MIDI Implementation

0000 cccc

 

0000 dddd Reverb Parameter 1

(12768 — 52768)

—20000 — +20000

#

00 07 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 2

(12768 — 52768)

—20000 — +20000

#

00 0B 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 3

(12768 — 52768)

—20000 — +20000

#

00 0F 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 4

(12768 — 52768)

—20000 — +20000

#

00 13 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 5

(12768 — 52768)

—20000 — +20000

#

00 17 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 6

(12768 — 52768)

—20000 — +20000

#

00 1B 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 7

(12768 — 52768)

—20000 — +20000

#

00 1F 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 8

(12768 — 52768)

—20000 — +20000

#

00 23 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 9

(12768 — 52768)

—20000 — +20000

#

00 27 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 10

(12768 — 52768)

—20000 — +20000

#

00 2B 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 11

(12768 — 52768)

—20000 — +20000

#

00 2F 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 12

(12768 — 52768)

—20000 — +20000

#

00 33 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 13

(12768 — 52768)

—20000 — +20000

#

00 37 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 14

(12768 — 52768)

—20000 — +20000

#

00 3B 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 15

(12768 — 52768)

—20000 — +20000

#

00 3F 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 16

(12768 — 52768)

—20000 — +20000

#

00 43 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 17

(12768 — 52768)

—20000 — +20000

#

00 47 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 18

(12768 — 52768)

—20000 — +20000

#

00 4B 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 19

(12768 — 52768)

—20000 — +20000

#

00 4F 0000 aaaa

 

0000 bbbb

 

0000 cccc

 

0000 dddd Reverb Parameter 20

(12768 — 52768)

—20000 — +20000

—————————————+————————————————————————————————————————————————————————————————

00 00 00 53 Total Size +——————————————————————————————————————————————————————————————————————————————+

1-4-1-5 Patch TMT (Tone Mix Table)

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

00 00

0000 aaaa Structure Type 1 & 2

(0 — 9)

 

1

— 10

00 01

0000 00aa Booster 1 & 2

(0 — 3)

 

0, +6, +12, +18

[dB]

00 02

0000 aaaa Structure Type 3 & 4

(0 — 9)

 

1

— 10

00 03

0000 00aa Booster 3 & 4

(0 — 3)

 

0, +6, +12, +18

[dB]

—————————————+———————————+————————————————————————————————————————————————————

00 04

0000 00aa TMT Velocity Control

(0 — 2)

OFF, ON, RANDOM

—————————————+———————————+————————————————————————————————————————————————————

00

05

0000 000a TMT1 Tone Switch

(0

— 1)

 

 

OFF, ON

00

06

0aaa aaaa TMT1 Keyboard Range Lower

(0 —

127)

 

 

C—1 — UPPER

00

07

0aaa aaaa TMT1 Keyboard Range Upper

(0 —

127)

 

 

LOWER — G9

00

08

0aaa aaaa TMT1 Keyboard Fade Width Lower

(0 —

127)

00

09

0aaa aaaa TMT1 Keyboard Fade Width Upper

(0 —

127)

00

0A

0aaa aaaa TMT1 Velocity Range Lower

(1 —

127)

 

 

1 — UPPER

00

0B

0aaa aaaa TMT1 Velocity Range Upper

(1 —

127)

 

 

LOWER —

127

00

0C

0aaa aaaa TMT1 Velocity Fade Width Lower

(0 —

127)

00

0D

0aaa aaaa TMT1 Velocity Fade Width Upper

(0 —

127)

—————————————+———————————+————————————————————————————————————————————————————

00 0E

0000 000a TMT2 Tone Switch

(0 — 1)

OFF, ON

00 0F

0aaa aaaa TMT2 Keyboard Range Lower

(0

127)

 

C—1

UPPER

00 10

0aaa aaaa TMT2 Keyboard Range Upper

(0

127)

 

LOWER — G9

00 11

0aaa aaaa TMT2 Keyboard Fade Width Lower

(0 —

127)

00 12

0aaa aaaa TMT2 Keyboard Fade Width Upper

(0 —

127)

00 13

0aaa aaaa TMT2 Velocity Range Lower

(1 —

127)

 

1 —

UPPER

00 14

0aaa aaaa TMT2 Velocity Range Upper

(1

127)

 

LOWER

127

00 15

0aaa aaaa TMT2 Velocity Fade Width Lower

(0

127)

00 16

0aaa aaaa TMT2 Velocity Fade Width Upper

(0

127)

—————————————+———————————+————————————————————————————————————————————————————

00

17

0000

000a

TMT3 Tone Switch

 

(0

— 1)

 

 

 

 

OFF, ON

00

18

0aaa aaaa TMT3 Keyboard Range Lower

(0 —

127)

 

 

 

 

C—1 — UPPER

00

19

0aaa aaaa TMT3 Keyboard Range Upper

(0 —

127)

 

 

 

 

LOWER — G9

00

1A

0aaa aaaa TMT3 Keyboard Fade Width Lower

(0 —

127)

00

1B

0aaa aaaa TMT3 Keyboard Fade Width Upper

(0 —

127)

00

1C

0aaa aaaa TMT3 Velocity Range Lower

(1 —

127)

 

 

 

 

1 —

UPPER

00

1D

0aaa aaaa TMT3 Velocity Range Upper

(1

127)

 

 

 

 

LOWER

127

00

1E

0aaa aaaa TMT3 Velocity Fade Width Lower

(0

127)

00

1F

0aaa aaaa TMT3 Velocity Fade Width Upper

(0

127)

—————————————+———————————+————————————————————————————————————————————————————

00 20

0000

000a

TMT4 Tone Switch

 

(0

— 1)

 

 

 

OFF, ON

00 21

0aaa aaaa TMT4 Keyboard Range Lower

(0 —

127)

 

 

 

C—1 — UPPER

00 22

0aaa aaaa TMT4 Keyboard Range Upper

(0 —

127)

 

 

 

LOWER — G9

00 23

0aaa aaaa TMT4 Keyboard Fade Width Lower

(0 —

127)

00 24

0aaa aaaa TMT4 Keyboard Fade Width Upper

(0 —

127)

00 25

0aaa aaaa TMT4 Velocity Range Lower

(1 —

127)

 

 

 

1 —

UPPER

00 26

0aaa aaaa TMT4 Velocity Range Upper

(1

127)

 

 

 

LOWER

127

00 27

0aaa aaaa TMT4 Velocity Fade Width Lower

(0

127)

00 28

0aaa aaaa TMT4 Velocity Fade Width Upper

(0

127)

—————————————+————————————————————————————————————————————————————————————————

00 00 00 29 Total Size +——————————————————————————————————————————————————————————————————————————————+

1-4-1-6 Patch Tone

+——————————————————————————————————————————————————————————————————————————————+

Offset

 

Address

Description

—————————————+————————————————————————————————————————————————————————————————

00 00

0aaa aaaa

Tone Level

(0 —

127)

00 01

0aaa aaaa

Tone Coarse Tune

(16 —

112)

 

 

—48

+48

00 02

0aaa aaaa

Tone Fine Tune

(14 —

114)

 

 

—50

+50

00 03

000a aaaa

Tone Random Pitch Depth

(0 — 30)

 

0, 1, 2, 3, 4, 5, 6, 7, 8, 9,

 

10, 20, 30, 40, 50, 60, 70, 80,

 

90, 100, 200, 300, 400, 500,

 

600, 700, 800, 900, 1000, 1100,

 

 

 

1200

00 04

0aaa aaaa

Tone Pan

(0 —

127)

 

 

L64 —

63R

00 05

000a aaaa

Tone Pan Keyfollow

(54 — 74)

 

 

—100 — +100

00 06

00aa aaaa

Tone Random Pan Depth

(0 — 63)

00 07

0aaa aaaa

Tone Alternate Pan Depth

(1 —

127)

 

 

L63 —

63R

00 08

0000 000a

Tone Env Mode

(0 — 1)

 

 

NO—SUS, SUSTAIN

00 09

0000 00aa

Tone Delay Mode

(0 — 3)

 

NORMAL, HOLD, KEY—OFF—NORMAL,

 

 

KEY—OFF—DECAY

#

00 0A

0000 aaaa

 

 

 

 

0000 bbbb

Tone Delay Time

(0 —

149)

 

 

0 — 127, MUSICAL—NOTES

—————————————+———————————+————————————————————————————————————————————————————

00

0C

0aaa aaaa

Tone Dry Send Level

(0 — 127)

00

0D

0aaa aaaa

Tone Chorus Send Level (MFX)

(0 — 127)

00

0E

0aaa aaaa

Tone Reverb Send Level (MFX)

(0 — 127)

00

0F

0aaa aaaa

Tone Chorus Send Level (non MFX)

(0 — 127)

00

10

0aaa aaaa

Tone Reverb Send Level (non MFX)

(0 — 127)

00

11

0000 aaaa

Tone Output Assign

(0 — 12)

 

 

MFX, A,

B<*>, C<*>, D<*>,

 

 

1, 2, 3<*>, 4<*>, 5<*>,

6<*>, 7<*>, 8<*>

—————————————+———————————+————————————————————————————————————————————————————

00 12

0000

000a

Tone Receive Bender

(0 — 1)

 

 

 

OFF, ON

00 13

0000

000a

Tone Receive Expression

(0 — 1)

 

 

 

OFF, ON

00 14

0000

000a

Tone Receive Hold—1

(0 — 1)

 

 

 

OFF, ON

00 15

0000

000a

Tone Receive Pan Mode

(0 — 1)

 

 

 

CONTINUOUS, KEY—ON

00 16

0000

000a

Tone Redamper Switch

(0 — 1)

 

 

 

OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

00 17

0000 00aa Tone Control 1 Switch 1

(0 — 2)

 

 

OFF, ON, REVERSE

00 18

0000 00aa Tone Control 1 Switch 2

(0 — 2)

 

 

OFF, ON, REVERSE

00 19

0000 00aa Tone Control 1 Switch 3

(0 — 2)

 

 

OFF, ON, REVERSE

00 1A

0000 00aa Tone Control 1 Switch 4

(0 — 2)

 

 

OFF, ON, REVERSE

00

1B

0000 00aa Tone Control 2 Switch 1

(0 — 2)

 

 

OFF, ON, REVERSE

00

1C

0000 00aa Tone Control 2 Switch 2

(0 — 2)

 

 

OFF, ON, REVERSE

00

1D

0000 00aa Tone Control 2 Switch 3

(0 — 2)

 

 

OFF, ON, REVERSE

00

1E

0000 00aa Tone Control 2 Switch 4

(0 — 2)

 

 

OFF, ON, REVERSE

00

1F

0000 00aa Tone Control 3 Switch 1

(0 — 2)

 

 

OFF, ON, REVERSE

00 20

0000 00aa Tone Control 3 Switch 2

(0 — 2)

 

 

OFF, ON, REVERSE

00 21

0000 00aa Tone Control 3 Switch 3

(0 — 2)

 

 

OFF, ON, REVERSE

00 22

0000 00aa Tone Control 3 Switch 4

(0 — 2)

 

 

OFF, ON, REVERSE

00 23

0000 00aa Tone Control 4 Switch 1

(0 — 2)

 

 

OFF, ON, REVERSE

00 24

0000 00aa Tone Control 4 Switch 2

(0 — 2)

 

 

OFF, ON, REVERSE

00 25

0000 00aa Tone Control 4 Switch 3

(0 — 2)

 

 

OFF, ON, REVERSE

00 26

0000 00aa Tone Control 4 Switch 4

(0 — 2)

 

 

OFF, ON, REVERSE

—————————————+———————————+————————————————————————————————————————————————————

00 27

0000

00aa Wave Group Type

(0 — 3)

 

 

INT, SR—JV80, SRX, SAMPLE<*>

#

00 28

0000

aaaa

 

0000

bbbb

 

0000

cccc

152

Page 152
Image 152
Kenwood XV-2020 owner manual 152, Patch TMT Tone Mix Table, Patch Tone

XV-2020 specifications

The Kenwood XV-2020 is a distinguished model in the realm of high-fidelity audio equipment, offering a blend of vintage charm and modern technology. Renowned for its powerful performance and exquisite sound quality, the XV-2020 appeals to audiophiles and casual listeners alike, making it a sought-after choice in the used market.

At the heart of the Kenwood XV-2020 is its robust amplifier section, delivering a significant output power that allows it to drive a variety of speakers effortlessly. With a power rating typically around 50 watts per channel (into 8 ohms), this receiver provides a rich, dynamic sound suitable for a wide range of musical genres. The amplifier is designed with a low total harmonic distortion, ensuring that the audio output remains clean and free from undesirable artifacts, even at high volumes.

The XV-2020 features a multi-source input configuration, allowing users to connect various audio sources such as CD players, turntables, and cassette decks. This versatility is complemented by its built-in phono stage, which means vinyl enthusiasts can connect their turntables directly without needing a separate preamp. The receiver also supports AM/FM radio, featuring a reliable tuner section that ensures excellent reception, allowing users to enjoy their favorite radio stations with clarity.

One of the standout features of the Kenwood XV-2020 is its tone control options. Users can fine-tune their listening experience with adjustable bass, midrange, and treble controls. This capability allows for customization according to individual preferences or room acoustics, making it easier to achieve the ideal sound profile.

Additionally, the XV-2020 incorporates a decoder for various surround sound formats, enhancing the listening experience for movies and music encoded in surround formats. This feature reflects Kenwood’s commitment to evolving audio technology, providing users with an immersive experience that traditional stereo systems often lack.

The build quality of the XV-2020 is another characteristic that sets it apart. Housed in a sturdy chassis with a minimalist aesthetic, it is not only functional but also an attractive piece of equipment that fits well in any home audio setup. With its user-friendly interface and comprehensive features, the Kenwood XV-2020 remains a popular choice for those looking to experience rich audio performance without compromising on style. Its combination of power, flexibility, and classic design solidifies its status as a beloved component in the world of audio receivers.