AKG Acoustics C414 XLII, C414 XLS manual Flute, XLS / Xlii Clarinet

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We recommend using two micro- phones.

Place mic 1 above and to one side of the player (to reduce blowing noise) and align it with the player's mouth, and aim mic 2 at the instru- ment from the side.

If you prefer to use a single micro- phone, place the microphone as mic 1 above at a distance of about 7 to 8 1/2 feet (2 to 2.5 m) above the floor.

4 Using Your Microphone

4.6.6 Flute

Fig. 9: Using a single micro- phone to mic up a flute.

Point the microphone at the lowest key. To minimize key noise, place the microphone a little ways to the side of the instrument.

Aim the microphone at the middle of the instrument from a distance of about 2 to 3 1/2 feet (50 cm to 1 m).

C 414 XLS / XLII

4.6.7 Clarinet

Fig. 10: Clarinet.

4.6.8Tenor and Soprano Saxophones

Fig. 11: Tenor saxophone (a), soprano saxophone (b).

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Contents 414 XLS Xlii Inhaltsverzeichnis Sicherheit und Umwelt WillkommenIhr Händler berät Sie gerne BeschreibungDeaktiviert Hinweis Lock Mode aktivierenVerhindern Die RichtcharakteristikWahlschalter für Tiefenabsenkung Wahlschalter für VorabschwächungStromversorgung Anwendungshinweise XLS / Xlii Aufstellungstipps Solostimme Abb Solosängerin Aufnahmequelle 414 XLS XliiVioline, Viola Abb Violine Begleitchor/VarianteAbb Akustische Gitarre mit einem C KontrabassCello/Variante Siehe Kontrabass Wir empfehlen, zwei Mikrofone zu verwendenKlarinette Abb Klarinette Tenor Sopransaxophon QuerflötePianino Sche zu reduzieren Flügel Richten Sie ein C 414 oder zweiAbb Schlagzeug Gitarre/E-Bass Abb E-Gitarre SchlagzeugGitarre BassArbeitsweise MikrofonTuch Nach dem Trocknen wieder einsatzbereit414 XLS PolardiagrammTechnische Daten FrequenzgangTable of Contents Safety and Environment Safety EnvironmentWelcome Selector once or several times DescriptionXLS or C 414 Xlii YearsPolar Switch phantom power back onLock Mode LaterFrom a concert hall ceiling Stunning, three-dimensional recordings XLS / XliiPreattenuation Pad Selector Bass Cut SelectorPowering Using Your Microphone Sound source 414 XLS Xlii Highly recommended RecommendedLead Vocals Viola Backing vocals/techniqueSolo violin Large string sectionsDouble Bass, Cello We recommend using two micro- phonesDouble bass Cello/technique Refer to Double bass aboveXLS / Xlii Clarinet FluteGrand and Upright Pianos Upright pianoHanging and floor toms Electric guitarElectric bass Overhead mikingSpecifications CleaningOmnidirectional Frequency Response Polar Diagram 414 XLSCaractéristiques techniques SommaireBienvenue AlimentationSécurité et environnement BienvenueLuxueuse mallette de transport Accessoire optionnelsRemarque Débranchez le microphone puis le rebranchez Mode LockTionnés pour lapplication actuelle De la caractéristique de directivitéSélecteur de pré-atténuation Sélecteur de pré-atté- nuationEt sans problèmes XLS / Xlii AlimentationMontage sur un pied Conseils d’utilisationCeptionnelle Suspensions disponibles dans le commerceParticulièrement recommandé Recommandé Tableau Source sonore 414 XLS XliiXLS / Xlii Conseils De positionnement Soliste vocal Choristes/variante Violon, altoContrebasse Violoncelle/variante Voir la contrebasseDB que celui du microphone d’ambiance Saxophone ténor / soprano Nous recommandons l’utilisation de deux microphones6 Flûte traversière Clarinette’axe du pavillon. Sélectionnez la Piano à queuePiano droit Trompette / TromboneGuitare électrique Guitare basse11Guitare électrique / Guitare basse Nettoyage Réponse en fréquence Diagramme polaire 414 XLS Caractéristiques techniquesOmnidirectionnel Pulizia Microfono Antisoffio Dati tecnici XLS / Xlii IndicePagina Benvenuto AlimentazioneAmbiente BenvenutoSicurezza ed ambiente SicurezzaDescrizione Lo ricollegate Se scollegate il microfono e successivamente lo ricollegateDirettività, preattenuazione, attenuazione dei bassi RettivitàSelettore per la preattenuazione Selettore per l’attenuazione dei bassiRegistrazioni stereofoniche XLS / Xlii Alimentazione Alle linee audio contro la schermatura del cavoImportante Istruzioni per l’impiego Voce solista TabellaViolino, viola Violino solistaGrandi gruppi di archi XLS / Xlii Coro Coro d’accompagnamento4Contrabbasso, violoncello ContrabbassoVioloncello/variante Vedi contrabbasso Raccomandiamo l’uso di due mi- crofoniSassofono tenore a, sassofono soprano b Flauto traverso10Pianoforte a coda/pianoforte verticale Pianoforte a codaPer i sound rock/pop usate due Pianoforte verticaleToms sospesi e floor toms Chitarra elettricaBasso elettrico Ripresa overheadDati tecnici PuliziaOmnidirezionale Risposta in frequenza Diagramma polare 414 XLSDatos técnicos ÍndicePágina ¡Bienvenido AlimentaciónSeguridad y medio ambiente ¡BienvenidoAccesorios opcionales DescripciónVuelve a enchufar posteriormente De teclasDe bajos Selector de la característica direccionalConmutador-selector para la preatenuación Conmutador-selector para la atenuación de bajosAlimentación Indicaciones de aplicación Recomendado especialmente Tabla Fuente sonora 414 XLS XliiViolín Violín, violaContrabajo Violoncelo/Variante Véase ContrabajoXLS / Xlii Contrabajo, violoncelo Guitarra acústica Recomendamos utilizar dos micró- fonos ClarineteSaxofón tenor/soprano Piano de cola Piano verticalTrompeta/trombón Toma en alto BateríaGuitarra eléctrica Bajo eléctricoBien 6 dB/octava con punto inicial en 160 Hz MicrófonoPantalla antiviento 12 dB/octava con punto inicial en 40 Hz y 80 HzRespuesta de frecuencia Diagrama polar 414 XLS Datos técnicosOmnidireccional Página Seja Bem-vindo AlimentaçãoLimpeza Microfone Paravento Especificações XLS / Xlii Meio ambiente Seja Bem-vindoSegurança e meio ambiente SegurançaCom altas pressões sonoras XLS ou C 414 XliiSA 60 adatador de tripé Ricos comunsApresentação Certo Jogos estéreo Para gravações tridimensionais impressionantes XLS / XliiComutador de seleção para pré-atenuação Comutador de seleção para atenuação dos gravesAlimentação Capítulo IntroduçãoUma grande variedade de aplicações Xlii vejaVoz solista AplicaçãoTabela Muito recomendado RecomendadoCoro acompanhante Variante 1 se há pistas suficientes Coro acompanhanteXLS / Xlii Coro Coro acompanhante 4Contrabaixo, violoncelo ContrabaixoVioloncelo/variante Veja contrabaixo Recomendamos utilizar dois micro- fonesSaxofone tenor e soprano Recomendamos usar dois microfo- nesFlauta transversa XLS / Xlii ClarinetePosicione o microfone a aprox Ruídos de sopro Piano de caudaTrompete/trombone 10Piano de cauda/ piano verticalBass drum Violão elétricoBaixo elétrico Agudos acima de 10 kHzEspecificações LimpezaOmnidirecional Resposta de frequência Diagrama polar 414 XLS03/09/9100 U

C414 XLII, C414 XLS specifications

The AKG Acoustics C414 is a celebrated series of large-diaphragm condenser microphones, widely recognized in both studio and live sound applications. Among the most popular models within this line are the C414 XLS and C414 XLII, each offering distinct characteristics suited for varying audio needs.

The C414 XLS is designed for versatile recording scenarios. Its frequency response spans from 20 Hz to 20 kHz, providing a clear and accurate representation of audio sources. The XLS features a large diaphragm that helps capture detailed high frequencies while maintaining a rich low-end response. One of its standout features is the switchable polar patterns, offering nine options: omnidirectional, wide cardioid, cardioid, hypercardioid, and bidirectional, along with intermediate settings. This flexibility makes the XLS suitable for diverse recording environments, whether capturing vocals, acoustic instruments, or entire ensembles.

Meanwhile, the C414 XLII is tailored more specifically for vocals and solo instruments. It boasts a slightly modified frequency response that enhances the presence and clarity of the mid and high frequencies, making it a popular choice for studio vocal recording. The XLII is praised for its bright, open sound and ability to deliver a modern, polished quality, effectively capturing the nuances of vocal performances.

Both microphones employ AKG’s renowned advancements in transducer technology. The large, dual-diaphragm design not only contributes to their exceptional audio fidelity but also allows for precise pattern switching without altering frequency characteristics. Additionally, a low self-noise level ensures that even the most subtle sounds are recorded accurately, making them ideal for microphones used in quiet environments.

Another significant feature of the C414 series is the built-in attenuation pad and high-pass filter. The 20 dB pad enables the microphones to handle high sound pressure levels without distortion, providing flexibility when recording loud sources, such as drums or brass instruments. The high-pass filter effectively minimizes low-frequency rumble and handling noise, further enhancing clarity in recordings.

Durability is an essential aspect of the C414 series, as both models are built to withstand the rigors of professional use. With a rugged body design and high-quality components, these microphones deliver consistent performance day in and day out.

In conclusion, the AKG Acoustics C414 XLS and C414 XLII microphones are industry standards, thanks to their versatility, advanced technology, and exceptional sound quality. Whether you are a seasoned professional or an aspiring audio engineer, these microphones are sure to elevate your recordings to new heights.