 52768)

 

—20000 — +20000

#

00 43

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 17

(12768 — 52768)

 

—20000 — +20000

#

00 47

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 18

(12768 — 52768)

 

—20000 — +20000

#

00 4B

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 19

(12768 — 52768)

 

—20000 — +20000

#

00 4F

0000

aaaa

 

0000

bbbb

 

0000

cccc

 

0000

dddd Reverb Parameter 20

(12768 — 52768)

 

—20000 — +20000

—————————————+————————————————————————————————————————————————————————————————

00 00 00 53 Total Size +——————————————————————————————————————————————————————————————————————————————+

1-4-2-5 Rhythm Tone

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

00 00

0aaa aaaa Tone Name 1

 

(32

— 127)

 

32

— 127 [ASCII]

00 01

0aaa aaaa Tone Name 2

 

(32

— 127)

 

32

— 127 [ASCII]

00 02

0aaa aaaa Tone Name 3

 

(32

— 127)

 

32

— 127 [ASCII]

00 03

0aaa aaaa Tone Name 4

 

(32

— 127)

 

32

— 127 [ASCII]

00 04

0aaa aaaa Tone Name 5

 

(32

— 127)

 

32

— 127 [ASCII]

00 05

0aaa aaaa Tone Name 6

 

(32

— 127)

 

32

— 127 [ASCII]

00 06

0aaa aaaa Tone Name 7

 

(32

— 127)

 

32

— 127 [ASCII]

00 07

0aaa aaaa Tone Name 8

 

(32

— 127)

 

32

— 127 [ASCII]

00 08

0aaa aaaa Tone Name 9

 

(32

— 127)

 

32

— 127 [ASCII]

00 09

0aaa aaaa Tone Name 10

 

(32

— 127)

 

32

— 127 [ASCII]

00 0A

0aaa aaaa Tone Name 11

 

(32

— 127)

 

32

— 127 [ASCII]

00 0B

0aaa aaaa Tone Name 12

 

(32

— 127)

 

32

— 127 [ASCII]

—————————————+———————————+————————————————————————————————————————————————————

00

0C

0000

000a

Assign Type

(0 — 1)

 

 

 

 

MULTI, SINGLE

00

0D

000a

aaaa Mute Group

(0 —

31)

 

 

 

 

OFF, 1 —

31

—————————————+———————————+————————————————————————————————————————————————————

00 0E

0aaa aaaa

Tone Level

(0 —

127)

00 0F

0aaa aaaa

Tone Coarse Tune

(0 —

127)

 

 

C—1 — G9

00 10

0aaa aaaa

Tone Fine Tune

(14 —

114)

 

 

—50

+50

00 11

000a aaaa

Tone Random Pitch Depth

(0 — 30)

 

0, 1, 2, 3, 4, 5, 6, 7, 8, 9,

 

10, 20, 30, 40, 50, 60, 70, 80,

 

90, 100, 200, 300, 400, 500,

 

600, 700, 800, 900, 1000, 1100,

 

 

 

1200

00 12

0aaa aaaa

Tone Pan

(0 —

127)

 

 

L64 —

63R

00 13

00aa aaaa

Tone Random Pan Depth

(0 — 63)

00 14

0aaa aaaa

Tone Alternate Pan Depth

(1 —

127)

 

 

L63 —

63R

00 15

0000 000a

Tone Env Mode

(0

— 1)

 

 

NO—SUS, SUSTAIN

—————————————+———————————+————————————————————————————————————————————————————

00

16

0aaa aaaa

Tone Dry Send Level

(0 — 127)

00

17

0aaa aaaa

Tone Chorus Send Level

(0 — 127)

00

18

0aaa aaaa

Tone Reverb Send Level

(0 — 127)

00

19

0aaa aaaa

Tone Chorus Send Level (non MFX)

(0 — 127)

00

1A

0aaa aaaa

Tone Reverb Send Level (non MFX)

(0 — 127)

00

1B

0000 aaaa

Tone Output Assign

(0 — 12)

 

 

MFX, A,

B<*>, C<*>, D<*>,

 

 

1, 2, 3<*>, 4<*>, 5<*>,

6<*>, 7<*>, 8<*>

—————————————+———————————+————————————————————————————————————————————————————

00

1C

00aa aaaa

Tone Pitch Bend Range

(0 — 48)

00

1D

0000

000a

Tone Receive Expression

(0 — 1)

 

 

 

 

OFF, ON

00

1E

0000

000a

Tone Receive Hold—1

(0 — 1)

 

 

 

 

OFF, ON

00

1F

0000

000a

Tone Receive Pan Mode

(0 — 1)

 

 

 

 

CONTINUOUS, KEY—ON

—————————————+———————————+————————————————————————————————————————————————————

00 20

0000 00aa WMT Velocity Control

(0 — 2)

OFF, ON, RANDOM

—————————————+———————————+————————————————————————————————————————————————————

MIDI Implementation

00 21

0000 000a

WMT1 Wave Switch

 

(0

— 1)

 

 

OFF, ON

00 22

0000 00aa

WMT1 Wave Group Type

 

(0 — 3)

 

INT, SR—JV80, SRX, SAMPLE<*>

#

00 23

0000 aaaa

 

 

 

 

 

0000 bbbb

 

 

 

 

 

0000 cccc

 

 

 

 

 

0000 dddd

WMT1 Wave Group ID

(0 —

16384)

 

 

OFF, 1 —

16384

#

00 27

0000 aaaa

 

 

 

 

 

0000 bbbb

 

 

 

 

 

0000 cccc

 

 

 

 

 

0000 dddd

WMT1 Wave Number L (Mono)

(0 —

16384)

 

 

OFF, 1 —

16384

#

00 2B

0000 aaaa

 

 

 

 

 

0000 bbbb

 

 

 

 

 

0000 cccc

 

 

 

 

 

0000 dddd

WMT1 Wave Number R

(0 —

16384)

 

 

OFF, 1 —

16384

00 2F

0000 00aa

WMT1 Wave Gain

 

(0 — 3)

 

 

—6, 0, +6, +12 [dB]

00 30

0000 000a

WMT1 Wave FXM Switch

 

(0 — 1)

 

 

OFF, ON

00 31

0000 00aa

WMT1 Wave FXM Color

 

(0 — 3)

 

 

 

1

— 4

00 32

000a aaaa

WMT1 Wave FXM Depth

(0 — 16)

00 33

0000 000a

WMT1 Wave Tempo Sync

 

(0 — 1)

 

 

OFF, ON

00 34

0aaa aaaa

WMT1 Wave Coarse Tune

(16

112)

 

 

—48

+48

00 35

0aaa aaaa

WMT1 Wave Fine Tune

(14

114)

 

 

—50

+50

00 36

0aaa aaaa

WMT1 Wave Pan

(0

127)

 

 

L64

63R

00 37

0000 000a

WMT1 Wave Random Pan Switch

 

(0 — 1)

 

 

OFF, ON

00 38

0000 00aa

WMT1 Wave Alternate Pan Switch

 

(0 — 2)

 

 

OFF, ON, REVERSE

00 39

0aaa aaaa

WMT1 Wave Level

(0 —

127)

00 3A

0aaa aaaa

WMT1 Velocity Range Lower

(1 —

127)

 

 

1 —

UPPER

00 3B

0aaa aaaa

WMT1 Velocity Range Upper

(1

127)

 

 

LOWER

127

00 3C

0aaa aaaa

WMT1 Velocity Fade Width Lower

(0

127)

00 3D

0aaa aaaa

WMT1 Velocity Fade Width Upper

(0

127)

—————————————+———————————+————————————————————————————————————————————————————

00 3E

0000 000a

WMT2 Wave Switch

 

(0

— 1)

 

 

OFF, ON

00 3F

0000 00aa

WMT2 Wave Group Type

 

(0 — 3)

 

INT, SR—JV80, SRX, SAMPLE<*>

#

00 40

0000 aaaa

 

 

 

 

 

0000 bbbb

 

 

 

 

 

0000 cccc

 

 

 

 

 

0000 dddd

WMT2 Wave Group ID

(0 —

16384)

 

 

OFF, 1 —

16384

#

00 44

0000 aaaa

 

 

 

 

 

0000 bbbb

 

 

 

 

 

0000 cccc

 

 

 

 

 

0000 dddd

WMT2 Wave Number L (Mono)

(0 —

16384)

 

 

OFF, 1 —

16384

#

00 48

0000 aaaa

 

 

 

 

 

0000 bbbb

 

 

 

 

 

0000 cccc

 

 

 

 

 

0000 dddd

WMT2 Wave Number R

(0 —

16384)

 

 

OFF, 1 —

16384

00 4C

0000 00aa

WMT2 Wave Gain

 

(0 — 3)

 

 

—6, 0, +6, +12 [dB]

00 4D

0000 000a

WMT2 Wave FXM Switch

 

(0 — 1)

 

 

OFF, ON

00 4E

0000 00aa

WMT2 Wave FXM Color

 

(0 — 3)

 

 

 

1

— 4

00 4F

000a aaaa

WMT2 Wave FXM Depth

(0 — 16)

00 50

0000 000a

WMT2 Wave Tempo Sync

 

(0 — 1)

 

 

OFF, ON

00 51

0aaa aaaa

WMT2 Wave Coarse Tune

(16

112)

 

 

—48

+48

00 52

0aaa aaaa

WMT2 Wave Fine Tune

(14

114)

 

 

—50

+50

00 53

0aaa aaaa

WMT2 Wave Pan

(0

127)

 

 

L64

63R

00 54

0000 000a

WMT2 Wave Random Pan Switch

 

(0 — 1)

 

 

OFF, ON

00 55

0000 00aa

WMT2 Wave Alternate Pan Switch

 

(0 — 2)

 

 

OFF, ON, REVERSE

00 56

0aaa aaaa

WMT2 Wave Level

(0 —

127)

00 57

0aaa aaaa

WMT2 Velocity Range Lower

(1 —

127)

 

 

1 —

UPPER

00 58

0aaa aaaa

WMT2 Velocity Range Upper

(1

127)

 

 

LOWER

127

00 59

0aaa aaaa

WMT2 Velocity Fade Width Lower

(0

127)

00 5A

0aaa aaaa

WMT2 Velocity Fade Width Upper

(0

127)

—————————————+———————————+————————————————————————————————————————————————————

00

5B

0000 000a

WMT3 Wave Switch

 

(0

— 1)

 

 

 

OFF, ON

00

5C

0000 00aa

WMT3 Wave Group Type

 

(0 — 3)

 

 

INT, SR—JV80, SRX, SAMPLE<*>

#

00

5D

0000 aaaa

 

 

 

 

 

 

0000 bbbb

 

 

 

 

 

 

0000 cccc

 

 

 

 

 

 

0000 dddd

WMT3 Wave Group ID

(0 —

16384)

 

 

 

OFF, 1 —

16384

#

00

61

0000 aaaa

 

 

 

 

 

 

0000 bbbb

 

 

 

 

 

 

0000 cccc

 

 

 

 

 

 

0000 dddd

WMT3 Wave Number L (Mono)

(0 —

16384)

 

 

 

OFF, 1 —

16384

#

00

65

0000 aaaa

 

 

 

 

 

 

0000 bbbb

 

 

 

 

 

 

0000 cccc

 

 

 

 

 

 

0000 dddd

WMT3 Wave Number R

(0 —

16384)

 

 

 

OFF, 1 —

16384

00

69

0000 00aa

WMT3 Wave Gain

 

(0 — 3)

 

 

 

—6, 0, +6, +12 [dB]

00

6A

0000 000a

WMT3 Wave FXM Switch

 

(0 — 1)

 

 

 

OFF, ON

00

6B

0000 00aa

WMT3 Wave FXM Color

 

(0 — 3)

 

 

 

 

1

— 4

00

6C

000a aaaa

WMT3 Wave FXM Depth

(0 — 16)

00

6D

0000 000a

WMT3 Wave Tempo Sync

 

(0 — 1)

 

 

 

OFF, ON

00

6E

0aaa aaaa

WMT3 Wave Coarse Tune

(16

112)

 

 

 

—48

+48

00

6F

0aaa aaaa

WMT3 Wave Fine Tune

(14

114)

 

 

 

—50

+50

00

70

0aaa aaaa

WMT3 Wave Pan

(0

127)

 

 

 

L64

63R

00

71

0000 000a

WMT3 Wave Random Pan Switch

 

(0 — 1)

 

 

 

OFF, ON

00

72

0000 00aa

WMT3 Wave Alternate Pan Switch

 

(0 — 2)

 

 

 

OFF, ON, REVERSE

00

73

0aaa aaaa

WMT3 Wave Level

(0 —

127)

00

74

0aaa aaaa

WMT3 Velocity Range Lower

(1 —

127)

 

 

 

1 —

UPPER

00

75

0aaa aaaa

WMT3 Velocity Range Upper

(1

127)

 

 

 

LOWER

127

00

76

0aaa aaaa

WMT3 Velocity Fade Width Lower

(0

127)

00

77

0aaa aaaa

WMT3 Velocity Fade Width Upper

(0

127)

—————————————+———————————+————————————————————————————————————————————————————

MIDI Implementation

155

Page 155
Image 155
Kenwood XV-2020 owner manual 155, Rhythm Tone

XV-2020 specifications

The Kenwood XV-2020 is a distinguished model in the realm of high-fidelity audio equipment, offering a blend of vintage charm and modern technology. Renowned for its powerful performance and exquisite sound quality, the XV-2020 appeals to audiophiles and casual listeners alike, making it a sought-after choice in the used market.

At the heart of the Kenwood XV-2020 is its robust amplifier section, delivering a significant output power that allows it to drive a variety of speakers effortlessly. With a power rating typically around 50 watts per channel (into 8 ohms), this receiver provides a rich, dynamic sound suitable for a wide range of musical genres. The amplifier is designed with a low total harmonic distortion, ensuring that the audio output remains clean and free from undesirable artifacts, even at high volumes.

The XV-2020 features a multi-source input configuration, allowing users to connect various audio sources such as CD players, turntables, and cassette decks. This versatility is complemented by its built-in phono stage, which means vinyl enthusiasts can connect their turntables directly without needing a separate preamp. The receiver also supports AM/FM radio, featuring a reliable tuner section that ensures excellent reception, allowing users to enjoy their favorite radio stations with clarity.

One of the standout features of the Kenwood XV-2020 is its tone control options. Users can fine-tune their listening experience with adjustable bass, midrange, and treble controls. This capability allows for customization according to individual preferences or room acoustics, making it easier to achieve the ideal sound profile.

Additionally, the XV-2020 incorporates a decoder for various surround sound formats, enhancing the listening experience for movies and music encoded in surround formats. This feature reflects Kenwood’s commitment to evolving audio technology, providing users with an immersive experience that traditional stereo systems often lack.

The build quality of the XV-2020 is another characteristic that sets it apart. Housed in a sturdy chassis with a minimalist aesthetic, it is not only functional but also an attractive piece of equipment that fits well in any home audio setup. With its user-friendly interface and comprehensive features, the Kenwood XV-2020 remains a popular choice for those looking to experience rich audio performance without compromising on style. Its combination of power, flexibility, and classic design solidifies its status as a beloved component in the world of audio receivers.