• The instrument and the adapter should be located so their position does not interfere with their proper venti- lation.

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•Always grasp only the plug or the body of the adapter when plugging into, or unplugging from, an outlet or this instrument.

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•Whenever the unit is to remain unused for an extended period of time, disconnect the adapter.

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• Try to prevent cords and cables from becoming entan- gled. Also, all cords and cables should be placed so they are out of the reach of children.

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C-190 Portable Organ r

•Never climb on top of, nor place heavy objects on the unit.

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• Never handle the adapter with wet hands when plugging into, or unplugging from, an outlet or this unit.

•Before cleaning the unit, turn off the power and unplug the adapter from the outlet (p. 9).

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•Whenever you suspect the possibility of lightning in your area, disconnect the adapter from the outlet.

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Contents

1. Panel descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Headphone sockets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

2. Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Connecting the adapter . . . . . . . . . . . . . . . . . . . . . . . . . 9 Turning the power on and off. . . . . . . . . . . . . . . . . . . . 9 Adjusting the volume . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Connecting headphones (sold separately) . . . . . . . . . 9 Listening to the demo songs . . . . . . . . . . . . . . . . . . . . 10

3. Playing organ music. . . . . . . . . . . . . . . . . . . . . . . . 11 Registering the MANUAL I division . . . . . . . . . . . . . . 11 Adding the MANUAL II division . . . . . . . . . . . . . . . . . 11 Playing the MANUAL I and II divisions via separate keys. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Tremulant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Using the PEDAL division . . . . . . . . . . . . . . . . . . . . . . . 12 Selecting other organ timbres . . . . . . . . . . . . . . . . . . 14

4. Using the orchestral sounds . . . . . . . . . . . . . . . . . 15 Selecting sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Using a sustain pedal . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Orchestra Melody function . . . . . . . . . . . . . . . . . . . . . 15 Using a chime sound . . . . . . . . . . . . . . . . . . . . . . . . . . 15

5. Additional functions . . . . . . . . . . . . . . . . . . . . . . . 16 Adding reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Selecting different tunings . . . . . . . . . . . . . . . . . . . . . 16 Transposing (same fingering, different notes) . . . . . 17 Recording your performance . . . . . . . . . . . . . . . . . . . 18 Using the audio outputs . . . . . . . . . . . . . . . . . . . . . . . 18

6. Using the C-190’s memories . . . . . . . . . . . . . . . . . 19 Saving your settings as registrations. . . . . . . . . . . . . 19 Loading the settings of a memory . . . . . . . . . . . . . . . 19 Saving settings to the global area . . . . . . . . . . . . . . . 19

5