When you select “AUTO SURR” (Auto Surround)
You can enjoy the Surround mode easily.
•For details about the Surround modes, see pages 38 and 39.
•When “AUTO SURR” is activated, the AUTO SR indicator lights up on the display.
How does “AUTO SURR” work?
•If a
•If a Dolby Digital
•If a Dolby Digital
NOTES
Virtual Surround Back
When playing Dolby Digital Surround EX or
Ex.: When playing back DTS-ES software.
EQ C.TONE | VIRTUAL SB AUDIO P. BASS | TA NEWS INFO RDS TUNED ST AUTO MUTING SLEEP AUTO MODE | |||||||
LPCM | L |
| C |
| R |
| PL | ATT | |
DOLBY D | S . WFR LFE | NEO : 6 | HP | ||||||
DTS AAC |
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| DSP 3D | MHz | |
LS | SB | RS | |||||||
96 / 24 | AUTO SR | kHz | |||||||
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To activate the Virtual Surround Back, see page 22.
•“AUTO SURR” does not take effect in the following cases:
–While playing an analogue source.
–While selecting one of the fixed digital decode modes— “DOLBY D” or “DTS” (see page 13).
•While listening with the headphones, the 3D HEADPHONE mode (see pages 39 and 41) is activated without respect to the type of software played back.
•When “AUTO SURR” is selected, sound may not come out at the beginning of playback. If it occurs, select a Surround mode manually (see page 42).
Available Surround and DSP modes according to the incoming signal
The name of the mode shown below is the display indication.
Modes | Surround modes | DSP modes | HEADPHONE mode | Surround/DSP | |
Incoming signal | off | ||||
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Dolby Digital | DOLBY D |
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Dolby Digital Surround EX | DOLBY D | HALL1/2, LIVE CLUB, |
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| (Virtual Surround Back*1) | DANCE CLUB, PAVILION, |
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DTS | DTS | THEATRE1/2, ALL CH ST*2 |
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DTS |
| HEADPHONE, | SURRND OFF | ||
| (Virtual Surround Back) |
| 3D HEADPHONE | (stereo) | |
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Dual Mono | DUAL MONO | HALL1/2, LIVE CLUB, |
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Dolby Digital |
| DANCE CLUB, PAVILION, |
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DTS | PLII MOVIE, PLII MUSIC | THEATRE1/2, MONO FILM, |
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Linear PCM |
| ALL CH ST*2 |
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Analogue |
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*1 Virtual Surround Back may not be applied to some software.
*2 Not selectable if the surround speakers are set to “NO” in the speaker setting (see page 21).
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