Roland VG-99 , DELAY Common Parameters, PAN, DUAL-S, DUAL-P, DUAL-L/R

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Chapter 9 Parameters Guide FX (Effects)
DELAY Common Parameters
PAN
DUAL-S, DUAL-P, DUAL-L/R
MOD (Modulate) This delay adds a pleasant wavering effect
to the sound.
HOLD Up to 2.8 seconds of performance content is
recorded, then played back repeatedly. You
can also layer this as you perform some-
thing else, then record these together (over-
dub), allowing you to produce what is
called sound-on-sound or looping.
* For more detail the operation, refer to “Using the HOLD (Hold
Delay)” (p. 125).
* If you switch patches with the TYPE set to either DUAL-S, DUAL-P,
or DUAL L/R and then begin to play immediately after the patches
change, you may be unable to attain the intended effect in the first
portion of what you perform.
* The stereo effect is cancelled if a monaural effect or COSM amp is
connected after a stereo delay effect.
Parameter/
Range Explanation
DELAY TIME
1 ms–1800 ms,
BPM –BPM
This determines the delay time.
When set to BPM, the value of each parameter will be set according
to the value of the BPM (p. 163) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
* When TYPE is set to DUAL-S, DUAL-P, or DUAL-L/R, the delay
time can be set to any value from 1 to 900 ms.
* After setting DELAY TIME to BPM ( – ), if you tap [F1] (TAP),
the BPM value will change to match the timing of your tapping.
FEEDBACK
0–100 This sets the amount of delay sound re-
turned to the input.
A higher value will increase the number of
the delay repeats.
Feedback is returning a delay signal to the
input.
HIGH CUT (High Cut Filter)
700 Hz–11 kHz, FLAT This allows you to get a mild effect sound by
cutting the high-end component above the
set frequency. When it is set to FLAT, the
high cut filter is off or has no effect.
EFFECT LEVEL
0–120 Adjusts the volume of the delay sound.
DIRECT LEVEL
0–100 Adjusts the volume of the direct sound.
Parameter/
Range Explanation
Parameter/
Range Explanation
TAP TIME TYPE=PAN *1
0%–100% Adjusts the delay time of the left channel de-
lay. This setting adjusts the L channel delay
time relative to the R channel delay time
(considered as 100%).
Parameter/
Range Explanation
DELAY1 TIME
1 ms–900 ms,
BPM –BPM
This determines the delay time.
When set to BPM, the value of each parameter will be set according
to the value of the BPM (p. 163) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
* After setting DELAY TIME to BPM ( – ), if you tap [F1] (TAP),
the BPM value will change to match the timing of your tapping.
DELAY1 FEEDBACK
0–100
Adjusts the amount of feedback of the Delay1.
A higher value will increase the number of
the delay repeats.
DELAY HI-CUT (Delay 1 High Cut Filter)
700 Hz–11 kHz, FLAT This sets the frequency at which the high cut
filter of the Delay1 begins to take effect.
When it is set to FLAT, the high cut filter is
off or has no effect.
DELAY1 LEVEL
0–120 Adjusts the volume of the Delay1.
DELAY2 TIME
1 ms–900 ms,
BPM –BPM
This determines the delay time of the
Delay2.
DELAY2 FEEDBACK
0–100 Adjusts the amount of feedback of the
Delay2.
DELAY2 FEEDBACK (Delay 2 High Cut Filter)
700 Hz–11 kHz, FLAT This sets the frequency at which the high cut
filter of the Delay2 begins to take effect.
When it is set to FLAT, the high cut filter is
off or has no effect.
DELAY2 LEVEL
0–120 Adjusts the volume of the Delay2.
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