AKG Acoustics C414 XLII Cello/Variante Siehe Kontrabass, Abb Akustische Gitarre mit einem C

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4 Anwendungshinweise

Kontrabass:

Richten Sie das Mikrofon aus einer Entfernung von ca. 40 cm auf eines der F-Löcher. Falls der Kontrabass gleichzeitig mit einem Ensemble aufgenommen werden muss, den Abstand verringern und die Richt- charakteristik Hyperniere einsetzen, um Übersprechen anderer Instru- mente in das BassMikrofon zu ver- meiden.

Cello/Variante 1:

Siehe Kontrabass.

Cello/Variante 2: Nahbereichsmikrofon wie Variante 1 plus Raummikrofon. Pegel des Nah- bereichsmikrofons ca. 20 dB unter den Pegel des Raummikrofons ein- stellen.

Wir empfehlen, zwei Mikrofone zu verwenden.

Richten Sie ein C 414 aus einer Ent- fernung von 20 bis 30 cm auf das Schallloch aus. Richten Sie ein Kleinmembranmikrofon (z.B. C 451B) aus ca. 1 m Entfernung auf einen Punkt in der Nähe des Stegs oder von hinten/unten auf den Korpus.

C 414 XLS / XLII

4.6.4 Kontrabass, Cello

Abb. 7: Kontrabass

4.6.5 Akustische Gitarre

Abb. 8: Akustische Gitarre mit einem C 414

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Contents 414 XLS Xlii Inhaltsverzeichnis Sicherheit und Umwelt WillkommenIhr Händler berät Sie gerne BeschreibungDeaktiviert Hinweis Lock Mode aktivierenVerhindern Die RichtcharakteristikWahlschalter für Tiefenabsenkung Wahlschalter für VorabschwächungStromversorgung Anwendungshinweise XLS / Xlii Aufstellungstipps Solostimme Abb Solosängerin Aufnahmequelle 414 XLS XliiVioline, Viola Abb Violine Begleitchor/VarianteAbb Akustische Gitarre mit einem C KontrabassCello/Variante Siehe Kontrabass Wir empfehlen, zwei Mikrofone zu verwendenKlarinette Abb Klarinette Tenor Sopransaxophon QuerflötePianino Sche zu reduzieren Flügel Richten Sie ein C 414 oder zweiAbb Schlagzeug Gitarre/E-Bass Abb E-Gitarre SchlagzeugGitarre BassArbeitsweise MikrofonTuch Nach dem Trocknen wieder einsatzbereit414 XLS PolardiagrammTechnische Daten FrequenzgangTable of Contents Welcome Safety and EnvironmentSafety Environment Selector once or several times DescriptionXLS or C 414 Xlii YearsPolar Switch phantom power back onLock Mode LaterFrom a concert hall ceiling Stunning, three-dimensional recordings XLS / XliiPreattenuation Pad Selector Bass Cut SelectorPowering Using Your Microphone Lead Vocals Sound source 414 XLS XliiHighly recommended Recommended Viola Backing vocals/techniqueSolo violin Large string sectionsDouble Bass, Cello We recommend using two micro- phonesDouble bass Cello/technique Refer to Double bass aboveXLS / Xlii Clarinet FluteGrand and Upright Pianos Upright pianoHanging and floor toms Electric guitarElectric bass Overhead mikingSpecifications CleaningOmnidirectional Frequency Response Polar Diagram 414 XLSCaractéristiques techniques SommaireBienvenue AlimentationSécurité et environnement BienvenueLuxueuse mallette de transport Accessoire optionnelsRemarque Débranchez le microphone puis le rebranchez Mode LockTionnés pour lapplication actuelle De la caractéristique de directivitéSélecteur de pré-atténuation Sélecteur de pré-atté- nuationEt sans problèmes XLS / Xlii AlimentationMontage sur un pied Conseils d’utilisationCeptionnelle Suspensions disponibles dans le commerceXLS / Xlii Conseils De positionnement Soliste vocal Particulièrement recommandé Recommandé TableauSource sonore 414 XLS Xlii Choristes/variante Violon, altoDB que celui du microphone d’ambiance ContrebasseVioloncelle/variante Voir la contrebasse Saxophone ténor / soprano Nous recommandons l’utilisation de deux microphones6 Flûte traversière Clarinette’axe du pavillon. Sélectionnez la Piano à queuePiano droit Trompette / Trombone11Guitare électrique / Guitare basse Guitare électriqueGuitare basse Nettoyage Omnidirectionnel Réponse en fréquence Diagramme polaire 414 XLSCaractéristiques techniques Pulizia Microfono Antisoffio Dati tecnici XLS / Xlii IndicePagina Benvenuto AlimentazioneAmbiente BenvenutoSicurezza ed ambiente SicurezzaDescrizione Lo ricollegate Se scollegate il microfono e successivamente lo ricollegateDirettività, preattenuazione, attenuazione dei bassi RettivitàRegistrazioni stereofoniche XLS / Xlii Selettore per la preattenuazioneSelettore per l’attenuazione dei bassi Importante AlimentazioneAlle linee audio contro la schermatura del cavo Istruzioni per l’impiego Voce solista TabellaViolino, viola Violino solistaGrandi gruppi di archi XLS / Xlii Coro Coro d’accompagnamento4Contrabbasso, violoncello ContrabbassoVioloncello/variante Vedi contrabbasso Raccomandiamo l’uso di due mi- crofoniSassofono tenore a, sassofono soprano b Flauto traverso10Pianoforte a coda/pianoforte verticale Pianoforte a codaPer i sound rock/pop usate due Pianoforte verticaleToms sospesi e floor toms Chitarra elettricaBasso elettrico Ripresa overheadDati tecnici PuliziaOmnidirezionale Risposta in frequenza Diagramma polare 414 XLSDatos técnicos ÍndicePágina ¡Bienvenido AlimentaciónSeguridad y medio ambiente ¡BienvenidoAccesorios opcionales DescripciónVuelve a enchufar posteriormente De teclasDe bajos Selector de la característica direccionalConmutador-selector para la preatenuación Conmutador-selector para la atenuación de bajosAlimentación Indicaciones de aplicación Recomendado especialmente Tabla Fuente sonora 414 XLS XliiViolín Violín, violaXLS / Xlii Contrabajo, violoncelo Guitarra acústica ContrabajoVioloncelo/Variante Véase Contrabajo Saxofón tenor/soprano Recomendamos utilizar dos micró- fonosClarinete Trompeta/trombón Piano de colaPiano vertical Toma en alto BateríaGuitarra eléctrica Bajo eléctricoBien 6 dB/octava con punto inicial en 160 Hz MicrófonoPantalla antiviento 12 dB/octava con punto inicial en 40 Hz y 80 HzOmnidireccional Respuesta de frecuencia Diagrama polar 414 XLSDatos técnicos Limpeza Microfone Paravento Especificações XLS / Xlii Página Seja Bem-vindoAlimentação Meio ambiente Seja Bem-vindoSegurança e meio ambiente SegurançaCom altas pressões sonoras XLS ou C 414 XliiSA 60 adatador de tripé Ricos comunsApresentação Certo Jogos estéreo Para gravações tridimensionais impressionantes XLS / XliiComutador de seleção para pré-atenuação Comutador de seleção para atenuação dos gravesAlimentação Capítulo IntroduçãoUma grande variedade de aplicações Xlii vejaVoz solista AplicaçãoTabela Muito recomendado RecomendadoXLS / Xlii Coro Coro acompanhante Coro acompanhante Variante 1 se há pistas suficientesCoro acompanhante 4Contrabaixo, violoncelo ContrabaixoVioloncelo/variante Veja contrabaixo Recomendamos utilizar dois micro- fonesSaxofone tenor e soprano Recomendamos usar dois microfo- nesFlauta transversa XLS / Xlii ClarinetePosicione o microfone a aprox Ruídos de sopro Piano de caudaTrompete/trombone 10Piano de cauda/ piano verticalBass drum Violão elétricoBaixo elétrico Agudos acima de 10 kHzEspecificações LimpezaOmnidirecional Resposta de frequência Diagrama polar 414 XLS03/09/9100 U

C414 XLII, C414 XLS specifications

The AKG Acoustics C414 is a celebrated series of large-diaphragm condenser microphones, widely recognized in both studio and live sound applications. Among the most popular models within this line are the C414 XLS and C414 XLII, each offering distinct characteristics suited for varying audio needs.

The C414 XLS is designed for versatile recording scenarios. Its frequency response spans from 20 Hz to 20 kHz, providing a clear and accurate representation of audio sources. The XLS features a large diaphragm that helps capture detailed high frequencies while maintaining a rich low-end response. One of its standout features is the switchable polar patterns, offering nine options: omnidirectional, wide cardioid, cardioid, hypercardioid, and bidirectional, along with intermediate settings. This flexibility makes the XLS suitable for diverse recording environments, whether capturing vocals, acoustic instruments, or entire ensembles.

Meanwhile, the C414 XLII is tailored more specifically for vocals and solo instruments. It boasts a slightly modified frequency response that enhances the presence and clarity of the mid and high frequencies, making it a popular choice for studio vocal recording. The XLII is praised for its bright, open sound and ability to deliver a modern, polished quality, effectively capturing the nuances of vocal performances.

Both microphones employ AKG’s renowned advancements in transducer technology. The large, dual-diaphragm design not only contributes to their exceptional audio fidelity but also allows for precise pattern switching without altering frequency characteristics. Additionally, a low self-noise level ensures that even the most subtle sounds are recorded accurately, making them ideal for microphones used in quiet environments.

Another significant feature of the C414 series is the built-in attenuation pad and high-pass filter. The 20 dB pad enables the microphones to handle high sound pressure levels without distortion, providing flexibility when recording loud sources, such as drums or brass instruments. The high-pass filter effectively minimizes low-frequency rumble and handling noise, further enhancing clarity in recordings.

Durability is an essential aspect of the C414 series, as both models are built to withstand the rigors of professional use. With a rugged body design and high-quality components, these microphones deliver consistent performance day in and day out.

In conclusion, the AKG Acoustics C414 XLS and C414 XLII microphones are industry standards, thanks to their versatility, advanced technology, and exceptional sound quality. Whether you are a seasoned professional or an aspiring audio engineer, these microphones are sure to elevate your recordings to new heights.