|
|
|
|
|
| EN |
| 29 | ||
|
|
|
|
|
|
| ||||
Recording Menu Explanations |
|
|
|
|
|
|
| |||
|
|
|
|
|
| |||||
| REC MODE | Allows you to set the recording mode (SP or LP) depending on your preference (☞ pg. 10). |
| |||||||
|
|
|
|
|
| |||||
| WIDE MODE | OFF |
| Select “OFF” when you want to use neither “SQUEEZE” nor “CINEMA”. |
|
| ||||
|
| SQUEEZE |
| For playback on TVs with an aspect ratio of 16:9. Naturally expands the |
|
| ||||
|
|
|
| image to fit the screen without distortion. |
|
|
|
|
|
|
|
|
|
| appears. When using this mode, refer to your |
| |||||
|
|
|
|
|
| |||||
|
|
|
| instruction manual. During playback/recording on 4:3 TVs/LCD monitor/ |
|
| ||||
|
|
|
| viewfinder, the image is elongated vertically. |
|
|
|
|
|
|
|
|
|
|
|
| |||||
|
| CINEMA |
| Inserts black bands at the top and bottom of the screen. During playback |
|
| ||||
|
|
|
| on |
| |||||
|
|
|
| are cut and the screen ratio becomes 16:9. When using this mode, refer to |
| |||||
|
|
|
| your |
| |||||
|
|
|
| 4:3 TVs/LCD monitor/viewfinder, black bands are inserted at the top and |
| |||||
|
|
|
| bottom of the screen and the image appears like a letterboxed 16:9 movie. |
| |||||
|
|
|
|
|
| |||||
| ZOOM | 10X |
| When set to “10X” while using digital zoom, the zoom magnification will |
|
| ||||
|
|
|
| reset to 10X since digital zoom will be disengaged. |
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
|
| 40X |
| Allows you to use the Digital Zoom. By digitally processing and |
|
| ||||
|
|
| ||||||||
|
|
|
| magnifying images, zooming is possible from 10 times (the optical zoom |
|
| ||||
|
|
|
| limit), to a maximum of 40 times digital magnification. |
|
| ||||
|
| 200X |
| Allows you to use the Digital Zoom. By digitally processing and |
|
| ||||
|
|
|
| magnifying images, zooming is possible from 10 times (the optical zoom |
|
| ||||
|
|
|
| limit), to a maximum of 200 times digital magnification. |
| |||||
|
|
|
|
|
| |||||
| DIS | OFF |
| To compensate for unstable images caused by |
|
| ||||
|
|
|
| at high magnification. |
|
|
|
|
|
|
|
|
|
| NOTES: |
|
|
|
|
|
|
|
|
|
| ● Accurate stabilisation may not be possible if hand shake is excessive, or |
| |||||
|
|
|
| under the following conditions: |
|
|
|
|
|
|
|
|
|
| • When shooting subjects with vertical or horizontal stripes. |
| |||||
|
|
|
| • When shooting dark or dim subjects. |
|
|
|
|
|
|
|
| ON |
| • When shooting subjects with excessive backlighting. |
| |||||
|
|
|
| • When shooting scenes with movement in various directions. |
| |||||
|
|
|
| • When shooting scenes with |
| |||||
|
|
|
| ● Switch off the Digital Image Stabiliser (DIS) when recording with the |
| |||||
|
|
|
| camcorder on a tripod. |
|
|
|
|
|
|
|
|
|
| ● The “ ” indicator appears blinking if the Stabiliser cannot be used. |
| |||||
|
|
|
|
|
| |||||
| GAIN UP | AGC |
| This is automatically activated during Full Auto mode. The overall |
|
| ||||
|
|
|
| appearance is jagged, but the image is bright. |
|
|
|
|
|
|
|
| AUTO |
| The shutter speed is automatically adjusted (1/25 — 1/200 sec.). Shooting |
|
| ||||
|
|
|
| a subject in low or poor lighting at 1/25 sec. shutter speed provides a |
| |||||
|
|
|
| brighter image than in the AGC mode, but the subject’s movements are |
| |||||
|
|
|
| not smooth or natural. When set to this mode, “ | ” is displayed. |
| ||||
|
|
|
|
|
| |||||
|
| OFF |
| Allows you to shoot dark scenes with no picture brightness adjustment. |
|
| ||||
|
|
|
|
|
| |||||
| FLASH | AUTO |
| Flash automatically takes place in the dark (☞ pg. 26). |
|
| ||||
|
| OFF |
| To take a snapshot without flash even in the dark. Since the shutter speed |
|
| ||||
|
|
|
| becomes slow, use a tripod to avoid camera shake. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ON |
| To emit flash on demand when taking a snapshot. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| TO DATE/TIME MENU |
| Refer to “Date/Time Menu Explanations” (☞ pg. 30). |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
| TO SYSTEM MENU |
| Refer to “System Menu Explanations” (☞ pg. 30). |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|