Classe Audio SSP-800/CT-SSP owner manual Name

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By contrast, modern soundtracks use discrete channels of information. That is, each speaker has a distinct signal that is completely independent of every other channel. This approach is clearly more desirable, since it gives the movie-makers more creative control over the quality of your experience. Musicians also prefer discrete formats, since it allows them to place their instruments and voices with greater precision, to create the musical effects they desire.

There are many multi-channel formats available. Table1, below, identifies

the most common multi-channel formats to help you sort out some of the possibilities.

Table 1: Common multichannel modes

Name

# Chs

Matrix/Discrete

 

Comments

analog stereo

2

Discrete

Found on almost all sources, including

 

 

 

tape decks, tuners, and CD players.

analog multi-

6-8

Discrete

A multi-channel analog input used

channel input

 

 

mostly for SACD & DVD-Audio.

Dolby Surround

4

Matrix

The

original matrix

decoding system

Pro Logic

 

 

designed to squeeze four channels into

 

 

 

two and then retrieve them.

Dolby Pro

Up to 5.1

Matrix

An improvement of Dolby’s original

Logic II

 

 

Pro Logic matrix decoder, Dolby PLII

 

 

 

is designed for 5.1 surround systems.

Dolby Pro

Up to 7.1

Matrix

An improvement of Dolby PLII, this

Logic IIx

 

 

version uses the 2ch or 5.1channel

 

 

 

source audio to create as many as 7.1

 

 

 

channels (depending on speaker setup)

 

 

 

of surround sound.

 

Dolby Digital

1.0-5.1

Discrete

The

most common

modern digital

(formerly AC-3)

 

 

source, used in HDTV, DVD, etc.

Dolby

6.1

Discrete

A 7th channel of discrete information

Digital EX

 

 

was recorded during filming and

 

 

 

is encoded into the media. This

 

 

 

information is used to create a single

 

 

 

rear center, or two mono rear centers

 

 

 

depending on the speaker setup (6.1

 

 

 

or 7.1).

 

DTS

1.0-5.1

Discrete

Similar to Dolby Digital in practice,

 

 

 

though it uses a different technology.

DTS-ES Matrix

6.1

Mostly Discrete

The center rear channel is a matrix

 

 

 

channel encoded into the left and

 

 

 

right surround channels. The

 

 

 

processor reads flags and “unfolds”

 

 

 

the center rear channel information;

 

 

 

all other channels are discrete.

DTS-ES Discrete

6.1

Discrete

All 6.1 channels are discrete

 

 

 

 

DTS Neo:6

5-6

Matrix

Designed for the playback of film or

 

 

 

music sources and can derive 5 or 6

 

 

 

channels with surround and/or rear

 

 

 

speakers

 

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Contents Surround Sound Processor SSP-800/CT-SSPClass Important Safety Instructions Contents PlayLink NameWelcome to the Classé family IntroductionExceptional Design Features Page Unpacking your SSP Unpacking and PlacementNON-RACK-MOUNT Installation for SSP Tighten to In-lbs 0.96 N-m Warm-up/break-in period Operating voltage Voltage protection Front Panels Standby/On Button and Status IndicatorIR window Menu On/Off ButtonTouchscreen Audio Mute ControlVolume Control Knob Serial number Rear PanelComposite Video Inputs Hdmi Inputs Component Video InputsDigital Audio Inputs Optical Hdmi OutputsComponent Video Output Digital Audio Inputs Coaxial11 2-Channel Balanced Analog Audio Inputs Digital Audio Output CoaxialDigital Audio Output Optical 10 7.1-Channel Analog Audio InputsUSB Port 17 RS-232 Port IR InputIR Output Trigger Outputs19 10-Channel Analog Outputs CAN-Bus Input and OutputAC Power Cord Input Main Power On/Off SwitchInput Sel Selection Button Remote ControlBasic Functions Audio Processing FunctionsFunction Keys F1 to F4 Preset Config Configuration ButtonVolume Control & Mute Buttons Navigation & Menu ButtonsStep Initial SetupChoose the appropriate cables Connect all source components to the SSP rear panel Terminals to black terminals Power up the system Understanding Surround Sound Name Dolby TrueHD Post-processingSource selection Using the SSP-800/CT-SSPName Description Mode selectionDTS Neo6 Cinema System trims ControlsConfiguration select Menu System Volume setup System setupMax volume Startup volume IR setup Automation Mute setup Name Input setupAudio Configuration Triggers Use Video Next inputProfiles Room EQ Configuration Name Distances Use Speakers LevelsSpeakers available Auxiliary channels Black level Teach IR Display setupBrightness Timeout Language OSD on screen display Dolby/DTS Colors VolumeDolby Pro Logic DTS Neo6 Dolby Volume Important note on Fkey use Remote FkeysVersion info Sensors FeaturesCAN-Bus Terminator Hardware setupClassé Delta Series Products Category 5 Network CablesUsing CAN-Bus CAN-Bus shared features Configuration Operate AC status Status PlayLink Amp info Event log Everything appears to be powered on, but there is no sound TroubleshootingThere is no sound and the Standby LED is not lit There is a hum coming from the SSP IR remote control does not seem to functionOnly one speaker seems to be playing There is a hum coming out of the speakersVoltage Protection Circuit Input factory defaults Care & MaintenanceShipping weight SpecificationsOverall dimensions Net weightSSP-800 Dimensions CT-SSP Dimensions Installation Worksheet Lachine, Quebec Canada H8T 1B3